Jean Richafort Vidéos
compositeur belge
- musique de la Renaissance, musique classique
- Belgique
- compositeur ou compositrice
Dernière mise à jour
2024-05-01
Actualiser
Josquin Desprez Jean Richafort Yeznikian Klaus Lang Antonenko 1480 1532 1547 2017
Requiem in memoriam Josquin Desprez. Jean Richafort (с.1480 - c.1547) and 21st Century Composers Jean Richafort's Requiem (1532) augmented with the missing parts of the canonical Requiem Mass by contemporary composers – Arman Gushchyan, Vladimir Rannev, Alexey Sysoev, Klaus Lang and Franck Christoph Yeznikian Idea and Artistic Direction – Arman Gushchyan The world premier of the «Requiem in memoriam of Josquin Desprez» was performed by the INTRADA Vocal Ensemble under direction of Ekaterina Antonenko, accompanied by soloists – Aylen Pritchin (violin), Sergey Poltavsky (viola), Sergey Suvorov (cello), Carlos N. Herrero (double bass). The concert took place in the framework of the IV International Opera Apriori Festival for Vocal Music on the 25th of March 2017 in the Cathedral of the Immaculate Conception of the Holy Virgin Mary in Moscow, Russia. More about the project: (http•••) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Реквием памяти Жоскена Депре. Жан Ришафор (с.1480 - c.1547) и композиторы ХХI века: Арман Гущян, Владимир Раннев, Алексей Сысоев, Клаус Ланг и Франк Кристоф Езникян Реквием Жана Ришафора (1532), расширенный недостающими частями канонической римско-католической заупокойной мессы. Автор идеи и художественный руководитель — Арман Гущян Мировую премьеру «Реквиема памяти Жоскена Депре» исполнил Вокальный ансамбль INTRADA под управлением Екатерины Антоненко, в сопровождении солистов – Айлена Притчина (скрипка), Сергея Полтавского (альт), Сергея Суворова (виолончель) и Карлоса Наварро Эрреро (контрабас). Концерт прошел в рамках IV Международной фестиваля вокальной музыки «Опера Априори» 25 марта 2017 года в Кафедральном соборе на Малой Грузинской. Больше о проекте: (http•••) #ТраекторияМузыки #Реквием #TrajectoryOfMusic
Divitis Antoine Févin Alexander Agricola Jean Mouton Jean Richafort Claudin Sermisy Ensemble Organum 1475 1501 1505 1508 1510 1514 1525 1530
Follow us on Facebook : (http•••) / Lux Perpetua Requiem This Requiem presents a perfect synthesis of the plainchant tradition and the supreme technical skills of the Franco-Flemish polyphony who diffused their art throughout western Europe. It was discovered at the end of the twentieth century and has not yet received the full measure of attention it deserves. Two sources attribute it to Antoine de Févin, a member of the chapel of King Louis XII, while another one assigns it to Antoine Divitis, who sang successively in the chapels of Philip the Handsome of Burgundy, Anne of Brittany, and Francis I. / Antoine Divitis Known by the Latinised form (Divitis) of his name, Antoine Le Riche (in Flemish, Antonius de Rycke) was born in Louvain around 1475. He began his career in Bruges and was ordained priest in 1501. In 1505 he joined the chapel of Duke Philip the Handsome of Burgundy in Brussels where his colleagues included Pierre de La Rue and Alexander Agricola. He followed Duke Philip to Spain, where he remained until 1508. In 1510, he reappears as a singing master in the chapel of Anne of Brittany. Among his colleagues there were Jean Mouton, Jean Richafort, and Claudin de Sermisy. After the death of Anne of Brittany in 1514 he was co-opted into the royal chapel of Francis I, where he remained until 1525. We know nothing of the rest of his life. He may have gone to Rome and perhaps died there around 1530. / Performed by Ensemble Organum Marcel Pérès, artistic director Website: (http•••) (http•••) / #EnsembleOrganum
Divitis Antoine Févin Alexander Agricola Jean Mouton Jean Richafort Claudin Sermisy Ensemble Organum 1475 1501 1505 1508 1510 1514 1525 1530
Follow us on Facebook : (http•••) / Lux Perpetua Requiem This Requiem presents a perfect synthesis of the plainchant tradition and the supreme technical skills of the Franco-Flemish polyphony who diffused their art throughout western Europe. It was discovered at the end of the twentieth century and has not yet received the full measure of attention it deserves. Two sources attribute it to Antoine de Févin, a member of the chapel of King Louis XII, while another one assigns it to Antoine Divitis, who sang successively in the chapels of Philip the Handsome of Burgundy, Anne of Brittany, and Francis I. / Antoine Divitis Known by the Latinised form (Divitis) of his name, Antoine Le Riche (in Flemish, Antonius de Rycke) was born in Louvain around 1475. He began his career in Bruges and was ordained priest in 1501. In 1505 he joined the chapel of Duke Philip the Handsome of Burgundy in Brussels where his colleagues included Pierre de La Rue and Alexander Agricola. He followed Duke Philip to Spain, where he remained until 1508. In 1510, he reappears as a singing master in the chapel of Anne of Brittany. Among his colleagues there were Jean Mouton, Jean Richafort, and Claudin de Sermisy. After the death of Anne of Brittany in 1514 he was co-opted into the royal chapel of Francis I, where he remained until 1525. We know nothing of the rest of his life. He may have gone to Rome and perhaps died there around 1530. / Performed by Ensemble Organum Marcel Pérès, artistic director Website: (http•••) (http•••) #EnsembleOrganum
Jean Richafort Zanger Een Stappen Meunier Vox Luminis 2015
Jean Richafort Requiem-Introitus Projectkoor Klink "Zomertroost" Muziek als balsem voor de ziel Boerdonk, 7 juni 2015 Projectkoor KLINK zingt muziek uit de renaissance en vroegbarok. Coaches zijn Marian de Rijk en Cor Nooijen. Elke zanger kent het magische moment tijdens een concert, waarin alles vanzelf lijkt te gaan. Het overkomt je, alles lijkt bij elkaar te komen en de muziek klinkt voorbij de noten. De oorsprong van projectkoor KLINK ligt in de vraag: Wat als we dit moment niet aan het toeval overlaten? Kunnen we voorwaarden scheppen om dit moment mogelijk te maken? Welke consequenties heeft dat voor dirigent, zangers en werkwijze? - communicatie tussen zangers onderling is een voorwaarde - de coaches ontwerpen oefeningen die de communicatie stimuleren en mogelijk maken - er is een gezamenlijke verantwoordelijkheid voor het klinkend resultaat - KLINK repeteert daarom in een kring zonder dirigent - elke zanger krijgt het werkend beginsel van een muziekstuk in handen - het klinkend resultaat is uitgansgpunt voor ons handelen. - de 2 vaste coaches ontwerpen een proces in 5 stappen - in de eindfase nodigt KLINK een specialist-coach uit, voor dit project was dit Lionel Meunier (art. leider Vox Luminis)
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