Matteo Capranica Vidéos
compositeur et organiste italien
- orgue
- opéra
- Italie
- compositeur ou compositrice, organiste
Dernière mise à jour
2024-05-07
Actualiser
Capranica Conta Santi Cosma 1050 1300
Il Comune di Capranica di Viterbo si trova a 373 metri sul livello del mare, conta 6700 abitanti ed è uno dei comuni italiani attraversati dalla via Francigena. I primi insediamenti sul territorio dell'attuale Capranica risalgono all'epoca etrusca, ma le prime notizie certe si collocano intorno al 1050. Fino al 1300 Capranica, come i comuni limitrofi, è posta sotto la giurisdizione del convento sutrino dei Santi Cosma e Damiano. Nel 1305 fa la sua apparizione nel borgo la famiglia degli Anguillara e nel 1337, sotto Orso degli Anguillara, soggiornò a Capranica Francesco Petrarca. (http•••)
Grande adunata dei "servi liberi" del Cavaliere al teatro Capranica di Roma Il Direttore del Foglio,Giuliano Ferrara, tuona: "Noi amici non servili diamo un consiglio disinteressato a Berlusconi: cambia passo, rimettiti in gioco e rilegittimati con una grande campagna nazionale, altrimenti non ci sarà nessun rilancio dell'azione di governo" Al cenacolo di cultura siedevano: Mario Sechi del Tempo, Maurizio Belpietro di Libero, Alessandro Sallusti del Giornale e Vittorio Feltri. Secondo il GRANDE Ferrara, "...i Re assolutisti dovrebbero diventare Re Costituzionali! Insomma dopo le batoste di Milano e Napoli, secondo Ferarra il Cavaliere dovrebbe sostituire "l'autocrazia con la democrazia, nel partito e nel movimento. Se Berlusconi fa il politicista e si affida ai meccanismi di partito perde". Noi di Italiopoli ci chiediamo: ma fino ad oggi questi , "servi liberi" dov'erano? Fossi in loro non userei questa terminologia di "Servi liberi" perché anche se liberi sempre "Servi sarebbero...".Non appare dignitoso! In ogni caso, se per Loro va bene, va bene anche per Noi. Ora che gli Italiani si stanno svegliando dall'ipnosi generale "gli amici non servili" cercano di farlo ragionare con la testa. Ormai è troppo tardi . NON NESSUNO LO CREDERA' . Dicevano i latini, tanti secoli addietro:"factum infectum fieri nequit"
Grieco Capranica Landry Spagnoli Spada 1956
Giovanni dalle Bande Nere - Film Completo by Film&Clips Eroi e Leggende Regia: Sergio Grieco Sceneggiatura: Luigi Capranica, Sandro Continenza, Italo De Tuddo Star: Vittorio Gassman, Constance Smith, Gérard Landry (1956) Ispirato al romanzo di Luigi Capranica, un film dedicato alle vicende di Giovanni dalle Bande Nere, tra scontri con i francesi di Francesco I e gli spagnoli di Carlo V, storie d'amore e battaglie memorabili. Film&Clips Eroi e Leggende è il canale di cinema GRATUITO e LEGALE di YouTube dedicato al genere PEPLUM! Spade, Muscoli e Storie Fantastiche! Da Ercole a Maciste, da Cleopatra a Nefertiti: su Film&Clips Eroi e Leggende trovi le grandi leggende del cinema mitologico! #Sandokan #Cleopatra #Hercules #Nefertiti #Sansone #Ursus #Maciste ti aspettano! Sei pronto a sguainare la spada e vivere l’avventura? Iscriviti a Film&Clips Eroi e Leggende: (http•••) Film&Clips Eroi e Leggende è edito da @Film&Clips, il più bel canale di cinema GRATUITO e LEGALE di YouTube! The best FREE & LEGAL YouTube Channel: movies, clips, docs, short movies from all around the world - Italian, English, Spanish, French, Deutsch, and other subtitles available! Iscriviti a Film&Clips: (http•••) Facebook: (http•••) Instagram: (http•••) Buona visione su Film&Clips Eroi e Leggende, il canale più leggendario di sempre! #Free #Gratis #Avventura #Peplum #FilmCompleto #FilmCompleti Giovanni dalle Bande Nere - Film Completo by Film&Clips Eroi e Leggende
Giuseppe Domenico Scarlatti Alessandro Scarlatti Bernardo Pasquini Francesco Gasparini Corelli Zuccari Capranica Handel Thomas Roseingrave Charles Avison Joseph Kelway Thomas Arne Quantz Farinelli Hasse Cappella Giulia Teatro Capranica 1685 1703 1708 1709 1710 1714 1715 1718 1720 1724 1725 1728 1729 1733 1737 1738 1739 1740 1742 1744 1757
Domenico Scarlatti Giuseppe Domenico Scarlatti was born in Naples on October 26th, 1685. The high rank of his godparents is proof of the esteem in which his father, Alessandro Scarlatti, was held as maestro di cappella. Domenico's musical gifts developed with an almost prodigious rapidity. At the age of sixteen he became a musician at the chapel royal, and two years later father and son left Naples and settled in Rome, where Domenico became the pupil of the most eminent musicians in Italy. The originality of Bernardo Pasquini"s inventions and his skill in elaborating them, and Francesco Gasparini's solid science and intense vitality united to form the basis on which Domenico developed his own genius. His association with Corelli (Gasparini being a pupil of Corelli) also contributed to the evolution of his adolescent genius and soon Domenico Scarlatti became famous in his country principally as a harpsichordist. He served for five years +••.••(...)) as maestro di cappella at the Cappella Giulia in the Vatican. He composed at least one oratorio (1709) and more than a dozen operas for his father's Neapolitan theatre, San Bartolomeo +••.••(...)), the Roman Palazzo Zuccari +••.••(...)), and Teatro Capranica +••.••(...)). His patrons in Rome included the exiled Polish queen Maria Casimira +••.••(...)) and the Portuguese ambassador to the Vatican, the Marquis de Fontes (from 1714), who in 1720 was to succeed in winning Scarlatti for the patriarchal chapel in Lisbon (his serenata, Applause genetliaco, was performed at the Portuguese Embassy in 1714 and his Contessa Delle stagioni at the Lisbon royal chapel in 1720). Scarlatti was also a familiar figure at the weekly meetings of the Accademie Poetico-Musicali hosted by the indefatigable music-lover and entertainer Cardinal Pietro Ottoboni, at which the finest musicians in Rome met and performed chamber music. There Scarlatti met Handel, who had been born in the same year as Scarlatti. At the time of their meeting, in 1708, they were both twenty-three, and were prevailed upon to compete together at the instigation and under the refereeship of Ottoboni; they were adjudged equal on the harpsichord, but Handel was considered the winner on the organ. Thenceforward they held each other in that mutual respect which forms the surest basis for a life friendship. Through Ottoboni, Scarlatti also met Thomas Roseingrave who became his enthusiastic champion and, back in London, published the first edition of Scarlatti's Essercizi per gravicembalo +••.••(...)) from which, in turn, the Newcastle-born English composer Charles Avison drew material from at least 29 Scarlatti sonatas to produce a set of 12 concertos in 1744. Joseph Kelway and Thomas Arne also helped to popularize Scarlatti's music in England. Attracted by the unknown, Scarlatti abandoned the post of maestro di cappella at St. Peter's Basilica in Rome. Natural curiosity and the fascination of distant countries induced him to undertake a voyage to London, where his opera Narciso met with only a moderate success. From London Scarlatti went to Lisbon +••.••(...)). As a harpsichordist at the royal court, he was entrusted with the musical education of the princesses. The death of his father recalled him to Naples in 1725, but he did not long remain in his native town. His old pupil, the Portuguese princess, who had married Ferdinand VI, invited him to the Spanish court. Scarlatti accepted and in 1733 after a period in Seville (from 1729-33) he went to Madrid, where he lived until his death. Scarlatti returned to Italy on three occasions. In 1724 in Rome he met Quantz and Farinelli, who himself joined the Spanish court in 1737. In 1725 he returned at the death of his father in Naples - where he met Hasse. And in 1728 he returned to Rome, where he met and married his first wife by whom he had five children (she died in 1739, and by 1742 he has married again, to a Spanish woman, by whom he had four more children). In 1738, sponsored by King John V of Portugal, he passed secret trials to become a Knight of the Order of Santiago, and about 1740 Velasco painted the portrait which heads this page, and for which he wore the full regalia of the Order. He died in Madrid on July 23, 1757. baroquemusic.org 00:00 1.[Sonata For Harpsichord] C major K. 49 06:05 2.[Sonata For Harpsichord] E flat major K. 123 11:16 3.[Sonata For Harpsichord] G minor k.426 18:04 4.[Sonata For Harpsichord] B flat major, K.70 20:33 5.[Sonata For Harpsichord] D minor, K.9 24:46 6.[Sonata For Harpsichord] F Minor K.519 28:21 7.[Sonata For Harpsichord] B Minor K.87 34:51 8.[Sonata For Harpsichord] G major, K. 375 37:26 9.[Sonata For Harpsichord] B major, K.244 42:10 10.[Sonata For Harpsichord] D minor, K.1 44:51 11.[Sonata For Harpsichord] F major "Pastoral" K.446 50:37 12.[Sonata For Harpsichord] A major K. 113
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