Marie-Emmanuel-Augustin Savard Vidéos
compositeur, chef d'orchestre et pédagogue français
- opéra, musique du monde
- France
- compositeur ou compositrice, chef ou cheffe d'orchestre, enseignant ou enseignante
Dernière mise à jour
2024-05-10
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Gloria Richard Lully Campra Duparc Brahms Savard Rondeau Jäger 1314 1614 1720 1963
The soprano performs songs by Lully, Campra, Duparc and Brahms with pianist Claude Savard in this finalists program from the 3rd Jeunesses Musicales du Canada competition in September, 1963. I. Lully: "Revenez, amours" 0:00 II. Campra: "Nocturne" 3:15 III. Campra: "Rondeau" 6:49 IV. Duparc: "La vie antérieure" 8:48 V. Brahms: "Auf dem Kirchhofe" 13:14 VI. Brahms: "Der Jäger" 16:14 VII. Brahms: "O liebliche Wangen" 17:20 Here is a link to more from this singer and the other finalists at the 3rd Jeunesses musicales du Canada: (http•••)
Cécile Louise Stéphanie Chaminade Félix Couppey Augustin Savard Martin Pierre Marsick Benjamin Godard Georges Bizet Isidor Philipp Blanche Marchesi Marchesi Pol Plançon Ambroise Thomas Moritz Moszkowski 1857 1892 1899 1901 1902 1903 1907 1908 1913 1944
Composer: Cécile Louise Stéphanie Chaminade (8 August 1857 – 13 April 1944) Work Title: Piano Sonata in C minor, Op.21 Performer: Joanne Polk (piano) 0:00 - I. Allegro appassionato 6:46 - II. Andante 13:49 - III. Allegro Chaminade was a French composer and pianist. Born in Paris, she studied at first with her mother, then with Félix Le Couppey on piano, Marie Gabriel Augustin Savard, Martin Pierre Marsick on violin, and Benjamin Godard in music composition, but not officially, since her father disapproved of her musical education. Her first experiments in composition took place in very early days, and in her eighth year she played some of her music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published. She toured France several times in those earlier days, and in 1892 made her debut in England, where her work was extremely popular.[2]Isidor Philipp, head of the piano department of the Paris Conservatory championed her works. She repeatedly returned to England during the 1890s and made premieres there with singers such as Blanche Marchesi and Pol Plançon, though this activity decreased after 1899 due to bad critical reviews. Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age, the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry. In 1908 she visited the United States, where she was accorded a hearty welcome. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf Dance or the Ballet No.1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London in 1903, she made gramophone recordings of seven of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors, though they have been reissued on compact disk. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on 13 April 1944. Chaminade was relegated to obscurity for the second half of the 20th century, her piano pieces and songs mostly forgotten, with the Flute Concertino in D major, Op. 107, composed for the 1902 Paris Conservatoire Concours, her most popular piece today. Chaminade's sister married Moritz Moszkowski, also a well-known composer and pianist like Cécile. Many of Chaminade's piano compositions received good reviews from critics, but some of her other endeavors and more serious works were less favourably evaluated, perhaps on account of gender prejudices. Most of her compositions were published during her lifetime and were financially successful. Her music has been described as tuneful, highly accessible and mildly chromatic, and it may be regarded as bearing the typical characteristics of late-Romantic French music. Source: (http•••) Source videos: 1st movement: (http•••) 2nd movement: (http•••) 3rd movement: (http•••)
Ferroni Potenza Marie Emmanuel Augustin Savard Jules Massenet Amilcare Ponchielli Giuseppe Verdi Gianandrea Gavazzeni Italo Montemezzi Riccardo Pick Mangiagalli Franco Vittadini Ettore Pozzoli Felice Lattuada Renato Brogi Pietro Mascagni Nicola Spinelli Teatro Sociale Teatro Lirico Milano 1858 1870 1876 1883 1885 1888 1889 1890 1896 1900 1934
Ferroni Vincenzo +••.••(...)) Preludio, Sandro Carnelos all’organo Bazzani (1890) di S. Vendemiano (TV). Ferroni Vincenzo, nato a Tramutola, in provincia di Potenza, da Nicola e Rosa Cosenza, nel 1870 frequentò il Conservatorio di Parigi, studiando armonia con Marie Emmanuel Augustin Savard e, in seguito, composizione con Jules Massenet. Nello stesso conservatorio, divenne supplente di armonia tra il 1876 e il 1883. Nel 1885, vinse un concorso internazionale organizzato da Le Figaro, con il brano Hymne d'un pâtre italien eseguito al pianoforte. Nel 1888 tornò in Italia, sostituendo il defunto Amilcare Ponchielli come docente di composizione presso il Conservatorio "Giuseppe Verdi" di Milano, del quale fu anche vicedirettore per 24 anni e direttore per alcuni mesi. Durante la sua attività di insegnamento, formò numerosi musicisti tra cui Gianandrea Gavazzeni, Italo Montemezzi, Riccardo Pick-Mangiagalli, Franco Vittadini, Ettore Pozzoli, Felice Lattuada, Renato Brogi, Virgilio Mortari, Federico Caudana, Luigi Menegazzoli. Nel 1889, partecipò ad un concorso musicale organizzato da Edoardo Sonzogno, vincendo il terzo premio con la composizione Rudello, preceduto da Cavalleria rusticana di Pietro Mascagni e Labilia di Nicola Spinelli. Ferroni compose il dramma Ettore Fieramosca, presentato la prima volta il 25 gennaio 1896 presso il Teatro Sociale di Como, che riscosse un buon successo. Scrisse un altro dramma, Il Carbonaro, rappresentato al Teatro Lirico di Milano il 19 febbraio 1900.
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