Juraj Valcuha Vidéos
cymbaliste et chef d'orchestre slovaque
- cymbalum
- musique classique
- Slovaquie
- chef ou cheffe d'orchestre, cymbaliste
Dernière mise à jour
2024-05-08
Actualiser
Fenice Britten Emma Bell Sara Fulgoni Juraj Valčuha Curran
Ellen Orford - Emma Bell Auntie - Sara Fulgoni First Niece - Patricia Westley Second Niece - Jessica Cale Conductor - Juraj Valčuha Director - Paul Curran Sets & Costumes - Gary McCann light designer - Fabio Barettin
Teatro San Carlo Teatro Mariinsky Staatsoper Hamburg Tchaikovsky Juraj Valčuha Misha Didyk Anna Nechaeva Anna Viktorova Tumanyan Russo Poli Staatsoper 1878 1890 2019
Teatro San Carlo Inaugurazione della Stagione d'Opera 2019/20 15 dicembre 2019 Piotr I. Tchaikovsky PIKOVAJA DAMA (LA DAMA DI PICCHE) Opera in tre atti su libretto di Modest Il’c Tchaikovsky dal racconto omonimo di Aleksandr S. Puškin Prima rappresentazione: San Pietroburgo, Teatro Mariinsky, 19 dicembre 1890 Direttore | Juraj Valčuha Maestro del Coro | Gea Garatti Regia | Willy Decker Regista per la ripresa | Stefan Heinrichs Scene e Costumi | Wolfgang Gussmann Assistente ai costumi | Sara Berto Luci | Hans Toelstede riprese da Wolfgang Schünemann Vocal coach | Nino Pavlenichvili Interpreti Herman | Misha Didyk Il conte Tomskij | Tomas Tomasson Il principe Eleckij | Maksim Aniskin Liza | Anna Nechaeva Polina | Aigul Akhmetchina La contessa | Julia Gertseva Čekalinskij | Alexander Kravets Surin | Alexander Teliga La governante | Anna Viktorova Maša, | Sofia Tumanyan Čaplickij/Il cerimoniere | Gianluca Sorrentino Narumov | Seung Pil Choi Orchestra e Coro del Teatro di San Carlo Produzione Staatsoper Hamburg SERIE CREMISI domenica 15 dicembre 2019, ore 17.00 - Turno F Spettacolo in Russo con sovratitoli in Italiano e in Inglese Durata: 3 ore circa con intervallo “O ho fatto uno sbaglio spaventoso, o l'opera è un capolavoro”: così scriveva il compositore all'autore del libretto, il fratello Modest Čajkovskij, esprimendo sorpresa e soddisfazione per l'inatteso slancio creativo. La Dama di picche fu infatti portata a termine con una rapidità incredibile in poco più di un mese all'inizio del 1890 e replicò il grande successo dell'Eugenio Onieghin (1878), tratto anch'esso da un racconto da Puškin. I fratelli Čajkovskij rielaborarono a fondo il testo originario; dove questo è l'inquietante storia di una ossessione, di un'idea fissa, al centro dell'opera c'è invece la figura di German che diventa l'uomo del destino di due donne: Liza, che viene travolta dalla sua passione e la Contessa che sente in lui, nel suo sguardo di fuoco, una volontà malefica e distruttiva. Musicalmente si tratta di un'opera di straordinaria compattezza e coesione nella quale si fondono appieno perfezione tecnica e verità di espressione ovvero i due poli della musica di Čajkovskij, compositore colto e dotato di un mestiere e di un bagaglio tecnico di stile occidentale.
Maxim Rysanov Schubert Valery Gergiev Mikhail Pletnev Jiří Bělohlávek Svetlanov Andrey Boreyko Vasily Petrenko Petrenko Tugan Sokhiev Yuri Simonov Vassily Sinaisky Sir Mark Elder Philippe Herreweghe Eivind Gullberg Jensen Jensen Michał Nesterowicz Nesterowicz Arvo Volmer Matthias Bamert John Axelrod Olari Elts Caballe Kaftan Gennady Rozhdestvensky Jorma Panula Oleg Caetani Verdi Vivaldi Maxim Vengerov Janine Jansen Mischa Maisky Gidon Kremer Nicola Benedetti Vadim Repin Augustin Dumay Viktoria Mullova Alexander Sitkovetsky Sitkovetsky Sol Gabetta Leif Ove Andsnes Denis Matsuev Alessio Bax Bax Michael Collins Alice Coote Freddy Kempf Dobrinka Tabakova Pēteris Vasks Richard Dubugnon Balogh Yusupov Leonid Desyatnikov Giya Kancheli Gabriel Prokofiev Prokofiev Lionel Tertis Valentino Bucchi Ulster Hall Last Night Proms Mariinsky Gürzenich Russian National Orchestra Bbc Symphony Orchestra Residentie Orkest Seattle Symphony Orquesta Sinfónica Castilla León Deutsches Symphonie Orchester Berlin Bournemouth Symphony Orchestra Gürzenich Orchestra Frankfurt Radio Symphony Prague Radio Symphony Orchestra Adelaide Symphony Orchestra Danish National Symphony Orchestra National Symphony Orchestra European Union Youth Orchestra Scottish Chamber Orchestra Spanish National Orchestra Beethovenorchester London Mozart Players Southbank Sinfonia Lithuanian Chamber Orchestra I Musici I Musici Montreal Detmold Chamber Orchestra Sofia Philharmonic 1780 2013 2020
Get tickets to 'Rysanov Plays Schubert' now at (http•••) #uoletsplaydigital Official website: (http•••) Facebook: (http•••) Grammy nominated Ukrainian-British violist and conductor Maxim Rysanov has established himself as one of the worldʼs most vibrant and charismatic musicians. As a violist, he is principally known as a frequent guest of the crème of the international music scene, such as BBC Last Night of the Proms and the festivals of Edinburgh, Salzburg and Verbier. Among his concerto highlights are the Mariinsky Orchestra (Valery Gergiev), Russian National Orchestra (Mikhail Pletnev), BBC Symphony Orchestra (Jiří Bělohlávek), Residentie Orkest the Hague (Neeme Jarvi), Svetlanov State Symphony Orchestra (Vladimir Jurovsky), Seattle Symphony (Andrey Boreyko), Orquesta Sinfónica de Castilla y León (Vasily Petrenko), Deutsches Symphonie-Orchester Berlin (Tugan Sokhiev), Moscow Philharmonic (Yuri Simonov), Bournemouth Symphony Orchestra (Vassily Sinaisky), Gürzenich Orchestra Cologne (Sir Mark Elder), Frankfurt Radio Symphony Orchestra (Philippe Herreweghe), NDR Philharmonic Orchestra (Eivind Gullberg Jensen), Prague Radio Symphony Orchestra (Juraj Valcuha and again with Michał Nesterowicz), Adelaide Symphony Orchestra (Arvo Volmer), Danish National Symphony Orchestra (Michael Schoenwandt), Shanghai Symphony (Long Yu), European Union Youth Orchestra (Matthias Bamert), Czech Filharmonic (John Axelrod), Scottish Chamber Orchestra (Olari Elts), Spanish National Orchestra (Josep Caballe Domenech) and Beethovenorchester Bonn (Dirk Kaftan). Maxim enjoys a busy career as a conductor parallel to playing the viola. Often he combines conducting and directing a concerto from viola. Maxim studied conducting with Alan Hazeldine at the Guildhall School of Music and Drama, and has taken part in several masterclasses with Gennady Rozhdestvensky, Jorma Panula and Oleg Caetani. Here are some of the orchestras he conducted: Svetlanov State Symphony Orchestra, La Verdi Orchestra Milan, Basel Symphony Orchestra, Russian National Orchestra, Tatarstan State Symphony Orchestra, Spanish Radio Orchestra (RTVE), Orquesta Sinfónica de Castilla y León, Dala Sinfonietta, Danubia Symphony Budapest, London Mozart Players, Southbank Sinfonia, Riga Sinfonietta, Lithuanian Chamber Orchestra, I Musici de Montreal, Detmold Chamber Orchestra, Musica Viva (Moscow), Voronezh Youth Orchestra, Kiev Soloists, Częstochowa Philharmonic Orchestra, Chamber Orchestra Chaarts, Budapest Festival Academy Orchestra, Classic FM Orchestra (Bulgaria), Georgian National Symphony Orchestra, Plovdiv Philharmonic, Sofia Opera Orchestra and Chorus, Sofia Philharmonic, Pfortseim Theatre Orchestra, Badische Philharmonie, Vivaldi Orchestra Morbegno. Maxim is a keen chamber musician. His chamber partners include Maxim Vengerov, Janine Jansen, Mischa Maisky, Gidon Kremer, Nicola Benedetti, Vadim Repin, Augustin Dumay, Viktoria Mullova, Alexander Sitkovetsky, Sol Gabetta, Leif Ove Andsnes, Denis Matsuev, Alessio Bax, Michael Collins, Martin Frost, Alice Coote, Freddy Kempf, Yeoelom Son among others. His enthusiasm for new music generates many exciting collaborations which extend the viola repertoire. This includes world premieres by Dobrinka Tabakova, Pēteris Vasks, Richard Dubugnon, Mate Balogh and Elena Langer. Other composers with whom Maxim has developed a close working relationship include Benjamin Yusupov, Leonid Desyatnikov, Giya Kancheli and most recently Gabriel Prokofiev. Gabriel is planning to write a symphony-concerto for Maxim, where the performer will have to combine skills of both soloist and conductor. Maxim's recordings have gained numerous award nominations including Gramophone Editor's Choice, ECHO, ICMA. Maxim featured as both soloist and conductor on the debut disc of composer Dobrinka Tabakova (ECM) in 2013 - a disc that reached number 2 in the UK classical charts and was shortlisted for a Grammy Award. His last album “in Schubert’s company” was selected as Gramophone Critic’s Choice of the Year. New CD is planned for a spring 2020 release on BIS. Sinfonietta Riga under Maxim’s direction are performing music by Peteris Vasks. It will include the premier recording of the Viola Concerto written and dedicated to Maxim, coupled with the Symphony no 1. Maxim is a recipient of various awards, including the Gramophone Young Artist of the Year Award and the BBC Radio 3 New Generation Award. He is also a prize-winner at the Geneva, Lionel Tertis and Valentino Bucchi competitions. Maxim studied viola with Maria Sitkovskaya in Moscow and John Glickman at the Guildhall School of Music and Drama London. He is delighted to play a 1780 Giuseppe Guadagnini Viola known as 'II Soldato', on private loan that was kindly arranged by Premiere Performances of Hong Kong.
Beethoven Juraj Valčuha Teatro Comunale Bologna 2020
Sinfonia n. 4 in Si bemolle maggiore op. 60 di Ludwig van Beethoven, dal concerto dell'1 luglio 2020 diretto dal Maestro Juraj Valčuha in occasione del secondo appuntamento della rassegna L'estate del Bibiena. Orchestra del Teatro Comunale di Bologna
ou
- chronologie: Chefs d’orchestre (Europe). Interprètes (Europe).
- Index (par ordre alphabétique): V...