L. de Morange Vidéos
compositeur ou compositrice
- opéra
Dernière mise à jour
2024-05-11
Actualiser
Sheet Music: (http•••)o/files/imglnks/usimg/9/99/IMSLP28520-PMLP62741-Alkan_-_Marcia_fun__bre_sulla_morte_d_un_Pappagallo.pdf Marcia Funebre Sulla Morta d'un Papagallo - Charles Valentin Morhange Alkan Featured in the now discontinued Alkan: A Synposium CD Conducted by Ronald Smith One Alkan's more humourous works, Funeral March on the Death of a Parrot is said to be satire on the romantic opera composer Rossini, who had an affinity for parrots. Libretto: "As-tu déjeuné, Jaco?" "Et de quoi?" "Ah!" Have you eaten, Jaco? And what? Ah!!
Maurice Ravel Sylvia Cazeneuve Oliveros Morange Rubinstein Caron Théâtre Lyrique 1875 1937
Documentaire sur la préparation de ce spectacle à consulter ici : (http•••) Avec humour, poésie et tendresse, ce spectacle, met en scène la vie du compositeur français Maurice Ravel, l'histoire de la création de son célèbre Boléro et ses relations amicales. Maurice Ravel né à Ciboure en 1875, mort à Paris en 1937 est un compositeur emblématique de la période de la musique impressionniste. Avec un catalogue de 111 œuvres, Maurice Ravel offre une grande majorité de chefs d’œuvre mondialement reconnus qui font de lui l’un des plus grands compositeurs français du XXème siècle. Ce spectacle mêlant théâtre, musique, chant et danse est présenté par les usagers de l'ESAT l'Edelweiss de Bagnères de Luchon, ville au coeur des Pyrénées. Texte : Christelle Vinsonneau - Musique : Maurice Ravel Directrice artistique, direction musicale, metteuse en scène : Sylvia Cazeneuve ((http•••)) Metteuse en scène, scénariste, régisseuse son : Christelle Vinsonneau ((http•••)) Pianiste : Caroline Oliveros - Régisseur et création lumière : Sébastien Oliveros La voix off Claude Maurice Ravel jeune David Maurice Ravel vieux Sylvain Gouvernante Révelot Nora Hélène Jourdan Morange Angélique Ida Rubinstein Maïté Joseph Ravel Jean-Michel Gustave, vendeur de journaux Anthony Aïtor, pêcheur Jean-Pierre Maria Deluarte Ravel Marion Femme de chambre n°1 Isabelle A. Femme de chambre n° 2 Eva Le majordome Jean-Michel Aspirant n°1 Benjamin Aspirant n° 2 Jean-Pierre Aspirant n° 3 Thierry Les danseurs Maïté, Benjamin, Jean-Michel, Marion, Isabelle A. Les joueurs de djembés Thierry, Stéphan, Isabelle, Anthony, Eva, Nora, Sylvain, Zohra Les chanteurs Marion, Sylvie, Angélique, Anthony, Benjamin, David, Elisabeth, Eva, Isabelle A., Isabelle P., Jean-Michel, Maité, Nora, Stephan, Stephania, Sylvain, Sylvaine, Thierry, Zohra Régisseur lumière assistant Edouard Régisseuse plateau Isabelle P. Techniciens plateau Anthony, Benoît, Gérard, Jean-Pierre, Stéphan, Thierry Accessoires, costumes et maquillage : Marie-Anne, Marie Michèle et toute l'équipe. Souffleuse Sylvaine Brigadier Zohra Décors Benoît et son équipe Répétitrice Danielle Dessinateur Claude Photographe Noëlle Sans oublier Céline, Didier, Gwénaël, Romain, Xavier Sous le regard bienveillant d'Elisabeth Caron, directrice de l'ESAT l'Edelweiss de Luchon Film réalisé par Christelle Vinsonneau - Tous droits réservés (http•••)
Bach Maurice Maréchal Maréchal Eugène Bigot Bigot Lamoureux Loeb Davidov Chest Perkins Maurice Ravel Marechal Jourdan Morhange Morhange Debussy Caplet Leopold Stokowski Hekking Walewska Concerts Lamoureux Philadelphia Orchestra 1940 1948 1950
Soruce: From "The Artistry of Maurice Maréchal" issued by Toshiba-EMI. Maurice Maréchal; Eugène Bigot: Orchestre de L'Association des Concerts Lamoureux Maréchal started cello lessons as a young child and made his public debut at ten. He studied at the Paris Conservatoire under Jules Leopold-Loeb, and won first prize at the age of 15 with the Davidov Second Concerto. He graduated at the age of 19. He joined the Lamoureux Orchestra as the deputy principal cellist and, before long, as the principal. A benefit of this employment was that well-known conductors frequently appeared as guests with it, and Maréchal had a chance to observe their different podium styles and interpretations. He entered military service when World War I broke out. Naturally, he did not take his cello along. But when he discovered that two of his comrades were carpenters and woodworkers he got them to make a primitive cello from the wood of a gunpowder chest. It was serviceable, and with it Maréchal entertained his fellow soldiers throughout the war. He was demobilized after the war. He settled in Paris, marrying an American, Louise Perkins. From that base, he started an international touring career. He became especially well-known for championing contemporary French music. He worked closely with composer Maurice Ravel while the latter was composing one of his least-known masterworks, the Sonata for Violin and Cello. Marechal premiered the work with violinist Helene Jourdan-Morhange. He premiered Epiphanie, an exceptionally difficult and highly unappreciated masterpiece by Debussy's former associate Andre Caplet. Leopold Stokowski invited him to come to America and premiere it with the Philadelphia Orchestra. Maréchal is credited with having helped establish today's view of French music as beautiful, refined in tone, and making its point by emphasis of shading. This is especially notable in subsequent French cello playing. His career was again interrupted by war. When the Germans occupied France in 1940, Maréchal supported the Resistance. He also steadfastly refused all offers to play in Germany, or even on the German-dominated French radio program concerts. He concentrated on teaching, succeeding as cello professor at the Paris Conservatoire on the death of cellist Gerard Hekking. The interruption to his career was especially regrettable in his case because by the time he resumed his career he was stricken with a progressive muscular disease that took the strength from his bowing arm. He gave his last concerts in 1950, and spent the rest of his life teaching and appearing on international juries. His student Christine Walewska recalls that he stressed musical intuition, even over the express markings in the score. "Play surrendering yourself wholly to the music you are performing, and with much liberty," he advised her.
Lockwood Legrand Guérin Loup Nougaro Benoit Gilson Mathé Morange Katia Labèque
"Les Enfants du Jazz" émission TV sur le jazz des années 80 en France dans les clubs de Jazz parisiens et au CIM (Centre d'Information Musicale, école de Jazz mythique) avec: Aldo Romano, Didier Lockwood, François Couturier, Jean-Paul Célea, Guy Hayat, Derry Hall, Christiane Legrand, Roger Guérin, Patrice Galas, Eric Le Lann, Jean-Loup Longnon, Claude Nougaro, Maurice Vander, Charles Bellonzi, Luigui Trussardi, Benoit Widemann, Dominique Bertram, Roger Planchon, Mike Zwerin, Marc Thomas, Magali Noel, André Persiany, Roger Paraboschi, Roland Lobligeois, Jef Gilson, Lionel Benamou, Pierre-Yves Sorin, René Urtreger, François Jeanneau, Philippe Mathé, Jean-Louis Chautemps, Jacques Di Donato, Katia Labèque, Eddy Louiss, Alain Zanio, Hélène Boissin, Bruno Morange, Yves Torchinsky, Dominique Pifarely, Jan Kozlu.
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