Lilian Sukis Vidéos
artiste lyrique
- soprano
- Canada
- artiste lyrique, professeur ou professeure d'université
Dernière mise à jour
2024-05-09
Actualiser
Sullivan Leontyne Price Roberta Peters Beverly Sills Anna Moffo Richard Tucker Birgit Nilsson Jan Peerce Robert Merrill Maria Callas Joan Sutherland Horne Lily Pons Renata Tebaldi Franco Corelli Corelli Eileen Farrell Dorothy Kirsten Lilian Sukis Nedda Casei 1940 1970 1995
-Grandes Momentos na Ópera - Parte 1 e semi 2 - HD; -Great Moments in Opera - Part 1 and semi 2 - HD. -Reupload and best quality. ................................................................................................ -Compilação lançada em 1995 com as participações especiais dos maiores representante da ópera do século XX, transmitidas entre os ano 1940 e 1970 no programa da TV norte-americana CBS e intitulado "The Ed Sullivan Show". ................................................................................................. *Ordem 1-Leontyne Price - "Vissi d'arte" - Tosca; 2-Roberta Peters - "Una voce poco fa" - Il Barbiere di Siviglia"; 3-Robert Merril - "Largo al factotum" - Il Barbiere di Siviglia"; 4-Beverly Sills - "O luce di quest'anima" - Linda di Chamounix; 5-Anna Moffo - "Il regimento" - La Fille du Regiment"; 6-Richard Tucker - "Vesti la giuba" - I Pagliacci; 7-Birgit Nilsson - "Pace, pace, mio Dio" - La Forza del Destino; 8-Jan Peerce e Robert Merrill - Dueto - La Forza del Destino; 9-Maria Callas - "Vissi d'arte" - Tosca; 10-Joan Sutherland e Merilyn Horne - "Mira, o Norma" - Norma; 11-Roberta Peters e Robert Merrill - "Parigi... Morir si giovane" - La Traviata; 12-Joan Sutherland - "Sempre libera" - La Traviata; 13-Lily Pons - Gavotte - Mignon; 14-Renata Tebaldi e Franco Corelli - "Vicino a te" - Andrea Chenier; 15-Eileen Farrell - "Un bel di vedremo" - Madama Butterfly; 16-Dorothy Kirsten e Franco Corelli - "O suave fanciulla" - La Bohème; 17-Joan Sutherland - "Ardon gli incensi" - Lucia de Lammermoor; 18-Eilenn Farrell - "Pace, pace, mio Dio" - La Forza del Destino; 19-Robert Merrill, Judith DePaul, Lilian Sukis e Nedda Casei - Seleções de Aida, La Traviata e Carmen. .....................................................................................................
Lilian Sukis June Card Stein Bodo Schwanbeck Benoit Puccini Oper Frankfurt 1972
"Questo Mar Rosso mi ammollisce e assidera"/"Ich mal' das Rote Meer, dabei erfrier' ich fast", so fängt Erland als Marcello diese Oper an. Es ist eine Lieblingsoper die alles hat - Verismus, Romantik und ja; es endet so. Aber noch nicht. Akt II 0:34:23, Akt III 0:53:33, Akt IV 1:17:48 Lilian Sukis, "Mimi"; June Card, "Musetta"; Eduardo Alvares, "Rodolfo"; Erland Hagegaard, "Marcello"; Georg Stein, "Colline"; Bodo Schwanbeck, "Schaunard"; Vladimir de Kanel, "Benoit"; Willy Müller, "Alcindoro" Dirigent - Christoph von Dohnànyi. Chor und Orchester der Oper Frankfurt am Main. Die Presse: "Im Quartett der Künstler-Bohemiens rangiert nun Erland Hagegaard als Marcello an erster Stelle, ein schöntimbrierter, glänzender Bariton, dazu ein fähiger Darsteller in den burschikos-humorvollen wie in den ernsthaften Zügen seines Parts. Sein komisches Gezänk mit Musetta wirkte ungemein echt, zumal im Kontrapunkt zu dem hingegebenen Lyrismus des anderen Paares, Rodolfo und Mimi". Durchkomponierte dramatische Grossform: In der Mansarde, hoch über den Dächern von Paris, in der Rodolfo, Marcello, Schaunard und Colline hausen, herrscht wieder einmal - und ausgerechnet heute, am Heiligen Weinachtsabend - grosse Geldnot. Marcellos Finger sind vor Kälte so steif geworden dass sie nicht mehr den Pinsel zu halten vermögen. Schon will er eine Kostbarkeit des Mobiliers, einen der vier Stühle, dem streikenden Ofen bringen. Da hat Rodolfo den glorreichen Einfall, mit Ideen zu heizen: Er stellt das Manuskript seines dreiaktigen Dramas zur verfügung, dessen Liebesszenen den Frierenden für einige Minuten Wärme spenden ... Die Schlusszene soll Puccini während einer der gemütlichen Abendgesellschaften komponiert haben, die er häufig mit seinen Freunden in senem Haus unter dem Nahmen "Bohèmeklub" abzuhalten pflegte. Die Fotografien sind authentisch aus diese Vorstellung, 1972.
Wolfgang Amadeus Mozart Leopold Hager Lucia Popp Thomas Moser Moser Lilian Sukis Gruberova Robert Lloyd Lloyd Julie Kaufmann Kaufmann Edith Mathis Francisco Araiza Mozarteum Orchester Salzburg 1765
Introduction to the present series of postings: The Austrian maestro's concert arias are, perhaps, the best introduction to the composer, as they constitute a breathtaking display of Mozart's ease in all matters musical. The numerous alternative pieces for his own operas and a number of independent ensembles notwithstanding, Mozart composed at least fifty four independent arias to be performed as concert pieces or to be inserted into his contemporaries' operas. Considering the concert arias as an informal cycle, none of them can be faulted on a technical level, as they all develop in a manner natural to the epoch, feature at least a few interesting touches in an ornamental coloration or orchestral phrase and work well as showpieces for capable soloists, and ever so often a masterpiece of the most wondrous richness appears among the works. The passionate "Si mostra la sorte", the noble "Io ti lascio", the mesmerizing "Ah, lo previdi", the unearthly "Vorrei spiegarvi" or the bubbling "Per questa bella mano" are just a few examples of Mozart at his most inspired. In this series of three postings I hope to create as complete an overview of the arias as possible. The first two postings will be dedicated solely to the concert arias proper, as discussed above, while a third upload will include excerpts from the alternative arias Mozart wrote for his own operas, as well as the maestro's independent ensembles. To achieve this, I've reduced the number of concert arias to thirty pieces. There is no strict order in which the arias appear in the uploads; instead, they are placed liberally to provide a contrast to one another, though I did follow the logic of the Kochen catalogue. Each presented piece is prefaced by a description, as well as a link to a full version available on YouTube for further listening. Recording: There is no definitive version of the concert arias as a cycle, however, the Philips compilation comes as close as one could possibly hope for, uniting a determined principal conductor in Leopold Hager with his fresh Mozarteum-Orchester Salzburg and a winning team of well-established singers. Lucia Popp - KV 70/78/79/272/294. Thomas Moser - KV 36. Lilian Sukis - KV 82. Edita Gruberova - KV 88. Robert Lloyd - KV 245. Julie Kaufmann - KV 83. Edith Mathis - KV 77/217. Claus H. Ahnsjo - KV 210. Hanna Shwarz - KV 255. Francisco Araiza - KV 209. Hope you'll enjoy =). P.S. The second posting of the series should appear in about a week =B.
Werner Egk Ibsen Hermann Becht Lilian Sukis Astrid Varnay Seibel Ferry Gruber Gruber Cheryl Studer Wolfgang Sawallisch Staatsoper Bayerisches Staatsorchester Bayerische Staatsoper München 1900 1901 1938 1982 1983
Werner Egk +••.••(...)): Peer Gynt, Opera in un Prologo e 3 Atti tratta dall'omonimo racconto di Henrick Ibsen (1938). - Atto II° - Atto III° [20:30] Peer Gynt: Hermann Becht Solveig: Lilian Sukis Aase: Astrid Varnay Ingrid: Marianne Seibel Mads: Ferry Gruber Der Alte: Horst Hiestermann Die Rothaarige: Cheryl Studer Chor der Bayerisches Staatsoper Bayerisches Staatsorchester diretti da Wolfgang Sawallisch. Registrazione live, Bayerische Staatsoper München, 9 Febbraio 1982. Cover image: painting by Horst Jannsen./ The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
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