Margareta Hallin Vidéos
actrice suédoise
- soprano
- opéra
- Suède
- acteur ou actrice, artiste lyrique, compositeur ou compositrice
streaming
Dernière mise à jour
2024-05-08
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Margareta Hallin Rossini Barber Royal Swedish Opera 1816 1931 1955 1961 1971 1984 2020
~The "Glass Shatterers!" series focuses on sopranos who sustain High F, or sing higher. THE SONGBIRD: Margareta Hallin +••.••(...)) was one of the greatest singers to emerge from Sweden. Her versatility was phenomenal and her longevity legendary. She made her debut in 1955 as Rosina, and the next year was singing leading coloratura roles with the Royal Swedish Opera / where she stayed as prima donna for 28 years, singing everything from baroque to bel canto to verismo and contemporary works.The first decade or so of her career was in the coloratura realm (Zerbinetta, Queen of the Night, Lucia, Gilda, Konstanze, Manon), and then she began to transition in to lyric, spinto, and "assoluta" roles (Alcina, Aida, Nedda, Leonora, Maddalena, Ariadne, Vitellia, Lady Macbeth, Medea, Senta, Tosca, etc.). Her 1971 aria recital LP record contains the big scenes of both Zerbinetta and Salome, each sung brilliantly / who else has done that?! When she retired from singing in 1984, she had at least 60 roles under her belt. She then became a successful composer and painter. THE MUSIC: Rossini's "The Barber of Seville" is one of the most popular operas in the world and has been since soon after its premiere in Rome in 1816. It is based on the first of three plays by Pierre Beaumarchais about Figaro, the sly barber in the title. The music of the opera is believed to have been composed in about three weeks. This showy aria "Una voce poco fa" introduces the clever character of Rosina in Act One and has become a touchstone for florid sopranos and mezzos.
Donizetti Chest Yep Ada Sari Lucia Aliberti Maria Callas Gianna Angelo Cristina Deutekom Marisa Galvany Galvany Gonzaga Gruberova Margareta Hallin Catherine Malfitano Annick Massis Denia Mazzola Noëmi Nadelmann Susanna Phillips Poot Rowland Jeanette Scovotti Beverly Sills Joan Sutherland Lubica Vargicova Nada Vidmar Virginia Zeani 1879 1900 1907 1911 1917 1923 1926 1929 1931 1940 1955 1957 1958 1960 1966 1968 1970 1972 1973 1974 1975 1976 1977 1986 1988 1989 1990 1993 1994 1996 2002 2003 2005 2007 2010 2012 2013 2014 2020
Lucia in Donizetti's "Lucia di Lammermoor" is a pinnacle coloratura soprano role and one of the few that offers moments of real onstage drama. This video focuses on one section of the famous mad scene that has always struck me as a litmus test for a soprano’s acting chops. It’s about a minute of music near the beginning of the scene that doesn’t have any of the typical coloratura trills or frills — instead it offers exceptional opportunities for deranged drama that divas can sink their teeth (and voices) into. It starts about three minutes into the scene with a melancholy echo of the melody from the “Verranno a te” love duet. Suddenly Lucia imagines she sees a horrific specter or phantom looming over the scene, trying to separate her from Edgardo (her true love, not Arturo who she was tricked into marrying and has now brutally murdered on her wedding night and whose blood she is splattered with). Lucia freaks out (“Il fantasma! il fantasma e ne separa!’) and then mentally escapes by imaging she and Edgardo running to the wedding alter to find their bliss. Powerful stuff, Mr. Donizetti! I have compiled 28 sopranos from my collection, mostly live performances, who did something dramatically interesting with these measures in the score / maybe a little chest voice, a taste of terror in the tone, an audible gasp or intake of breath, a semi-scream, etc.. To prep for this compilation, I listened to almost all of the approximately 200 Lucia mad scenes in my collection (and yep, now I’m half mad myself). I found that most of the recordings by historic sopranos (circa 1900 - 1940) rarely if ever included the beginning sections of the mad scene, almost always starting much later with “Ardon gli incensi” likely due to time constraints fitting music on to the 78 rpm sides. Of the more modern Lucias, I admit I was surprised at how many let this great moment go by without any attempt to elevate it dramatically — they just sang it rather like any other part of the aria. So, kudos to these 28 sopranos from across the world and across a century +••.••(...)) for committing to it. There are at least a hundred other Lucia’s going mad on YouTube that I have not even seen, so if you know of one or two who do something interesting or outlandish here, or have a particularly chilling way of repeating “il fantasma!” then post a comment and links below. Oh, there are three sopranos who I wanted to include but had to cut due to copyright claims: Karola Agay, Maria Gyurkovics, and Ada Sari. These are links to their renditions of this section of the mad scene other YT channels. Each diva does something quite bonkers with it, so give them a listen. - Karola Agay: (http•••) - Maria Gyurkovics: (http•••) - Ada Sari: (http•••) *28 SOPRANOS* (18 are making their first appearance on the songbirdwatcher channel). 1. Lucia Aliberti, 1988 2. Maria Callas +••.••(...)5 3. Gianna d’Angelo +••.••(...)6 4. Cristina Deutekom +••.••(...)6 5. Marisa Galvany, 1974 6. Rena Gary-Falachi, 1958 7. Aida Gonzaga +••.••(...)7 8. Edita Gruberova, 1994 9. Eglise Gutierrez, 2005 10. Janice Hall, 1986 11. Margareta Hallin +••.••(...)8 12. Catherine Malfitano, 1975 13. Annick Massis, 2002 14. Denia Mazzola, 1989 15. Noëmi Nadelmann, 1996 16. Cecilia Nuñez-Albanese +••.••(...)3 17. Susanna Phillips, 2012 18. Sonja Poot, 1972 19. Hilde Reggiani +••.••(...)5 20. Martile Rowland, 1993 21. Jeanette Scovotti, 1966 22. Beverly Sills +••.••(...)8 23. Mihaela Stanciu, ca. 2002 24. Joan Sutherland +••.••(...)6 25. Lubica Vargicova, 2003 26. Nada Vidmar +••.••(...)0 27. Margarita Voites, ca. 1970 28. Virginia Zeani, 1957
Blom Edholm Eriksson Hallin Holmberg Jakobsson Jonsson Unger Inger Wikström
Bollnäsbygdens Durspelare framför: Polka från Krödherad Medverkande: Gun-Britt Blom, Gösta Edholm, Sven-Olof Eriksson, Kjell Hallin, Anders Holmberg, Jan-Erik Jakobsson, Lena-Marie Jonsson, Håkan Killander, Vanja Lundell, Ulla Politchek, Micke Sund, Annika Thyrén, Kaj Unger, Elna Wassberg, Mats-Ove Wassberg, samt Inger Wikström- Inspelat i "Hilmas" i Freluga (http•••)
Weise Hsu Larsen Jansson Persson Holmström Forsberg Henric Flodin Gamble Lehmann Johansson Hildebrandt Paulsson Olson Hallin
Kinky Boots är en lika rolig som rörande berättelse om Charlie Price, som tar över sin fars nedläggningshotade skofabrik. För att få fart på affärerna börjar han tillverka sexiga stövlar i mansstorlek tillsammans med Lola, en tuff dragqueen med lika tuff bakgrund. Ronny Danielsson regisserar den svenska premiären av 80-talsikonen Cyndi Laupers succémusikal Kinky Boots. MEDVERKANDE Lola: Oscar Pierrou Lindén Charlie: Andreas Weise Lauren: Åsa Fång Don: Stefan Sauk Nicola: Li-Tong Hsu George: Lars Humble Pat: Tuva B Larsen Trish: Marianne Mörck Harry: Snorre Ryen Tøndel Richard Bailey: Michael Jansson Unga Simon/Lola: Joel Yebio, Oliver Palm, Max Liljedahl Unga Charlie: Karl Elofsson, André Persson Gintner, Mårten Holmström Angels: Steffen Hulehøj Frederiksen, Johan Forsberg, Henric Flodin, David Joseph, Miles Hoare, Mike Gamble Ensemble, sjungande Angels: Petter Snive, Elisabeth Hammersbøen Rustad, Sara Lehmann, Erik Gullbransson Körsoli: Magnus Loftsson, Patrik Forsman, Johan Palmqvist, Max Schöning, Kjell Johansson, Thomas Hildebrandt Statister: Joar Andersén, Johannes Lindkvist, Andreas Paulsson Malmö Operaorkester, Malmö Operakör TEAM Översättning: Calle Norlén Ljus: Fredrik Jönsson Ljuddesign: Peter Dahlström Kostym: Marcus Olson Scenograf: Martin Chocholousek Koreograf/rörelseinstruktör: Drew McOnie Regi: Ronny Danielsson Orkestrering och dirigent: Joakim Hallin Presenterad efter avtal med Music Theatre International (Europe).
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