Margherita Bevignani Vidéos
artiste lyrique
- soprano
- royaume d'Italie
Dernière mise à jour
2024-04-29
Actualiser
Anton Rubinstein Rubinstein Eduard Nápravník Chaikovski Bocharov Enrico Bevignani Teatro Mariinski Teatro Bolshói 1860 1871 1874 1875 1879
Anton Rubinstein. Demon's aria -"The Demon" El demonio El demonio (título original en ruso, Демон, Demon) es una ópera en tres actos con música de Antón Rubinstein y libreto en ruso de Pável Viskovátov, basado en un poema de Mijaíl Lérmontov. Se estrenó en el Teatro Mariinski de San Petersburgo el 25 de enero (fecha antigua: 13 de enero) de 1875, con dirección de Eduard Nápravník, habiéndola compuesto en 1871-1874. El poema de Lérmontov fue prohibido como sacrílego hasta 1860. Su popularidad y su espeluznante historia hacían de él un candidato excelente para un libreto de ópera, y Rubinstein elaboró un primer esbozo del libreto en que se basó Viskovátov para escribir el texto final. Rubinstein invitó a diversos músicos del grupo conocido como Los cinco, así como el crítico Vladímir Stásov a una audiencia privada de la ópera en septiembre de 1871, donde los asistentes no consideraron el trabajo favorablemente. A pesar de ello, algunos motivos melódicos de El demonio inspiraron motivos parecidos en Jovánschina de Músorgski y Eugenio Oneguin de Chaikovski. La ópera se estrenó en el Teatro Mariinski de San Petersburgo, el 25 de enero de 1875, dirigida por Eduard Nápravník. La escenografía fue de Mijaíl Bocharov, Matvéi Shishkov, y Lagorio. El estreno en Moscú fue en el año 1879 en el Teatro Bolshói, dirigida por Enrico Bevignani. La ópera recibió 100 representaciones en la primera década después de su composición. Su primera actu
Massenet Mariska Aldrich Aldrich Allix Andreyeva Skilondz Verdi Donizetti Tosti Barbieri Wagner Angelo Bendinelli Leoncavallo Margherita Bevignani Bevignani Bellini Blancard Boccolini Zacconi Ancona Bonetti Francesco Maria Bonini Bonini Brodersen Humperdinck Delibes Cesari Ward Amaro Puccini Catalani Dupré Bizet Guillamat Nizza Irene Von Fladung Meyerbeer Gilly Bazin Mora Goetz Albertina Opéra Comique 1865 1869 1873 1875 1876 1879 1880 1881 1882 1883 1884 1887 1888 1889 1912 1913 1921 1922 1926 1930 1942 1956 1957 1963 1964 1965 1966 1968 1969 1980
FULGENZIO ABELA [te] (Barcelona, 1880- ? ) 1. MANON: Ah! fuyez, douce image (Massenet) [It.] MARISKA ALDRICH [so] (Boston, 1881-California, 1965) 2. Arpeggios MARISKA ALDRICH [so] (Boston, 1881-California, 1965) 3. Magasan Repül a Daru, Szépen Szál ((Hungarian Folk Song)) ALICE ALLIX [so] 4. LE CID: Pleurez mes yeux (Massenet) ADELAIDE ANDREYEVA VON SKILONDZ [so] (St. Petersburg, 1882-Stockholm, 1969) 5. LA TRAVIATA: Ah, fors’ è lui; Sempre libera (Verdi) FANNY ANITUA [ms] (Mexico, 1887-Mexico City, 1968) 6. LA FAVORITA: O mio Fernando (Donizetti) GASTONE BARACCHINI [te] 7. L’ELISIR D’AMORE: Una furtiva lagrima (Donizetti) GASTONE BARACCHINI [te] 8. Tristezza ((Tosti)) . AMLETO BARBIERI [ba] (Pisa, 1883-New York, 1957) 9. TANNHÄUSER: O du mein holder Abendstern (Wagner) [It.] GIULIA BATTAGLIOLI-LEOTTI [so] (c.1880- ? ) 10. AIDA: O patria mia (Verdi) ANGELO BENDINELLI [te] (Pisa, 1876-Livorno, 1942) 11. Mattinata (Leoncavallo) MARGHERITA BEVIGNANI [so] (1887-Milano, 1921) 12. LA SONNAMBULA: Come per me sereno (Bellini) LÉON BEYLE [te] (Lyon, 1875-1922) 13. WERTHER: Pourquoi me réveiller (Massenet) records for the French Gramophone Company and Pathé. His Edison trial has the unfortunate distinction of singer and accompanist parting company during the second strophe. PAUL BLANCARD [bs] (Toulon, 1869- ? ) 14. Unidentified French Aria/Song EBE BOCCOLINI-ZACCONI [so] (Ancona, 1889- ? ) 15. MEFISTOFELE: L’altra notte (Boïto) GIUSEPPINA BONETTI [ms] (Venice, 1883-Venice, 1963) 16. MIGNON: Connais-tu le pays? (Thomas) [It.] FRANCESCO MARIA BONINI [ba] (Napoli, 1865-Milano, 1930) 17. LA TRAVIATA: Di Provenza il mar (Verdi) FRIEDERICH BRODERSEN [ba] (Württemberg, 1873-Krefeld, 1926) 18. KÖNIGSKINDER: Wohin bist du gegangen (Humperdinck) RODOLFINA BRUNETTO [so/ms] 19. NORMA: Solo furtiva (Bellini) . GIORGINA CAPRILE [so] (Firenze, 1880- ? ) 20. LA TRAVIATA: Addio del passato (Verdi) . ALBERTINA CASSANI [so] (Bologna, 1889- ? ) 21. DON PASQUALE: La morale in tutto questo (Donizetti) BERTHE CÉSAR [so] 22. LAKMÉ: Où va la jeune Hindoue? (Delibes) IGNAZIO CESARI [bs] 23. SIMON BOCCANEGRA: Il lacerato spirito (Verdi) . GEORGES PIERRE CLAUZURE [bs] 24. PARSIFAL: So ward es uns verhiessen (Wagner) [Fr.] EGIDIO CUNEGO [te] (c.1882-1956) 25. TOSCA: Amaro sol per te; Recondita armonia (Puccini) GIACOMO DAMACCO [te] (Bari, 1883-Milano, 1966) 26. MIGNON: Elle ne croyait pas (Thomas) [It.] GIACOMO DAMACCO [te] (Bari, 1883-Milano, 1966) 27. MIGNON: Ah,que ton âme (Thomas) [It.] LAURA DEL LUNGO [ms] 28. MIGNON: Connais-tu le pays? (Thomas) [It.] . EMMA DRUETTI [so] (Siracusa, 1888- ? ) 29. LA WALLY: Ebben? ne andrò lontana (Catalani) EMMA DRUETTI [so] (Siracusa, 1888- ? ) 30. TOSCA: Vissi d’arte (Puccini) PIERRE ERNEST DUPRÉ [ba] (Pau, 1884-1980) 31. LA JOLIE FILLE DE PERTH: Quand la flamme (Bizet) ERMANINO ECK [bs] 32. SALVATOR ROSA: Di sposa, di padre (Gomes) EUGENIA EMANUELLI [so] 33. MANON LESCAUT: In quelle trine morbide (Puccini) . ANDRÉE [MARIE-LOUISE] FAMIN [so] 34. Unidentified Variations [Fr.] A student of Guillamat at the Paris Conservatoire, Famin won 1er accessit de Chant and 1er accessit d’Opéra-Comique in 1913. Her debut at the VICTORIA FER [so] (Nizza, 1881-1963) 35. LA BOHÈME: Quando m’en vo (Puccini) [Fr.] IRENE VON FLADUNG [so] (1879-München, 1965) 36. LES HUGUENOTS: Nobles Seigneurs (Meyerbeer) [Ger.] DOLORES FRAU [ms] (Barcelona, 1882-1964) 37. DON CARLOS: O mia regina (Verdi) ANDRÉ GILLY [te] ( ? -1922) 38. MAÎTRE PATHELIN: Je pense à vous (Bazin) MORA (MARY) VON GOETZ [ms] 39. Verborgenheit (Wolf)
Pyotr Tchaikovsky Onégin Lavrovskaya Puccini Nikolai Rubinstein Rubinstein Bolshoy Enrico Bevignani Červinková Henry Wood Edwards Gustav Mahler Metropolitan Opera 1877 1879 1881 1888 1892 1920
Don`t forget to subscribe and you won`t miss new interesting videos! Tchaikovsky-" Eugene Onegin". Polonaise. Opera, 3 act. Classical Music Archive Tchaikovsky-" Eugene Onegin". Polonaise. Opera, 3 act. Classical Music Archive From Wikipedia ,Eugene Onegin (Russian: Евгений Онегин, Yevgény Onégin is an opera ("lyrical scenes"), Opus 24, in 3 acts, 7 scenes, by Pyotr Tchaikovsky. The libretto was written by Konstantin Shilovsky and the (brother of the) composer, and is based on the novel in verse by Aleksandr Pushkin. The opera was first performed in Moscow in 1879. Eugene Onegin is a well-known example of lyric opera; the libretto very closely follows Pushkin's original, retaining much of his poetry, to which Tchaikovsky adds music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. There are several recordings of it, and it is regularly performed. The work's title refers to the eponymous protagonist. In May 1877, the opera singer Lavrovskaya recommended creating an opera based on the plot of Eugene Onegin to Tchaikovsky. At first this idea seemed wild to the composer, according to his memoirs, however he was soon growing excited about the idea and created the scenarios in one night before starting the composition of the music. Tchaikovsky used the original verses from Pushkin's novel and chose scenes that involved the emotional world and fortunes of his heroes, calling the opera "lyrical scenes." The opera is episodic; there is no continuous story, just selected highlights of Onegin's life. Since the original story was so well known, Tchaikovsky knew his audience could easily fill in any details that he omitted. A similar treatment is found in Puccini's La bohème. The composer had finished the opera by January 1878Tchaikovsky worried whether the public would accept his opera, which lacked traditional scene changes. He believed that its performance required maximum simplicity and sincerity. With this in mind, he entrusted the first production to the students of the Moscow Conservatory: The Moscow Premiere took place on 29 March (17 March O.S.) 1879 at the Maly Theatre in Moscow conducted Nikolai Rubinstein, with set designs by Karl Valts (Waltz). Two years later the first performance at the Bolshoy Theatre in Moscow took place on 23 January (11 January O.S.) 1881 with conductor Enrico Bevignani. The first performance outside Russia took place on 6 December 1888 in Prague conducted by Tchaikovsky himself. It was sung in Czech and translated by Marie Červinková-Riegrová. The first performance in England took place on 17 October 1892 at the Olympic Theatre in London with Henry Wood conducting. This performance was translated into English by H. S. Edwards and sung in English. At the Metropolitan Opera in New York the US premiere was given on 24 March 1920. The opera was sung in Italian. Other notable performances included one in Hamburg conducted by Gustav Mahler on 19 January 1892. Tchaikovsky-" Eugene Onegin". Polonaise. Opera, 3 act. Classical Music Archive Tchaikovsky-" Eugene Onegin". Polonaise. Opera, 3 act. Classical Music Archive Tchaikovsky-" Eugene Onegin". Polonaise. Opera, 3 act. Classical Music Archive
Pyotr Ilyich Tchaikovsky Onégin Lavrovskaya Puccini Nikolai Rubinstein Rubinstein Bolshoy Enrico Bevignani Červinková Henry Wood Edwards Gustav Mahler Metropolitan Opera 1877 1879 1881 1888 1892 1920
Title : Pyotr Ilyich Tchaikovsky - Polonaise, from 'Eugene Onegin' From Wikipedia ,Eugene Onegin (Russian: Евгений Онегин, Yevgény Onégin is an opera ("lyrical scenes"), Opus 24, in 3 acts, 7 scenes, by Pyotr Tchaikovsky. The libretto was written by Konstantin Shilovsky and the (brother of the) composer, and is based on the novel in verse by Aleksandr Pushkin. The opera was first performed in Moscow in 1879. Eugene Onegin is a well-known example of lyric opera; the libretto very closely follows Pushkin's original, retaining much of his poetry, to which Tchaikovsky adds music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. There are several recordings of it, and it is regularly performed. The work's title refers to the eponymous protagonist. In May 1877, the opera singer Lavrovskaya recommended creating an opera based on the plot of Eugene Onegin to Tchaikovsky. At first this idea seemed wild to the composer, according to his memoirs, however he was soon growing excited about the idea and created the scenarios in one night before starting the composition of the music. Tchaikovsky used the original verses from Pushkin's novel and chose scenes that involved the emotional world and fortunes of his heroes, calling the opera "lyrical scenes." The opera is episodic; there is no continuous story, just selected highlights of Onegin's life. Since the original story was so well known, Tchaikovsky knew his audience could easily fill in any details that he omitted. A similar treatment is found in Puccini's La bohème. The composer had finished the opera by January 1878Tchaikovsky worried whether the public would accept his opera, which lacked traditional scene changes. He believed that its performance required maximum simplicity and sincerity. With this in mind, he entrusted the first production to the students of the Moscow Conservatory: The Moscow Premiere took place on 29 March (17 March O.S.) 1879 at the Maly Theatre in Moscow conducted Nikolai Rubinstein, with set designs by Karl Valts (Waltz). Two years later the first performance at the Bolshoy Theatre in Moscow took place on 23 January (11 January O.S.) 1881 with conductor Enrico Bevignani. The first performance outside Russia took place on 6 December 1888 in Prague conducted by Tchaikovsky himself. It was sung in Czech and translated by Marie Červinková-Riegrová. The first performance in England took place on 17 October 1892 at the Olympic Theatre in London with Henry Wood conducting. This performance was translated into English by H. S. Edwards and sung in English. At the Metropolitan Opera in New York the US premiere was given on 24 March 1920. The opera was sung in Italian. Other notable performances included one in Hamburg conducted by Gustav Mahler on 19 January 1892.
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