Thom de Klerk Vidéos
chef ou cheffe d'orchestre
- basson
- Royaume des Pays-Bas
Dernière mise à jour
2024-05-09
Actualiser
Johann Sebastian Bach Aafje Heynis Klerk Netherlands Chamber Orchestra 1685 1725 1726 1750 1958 2022
Johann Sebastian Bach +••.••(...)) Bach: Cantatas BWV 170 & 169, Sacred Arias, Sacred Lieder. Qobuz (http•••) Deezer (http•••) Amazon Music (http•••) Amazon Store (http•••) Apple Music — Spotify — Tidal (http•••) Youtube Music (http•••) LineMusic日本 (http•••) Awa日本 (http•••) Napster, Pandora, SoundCloud, Anghami, QQ音乐 … Cantata BWV 169 "Gott Soll Allein Mein Herze Haben" 00:00 I. Sinfonia 08:40 II. Arioso en Recitatief: Gott soll allein 12:18 III. Aria: Gott soll allein 20:40 IV. Recitatief: Was ist die Liebe Gottes? 21:40 V. Aria: stirb in mir 27:07 VI. Recitatief: Doch meint es auch dabei 27:53 VII. Koor: Du süsse Liebe Complete Remastered Edition Available on all the main streaming platforms (Qobuz in 24/96 His-Res, Amazon Music, Deezer, Tidal, Spotify (soon), Apple Music (soon)..) Contralto: Aafje Heynis Organ: Albert de Klerk Netherlands Chamber Orchestra & Chorus Conductor: Anton Van Der Horst Recorded in 1958 New mastering in 2022 by AB for CMRR FOLLOW US on SPOTIFY (Profil: CMRR) : (http•••) Download CMRR's recordings in High fidelity audio (QOBUZ) : (http•••) ️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) (http•••) Cantata BWV 169 dates from the third year of production in Leipzig +••.••(...)). The unknown author of the libretto of this cantata develops the affirmation of Christ reported in the Gospel of Matthew: "Love Yahweh your God with all your heart, with all your soul and with all your mind: this is the greatest and first commandment." That is why the soloist sings "God alone must possess my heart." And this in spite of the seductions of the earthly world, which are nothing compared to the eternal bliss to which the faithful are promised. This love of God is the supreme good that must lead him to paradise. As the cantata "Herr Christ, der einge Gottessohn" BWV 96 for the same Sunday says, the Christian must die to the world by renouncing all its temptations. This is precisely the teaching repeated by the apostle John: Do not love either the world or the things in the world. If anyone loves the world, the love of the Father is not in him; because everything in the world the desire of the flesh and the desire of the eyes and the showy display of one's means of life does not originate with the Father, but originates with the world. Furthermore, the world is passing away and so is its desire, but the one who does the will of God remains forever (1 John 2: 15-16). But the faithful must also observe the second commandment, that of love of neighbor, which is only the corollary of the first. Love of God, love of neighbor, this is what the concluding chorale stanza implores for grace. Like the other cantatas for solo voice from Bach's creative period, this one is very sober, but it is remarkable to observe the subtle differentiation in the composition of each piece, in terms of style and instrumental color, creating contrasts and renewing the expressive registers, and thus the interest and above all the attention of the listeners. A brilliant introduction is followed by three pieces, in turn arioso, aria and recitative, where the voice is supported only minimally, by the basso continuo or the organ. The chorus of three oboes falls silent after the initial sinfonia (except to support the singing of the final chorale), and it is not until the second aria (no. 5) that the strings intervene. The final chorale requires only four polyphonic voices for one minute./ COMPLETE PRESENTATION: LOOK THE FIRST PINNED COMMENT*** Johann Sebastian Bach +••.••(...)) - Brandenburg Concertos BWV 1046-1051 Qobuz (http•••) Tidal (http•••) Spotify (http•••) Youtube Music (http•••) Apple Music (http•••) Amazon Music (http•••) Deezer (http•••) Soundcloud (http•••) Napster (http•••) Awa日本 (http•••) LineMusic日本 (http•••) QQ音乐 (http•••) Johann Sebastian Bach PLAYLIST (reference recordings): (http•••)
Charles Tournemire Bériot César Franck Charles Marie Widor Couperin Aristide Cavaillé Coll Cavaillé Olivier Messiaen Assisi Klerk Notre Dame 1870 1891 1939
Charles Tournemire was born in Bordeaux in 1870. A child prodigy he became organist-accompagnateur at age 11 at the St. Pierre in Bordeaux. At the Paris Conservatory he had lessons from De Bériot and César Franck, after whose death he continued with Charles-Marie Widor. In 1891 he became organist of the famous Basilika St. Clotilde in Paris, a post he held till his death in 1939. Composer: Charles Tournemire Artists: Tjeerd van der Ploeg (organ) Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Charles Tournemire +••.••(...)) ranks among the most important organ composers of the 20th century, writing in a language that drew for its expressive power on the centuries-old tradition of French organ music from Couperin to Franck, as well as the timbral innovations pioneered by the organ builder Aristide Cavaillé-Coll, anticipating in his boldest harmonic strokes and most perfumed textures the music of Olivier Messiaen. However, while never exactly overlooked either by organists or listeners, Tournemire’s output has suffered somewhat in the shadow of more extrovert composer-performers such as Marcel Dupre and Messiaen. It takes a particularly refined sensibility as well as the right instrument and an unassailable technique to do his complex music full justice. The Dutch organist Tjeerd van der Ploeg has long been recognised as one of the composer’s most persuasive advocates, one of very few with the stamina and dedication to make a complete recording of the Orgue mystique project which was Tournemire’s life’s work. Alongside it, however, he composed many other suites and standalone pieces throughout his career, ranging from the brilliant Sortie Op. 2 to the more ruminative pleasures of the Fioretti Op. 60 (based on the sayings of St Francis of Assisi) and extended meditations on the Seven Last Words. Van der Ploeg’s achievement is widely recognised by his fellow organists. Among the most celebrated of them was his fellow Dutchman Albert de Klerk, who wrote: ‘These are sounds for meditation and prayer. You will be gripped by this and will not let go. I have nothing but praise for Tjeerd van der Ploeg’s playing. This man understands Tournemire. His playing is flexible, the articulation is just right. His registrations are usually excellent. [...] The instrument has been chosen correctly, a great wealth of fundamental voices, reeds and silent solo registers. The present set reissues recordings made around the turn of the millennium on superb French instruments in Douai Abbey, Cambrai Cathedral and the church of Notre Dame d’Auteuil in Paris. Tracklist: 0:00:00 Symphonie choral d’orgue, Op. 69 Sei fioretti, Op. 60: 0:24:05 I. — 0:28:17 II. — 0:33:05 III. — 0:37:40 IV. — 0:42:36 V. — 0:46:29 VI. — 0:50:58 Symphonie sacrée, Op. 71 Trois poèmes, Op. 59: 1:16:09 I. Poème I 1:27:15 II. Poème II 1:39:58 III. Poème III Suite evocatrice, Op. 74: 1:51:40 I. Grave 1:53:15 II. Tierce en taille et récit de cromhorne 1:57:05 III. Flûte d’écho 1:58:29 IV. Jeu doux et voix humaine 2:01:41 V. Caprice 2 Fresques symphoniques sacrées, Op. 75/76: 2:07:06 I. Fresque No. 1 2:19:28 II. Fresque No. 2 2:30:46 Fantaisie symphonique, Op. 64 7 Chorals-Poèmes d'orgue pour les sept paroles du Xrist, Op. 67: 2:47:45 I. Pater, dimitte illis, nesciunt enim quid faciunt 2:58:04 II. Hodie mecum eris in paradiso 3:07:36 III. Mulier, ecce filius tuus/ Ecce mater tua 3:15:30 IV. Eli, Eli, lamma sabacthani 3:24:11 V. Sitio 3:32:34 VI. Pater, in manus tuas commendo spiritum meum 3:40:23 VII. Consummatum est 3:46:42 Andantino, Op. 2 3:50:49 Sortie pour grand orgue, Op. 3 3:55:21 Pièce symphonique pour grand orgue, Op. 16 Suite de morceaux pour grand orgue, Op. 19: 4:02:54 I. Adagio 4:05:50 II. Scherzetto 4:09:12 III. Toccata 5 Interludes: 4:12:56 I. — 4:14:01 II. — 4:15:05 III. — 4:15:43 IV. — 4:17:06 V. — Suite de morceaux pour grand orgue, Op. 24: 4:18:08 I. Pastorale 4:23:06 II. Communion 4:27:49 III. Ite missa est-Sortie 4:33:49 Triple choral pour grand orgue, Op. 41 Social media links: Instagram: (http•••) Facebook: (http•••) TikTok: (http•••) Spotify: (http•••) Thank you for watching, we hope you enjoyed it! Don’t forget to like, share and subscribe to our channel. And visit our channel for the best classical music. #Tournemire #Oeuvres #d'Orgue #Complete #Organ #Classical #Music #BrilliantClassics
Thom Klerk Mozart Bernhard Paumgartner Concertgebouw Orchestra Royal Concertgebouw Orchestra Wiener Symphoniker 1912 1935 1959 1966
Thom de Klerk, first solo bassoonist of the Royal Concertgebouw Orchestra from 1935 until 1966, plays the Andante ma Adagio in Mozart's Bassoon Concerto B-dur KV 191 with the Wiener Symphoniker, conducted by Bernhard Paumgartner, in 1959. With Leo Driehuis on oboe.
Lorenzo Perosi Leo Ketelaars Klerk Nan Merriman 1872 1956 1964 1965 1970
A Dutch recording featuring artists from the Southern province of Limburg: the tenor Tom Brand, baritone Leo Ketelaars and the Pancratius Royal Men's Choir of Heerlen. The organist is Albert de Klerk and the performance is conducted by Henri Heydendael. Lorenzo Perosi +••.••(...)) was an Italian composer of sacred music. Requiem and Kyrie Gradual Tract Die Irae Offertory Sanctus Benedictus Agnus Dei Lux Aeterna Libera Me Link to my Tom Brand* playlist: (http•••) * Brand's second wife was the celebrated American mezzo-soprano Nan Merriman, of whom I have posted around one hundred performances on my channel. They met in 1964 and were married in 1965. She gave up her career to raise his ten children from a previous marriage. He died in 1970.
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