Philipp Jakob Rittler Vidéos
compositeur
- musique classique, musique liturgique
- République tchèque
- compositeur ou compositrice, chef ou cheffe de chœur, prêtre catholique
Dernière mise à jour
2024-06-03
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Jakob Rittler Bach Haydn Handel Vivaldi Beethoven Tchaikovsky
Small clip from Jakob Rittler's Ciaccona in C . . #bach #trumpet #bwv #music #trompete #trompeta #classic #classical #mozart #tromba #baroquetrumpet #trompetebarroco #baroque #barroco #natural #fyp #musicvideos #trumpetlovers #brasil #brazil #germany #rittler #mozart #haydn #handel #vivaldi #beethoven #tchaikovsky
Pavel Josef Vejvanovský Philipp Jakob Rittler Heinrich Ignaz Franz Biber Gottfried Finger 1633 1639 1693
PAVEL JOSEF VEJVANOVSKÝ was born in Moravia (Hukvaldy or Hlucin) in either 1633 or 1639. He received an education at the Jesuit university in Opava, where he also began composing. Moravia had been devastated during the Thirty Years War and much of it was in desperate need of rebuilding. The Habsburg authorities appointed the influential and ambitious Karl Leichtenstein-Castelcorno as Prince-Bishop of Olomouc who set about to rebuild much of the region. This included building himself a grand palace in Italian Renaissance style with elaborate gardens in the nearby town of Kromeriz and employing a large group of musicians drawn from throughout Europe to play at his court and churches. In the 1650s the job of running and directing this prestigious ensemble fell to Vejvanovsky, who was regularly singled out for praise by the Bishop. His own compositions circulated throughout central Europe, appearing in other Czech collections as well as in Germany and Austria. He seems to have made at least one visit to Austria with the purpose of copying and collecting music and it is largely thanks to Vejvanovsky that so much central-European music from the time is preserved in what is widely regarded as one of the most important collections of late seventeenth century music on the Continent. Vejvanovsky must have been one of the greatest trumpet virtuosos of the age and his numerous compositions attest to his virtuosity. One of his more remarkable talents was the ability to play certain chromatic passages on the trumpet, which is not normally possible on the largely diatonic natural trumpet. Under Vejvanovsky's direction the Bishops ensemble saw its heyday. Other musicians at court included Philipp Jakob Rittler, Heinrich Biber, and Gottfried Finger, the latter two employing certain characteristics of Vejvanovsky's trumpet writing in their own compositions. He was a contemporary and associate of Heinrich Ignaz Franz von Biber.
Mayr Lipp Rittler Schmelzer Aufschnaiter Fux Bernardi Stadlmayr Poglietti Biber Hofer 1570 1575 1606 1609 1620 1629 1630 1637 1644 1646 1648 1659 1661 1662 1673 1674 1680 1683 1690 1704 1712 1742
1.Rupert Ignaz Mayr +••.••(...)): Dominus regnavit 0:00 2.Alberich Mazak +••.••(...)): Magnificat anima mea Dominum 4:05 3.Philipp Jakob Rittler +••.••(...)): Ave regina coelorum 9:08 4.Caspar Endres (?-1674): O alma virgo Maria 12:28 5.Johann Heinrich Schmelzer +••.••(...)): Inquietum est cor meum 15:55 6.Benedikt Anton Aufschnaiter +••.••(...)): Improperium exspectavit 22:20 7.Vinzenz Fux +••.••(...)): Justorum animae 27:15 8.Steffano Bernardi (c. 1575-1637): Magnificat anima mea Dominum 31:57 9.Johann Stadlmayr (c. 1570-1648): Coelo rores fluunt flores 36:33 10.Johann Baptist Dolar +••.••(...)): Salve regina 39:35 11.Alessandro Poglietti (?-1683): Ave regina coelorum 45:07 12.Heinrich Ignaz Franz Biber +••.••(...)): Ne cedite mentes 48:32 13.Andreas Hofer +••.••(...)): Laudate pueri Dominum 53:02 14.Vinzenz Fux +••.••(...)): Litaniae Beate Mariae Virginis 56:45 Niederaltaicher Scholaren Konrad Ruhland
Pavel Josef Vejvanovský Philipp Jakob Rittler Heinrich Ignaz Franz Biber Gottfried Finger 1633 1639 1693
PAVEL JOSEF VEJVANOVSKÝ was born in Moravia (Hukvaldy or Hlucin) in either 1633 or 1639. He received an education at the Jesuit university in Opava, where he also began composing. Moravia had been devastated during the Thirty Years War and much of it was in desperate need of rebuilding. The Habsburg authorities appointed the influential and ambitious Karl Leichtenstein-Castelcorno as Prince-Bishop of Olomouc who set about to rebuild much of the region. This included building himself a grand palace in Italian Renaissance style with elaborate gardens in the nearby town of Kromeriz and employing a large group of musicians drawn from throughout Europe to play at his court and churches. In the 1650s the job of running and directing this prestigious ensemble fell to Vejvanovsky, who was regularly singled out for praise by the Bishop. His own compositions circulated throughout central Europe, appearing in other Czech collections as well as in Germany and Austria. He seems to have made at least one visit to Austria with the purpose of copying and collecting music and it is largely thanks to Vejvanovsky that so much central-European music from the time is preserved in what is widely regarded as one of the most important collections of late seventeenth century music on the Continent. Vejvanovsky must have been one of the greatest trumpet virtuosos of the age and his numerous compositions attest to his virtuosity. One of his more remarkable talents was the ability to play certain chromatic passages on the trumpet, which is not normally possible on the largely diatonic natural trumpet. Under Vejvanovsky's direction the Bishops ensemble saw its heyday. Other musicians at court included Philipp Jakob Rittler, Heinrich Biber, and Gottfried Finger, the latter two employing certain characteristics of Vejvanovsky's trumpet writing in their own compositions. He was a contemporary and associate of Heinrich Ignaz Franz von Biber.
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