Meredith Monk Vidéos
danseuse, chorégraphe, metteur en scène, compositeur, chanteuse et pianiste
- piano, voix
- opéra, musique d'avant-garde
- États-Unis
- chanteur ou chanteuse, compositeur ou compositrice, chorégraphe, metteur ou metteuse en scène, acteur ou actrice, dessinateur ou dessinatrice, réalisateur ou réalisatrice, danseur ou danseuse, artiste interprète, cinéaste, artiste d'enregistrement, scénariste
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Dernière mise à jour
2024-05-07
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Monk Samara Meyerbeer Moreschi Marconi Caruso Gounod Mariinsky Theatre Bolshoi Theatre Zimin Opera 1863 1881 1892 1901 1902 1908 1912 1916 1920 1923 1937
David Kristoforovitch Yuzhin +••.••(...)) was a Russian tenor of Greek heritage. Born David Pindekost (some sources give his real name as Pistiko) in Ekaterinoslav, he sang in his hometown church choir and aspired to become a monk in his youth. Brutal criticism from a conservatory professor in St. Petersburg drove Yuzhin to the verge of suicide, causing him to abandon the idea of ever singing again. However, a much needed second opinion convinced the young tenor that there was a future for him on the opera stage. After a period of further study, he auditioned for the Mariinsky Theatre and was accepted into the chorus in 1892. After two years as a chorister, Yuzhin made his debut as a principal artist at the Kazansk-Saratovsk Opera. The young tenor spent the rest of the 1890s appearing throughout Russia, singing in the theaters of Samara, Kharkov, Odessa, Perm, Tiflis, Kazan, Saratov, Odessa, Yalta, Baku and Kiev. In 1901, Yuzhin made his debut at Moscow's Bolshoi Theatre as Raoul in Meyerbeer's Les Huguenots. He remained with the company for the next seven seasons, singing a variety of roles. During his tenure at the Bolshoi, Yuzhin met the woman who was to become his wife, soprano Natalya Ermolenko +••.••(...)). The two went on to become frequent singing partners and remained married until the tenor’s death. Yuzhin was a member of Sergei Zimin’s Opera in Moscow from 1908 to 1912 and also appeared in Italy, Belgium and South America during the first decade of the 20th Century. The busy tenor also organized his own touring company (something that seems to have been popular with Russian tenors of that period) to bring operatic productions to the Russian provinces. Yuzhin’s repertoire of some thirty roles included the tenor leads in such operas as Boris Godunov, The Snow Maiden, Pique Dame, Fra Diavolo, La Traviata, Aïda, Il Trovatore, Don Carlo, Rigoletto, La Gioconda, Pagliacci, Mefistofele, Faust, La Juive and Roméo et Juliette. At the age of only 50, Yuzhin began to curtail his stage performances and began concentrating on concerts and recitals. His final performance seems to have been a gala concert in Tsaritsyn (now Volgograd) in 1916. The reasons for his relatively early retirement are not known. Perhaps it was the wear and tear on his voice after two decades of singing some very strenuous repertoire. It might have been to leave more time to dedicate to his touring company. Others have pointed to the possibility that the tenor’s health was failing and that he no longer possessed the physical stamina to perform complete operatic roles. Regardless of the reason, by 1916, Yuzhin’s performing career was over and he concentrated on producing operas on tour to showcase the talents of his wife. By 1920, however, the grueling schedule proved too much for the aging artist. Yuzhin retired to Moscow, where, following a lengthy illness, he died on December 28, 1923 at the age of 60. David Yuzhin left a fairly impressive legacy of about 60 discs, made for G&T, Pathé and the Gramophone Company between 1901 and 1908. One hears a well produced lirico-spinto voice of decent size and range. One also hears unbelievably shoddy musicianship, particularly in his early piano accompanied discs for G&T. Singer and pianist are rarely in synch. Yuzhin blows through rests, constantly forcing his accompanist to jump ahead or quickly change tempo to accommodate the tenor’s rhythmic eccentricities. These blunders may have been the result of nerves due to uncertainty in his first recording sessions (Moreschi, Marconi and even Caruso made similar gaffs in their early recordings), for one notices these types of errors far less in the tenor’s later recordings. Mistakes or not, Yuzhin’s discs give us a priceless glimpse into the art of a lesser known working tenor from Imperialist Russia. In this recording, Yuzhin sings a Russian translation of "Salut, demeure chaste et pure" (complete with a ringing top C) from Gounod's Faust. This was recorded in Moscow for G&T in January of 1902.
Gogolin Andreeva Monk 2018 2019 2020
Vinyl version of the album here: (http•••) Link para el lanzamiento: (http•••)k/LollypopLorryGoesDub Link for the release: (http•••)k/LollypopLorryGoesDub Recorded at Octopus Studio (August 2018 - October 2019) Engineers: Sergey Filipov, Ernest Vysokov, Rostislav Turbin Produced by Ivan Gogolin & Maxim Koryagin Mixed by Victor Rice (Studio Copan. São Paulo, Brazil) Dubbed by Ivan Gogolin Mastered by Ruslan Tagirov Cover design & graphics by Vadim Kaziulin Animation by Fernando Cásares LOLLYPOP LORRY & GUEST MUSICIANS: Ivan Gogolin - rhythm guitar, vocals, arrangements Maxim Koryagin - trombone, vocals, arrangements Olga Andreeva - trumpet Yuriy Psyanchin - saxophones Vyacheslav Zhizhilev - keys Svyatoslav Korotovskikh - bass Semyon Shiryaev - drums, percussion, vocals Svetlana Eremeeva - vocals Anna Rogozina - vocals Arina Zayakina - vocals (6) Sergey Chashkin - lead guitar +••.••(...)) Nikolay Tsushko - keys & melodica (7, 9) Andrey Mills - percussion +••.••(...)) Mity Cheva - shakuhachi (2) Contact: •••@••• (http•••) (http•••) (http•••) (http•••) (http•••) Music by M. Davis, D. Gillespie, J. Coltrane, P. Desmond, Aswad, H. Mancini, T. Monk, D. Gordon, K. Garrett.
Monk Richard Hickox Ralph Vaughan Williams Northern Sinfonia 1985
Provided to YouTube by Warner Classics Two Hymn-Tune Preludes: 1. Eventide (melody by W. H. Monk) · Northern Sinfonia of England · Richard Hickox Hickox conducts Vaughan Williams ℗ 1985 Warner Classics, Warner Music UK Ltd Lead Vocals: NORTHERN SINFONIA OF ENGLAND Producer: Brian B. Culverhouse Producer: Brian Culverhouse Orchestra: Northern Sinfonia Of England Lead Vocals: Richard Hickox Conductor: Richard Hickox Composer: Ralph Vaughan Williams Auto-generated by YouTube.
Dreyfus Monk 1985 1997 2003 2020
Dhamma talk with Q&A session offered by Prof. Geshe Georges Dreyfus, about the influence of Ajahn Buddhadasa's teachings on his thinking, how Ajahn’s ideas helped him to understand the Dhamma in ways that are appropriate for a modern scientifically educated person and yet also completely respectful of the integrity of the Buddhist tradition. 'Modern Buddhist Practice: between secularism and traditionalism' (Reading Buddhadasa in the Himalayas) 1st February, 2020 +••.••(...)) Meditation Hall Buddhadāsa Indapañño Archives, Bangkok [Q&A session starts at 41:08] About Ajahn Georges Dreyfus: Prof. Georges Dreyfus spent fifteen years as a Buddhist monk before receiving in 1985 the title of Geshe, the highest degree conferred by Tibetan monastic universities. He then entered the University of Virginia where he received his Ph.D. in the History of Religions program. During these years, he has also been a translator for the Dalai Lama with whom he is personally acquainted. He is currently Professor of Religion of the Department of Religion at Williams College. He has published several books including "The Sound of Two Hands Clapping: the Education of a Tibetan Buddhist Monk" (Berkeley: University of California Press, 2003), and many articles on various aspects of Buddhist philosophy and Tibetan culture. He has been chair of the Religion department at Williams College and chair of the Tibetan and Himalayan Religions group of the American Academy of Religion. He is the recipient of various awards such as a National Endowment for the Humanities. Books by Prof. Georges Dreyfus (a selection): "Recognizing Reality: Dharmakirti and his Tibetan Interpreters" (Albany: SUNY Press, 1997) (http•••) "The Svatantrika-Prasangika Distinction" (Co-edited with Sara McClintock, Boston: Wisdom, 2003) (http•••) "The Sound of Two Hands Clapping: the Education of a Tibetan Buddhist Monk" (Berkeley: University of California Press, 2003) (http•••) - - ❖ - -
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