John Banister Vidéos
compositeur ou compositrice
- violon
- opéra
- royaume d'Angleterre
Dernière mise à jour
2024-05-03
Actualiser
Robert Johnson William Lawes Martin Peerson Nicholas Lanier Matthew Locke John Banister Robert Ramsey Shepherd John Hilton John Blow Henry Purcell Sébastien Daucé Ayres Lucile Richardot Desmarest Davy Perret Cottet Roussel Mauillon Ensemble Correspondances Boston Early Music Festival 1570 1571 1583 1588 1599 1600 1602 1621 1624 1626 1633 1644 1645 1649 1651 1657 1659 1666 1677 1679 1688 1695 1708 2009 2017 2020 2021 2023
Subtitles in english, french, and catalan (working in progress) 00:00 BEMF - Perpetual Night 00:14 Care-charming sleep - Robert Johnson (ca. 1583–1633) 06:35 Go, happy man - John Coprario (ca. 1570/80–ca. 1626) 08:38 Whiles I this standing lake - William Lawes (1602–1645) 11:56 O precious time - Martin Peerson (1571/73–1651) 14:25 Music, the master of thy art is dead - Lawes 17:04 No more shall meads - Nicholas Lanier (1588–1666) 20:38 Suite No. 2 in C major - Pavan - Matthew Locke (1621/23–1677) 23:55 Give me my lute - John Banister (1624/25–1679) 27:11 Howl not, you ghosts and furies - Robert Ramsey (d. 1644) 31:51 Britanocles the great and good appears - Lawes 34:57 Suite No. 1, Consort of 4 parts - Ayre & Courante - Locke 39:13 Powerful Morpheus, let thy charms - William Webb (ca. 1600–1657) 44:00 Rise, princely shepherd - John Hilton (1599–1657) 50:52 Amintas, that true hearted swain - Banister 55:20 Poor Celadon, he sighs in vain (Loving above himself) - John Blow (1649–1708) 01:01:13 When Orpheus sang - Henry Purcell (1659–1695) 01:05:45 Phillis, oh! turn that face - John Jackson (d. 1688) 01:08:00 Epilogue: Sing, sing, Ye Muses - Blow Kathleen Fay words (BEMF Executive Director): "Dear Friends, This evening we are delighted to welcome the outstanding singers and instrumentalists of Ensemble Correspondances, under the direction of Sébastien Daucé, for their second performance on the annual BEMF concert series, following their critically acclaimed North American début at the June 2017 Festival. Since their founding in 2009, this much-lauded ensemble has built a formidable reputation around the world for their masterful and moving interpretations of seventeenth-century French music. For this evening’s program, “Perpetual Night: 17th-century Ayres and Songs,” filmed and recorded for BEMF, they collaborate with the glorious French mezzo-soprano Lucile Richardot, who will star in the title role of the 2023 Boston Early Music Festival’s centerpiece opera, Desmarest’s Circé. Their program is a fascinating exploration of the evolution of English song during the tempestuous seventeenth century, with French influences before the English Civil War and temporary overthrow of the monarchy and again in Restoration England following the return of Charles II from exile in France. With tonight’s concert, our 2020–2021 virtual concert season is brought to a satisfying and uplifting close. We are excited to announce that the all-virtual 2021 Boston Early Music Festival—Music of Solace & Joy—will take place in six weeks, running June 6 to 13, 2021. We look forward to the opportunity to invite music lovers and viewers from around the globe to enjoy an extensive lineup of exclusive performances and free events, including a wide array of concert offerings, opera, masterclasses, and the World-Famous Exhibition—all from the comfort of home. For more information, please visit BEMF.org. Thank you for “attending” tonight’s performance by Ensemble Correspondances, and most especially for your continued support of and enthusiasm for the Boston Early Music Festival". ARTISTS Ensemble Correspondances Lucile Richardot, mezzo-soprano Caroline Weynants & Deborah Cachet, soprano Davy Cornillot, tenor Nicolas Brooymans, bass Lucile Perret, recorders Béatrice Linon & Josèphe Cottet, violin Mathilde Vialle, Étienne Floutier & Mathias Ferré, viola da gamba Thibaut Roussel & Diego Salamanca, theorbo & lute Angélique Mauillon, harp Arnaud de Pasquale, virginal Sébastien Daucé, organ, virginal & conductor
Trying to kill a boring afternoon before a school meeting...my friend Pietro delle Chiaie at the harpsichord and me at the recorder. Judging by its stylistic particularities, the piece is probably by John Banister junior, son and namesake of the royal conductor, flageolet player and organizer of the first public concerts in London. His son, also, was violinist to the King.
John Banister John Walsh Vary 1630 1655 1679 1706 1725
The piece is at page 15 of the Division Flute I - ed. John Walsh +••.••(...)here the link to the score: (http•••)o/files/imglnks/usimg/5/58/IMSLP79264-PMLP160577-versao_final.pdf ) It's probably by John Banister junior (c.1655 to 1725), son of John Banister-the Elder (1630 to 1679). They were both successful English composers and performers. I wrote at the beginning of the video a chord series for harmonic instrument (guitar, keyboard ..). There are on the score a simplified harmonization, to play (and vary) in an extemporaneous execution and, under the score, the correct set of the video. I wish you all the best for the new year; especially the same serenity of this piece on a major scale :)
Had to split my new weekly blog in two this week as i have gone over on the time, so here is the first fishing question, I know a lot of people wont like this as they will feel I am sailing close to the wind, but I have to be true to myself and if I wanted to be liked then it would be about vanity, for me passion and honesty overides everything, all feed back greatly accepted. Please excuse the odd swear word,JB
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