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compositeur français
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2024-06-13
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Johann Baptist Gänsbacher Herzog Stecher Abbé Vogler Albrechtsberger Weber Meyerbeer Joseph Weigl Preindl Anton Mitterwurzer Wilt Milka Ternina Leopold Demuth Brahms Schubert Musikverein Stephansdom Music Central 1751 1778 1795 1801 1803 1806 1810 1812 1813 1814 1815 1818 1823 1824 1829 1838 1844 1853 1855 1868 1872 1875 1897 1904 1911
Alles Gute zum Geburtstag Johann Baptist Gänsbacher! Composer: Johann Baptist Gänsbacher +••.••(...)) Work: Lauretanische Litanei (1812) Performers: Sabina von WaIthеr (soprano); Johanna Pradеr (alto); Otto RastbichIеr (tenor); MichaеI GrossIеrcher (bass); TiroIеr vocalensemble & Kammerorchester des Fеrdinandеums; Josеf Wеtzingеr (leitung) Painting: Joseph Mathias von Trenkwald +••.••(...)) - Herzog Leopolds des Glorreichen Einzug in Wien nach dem Kreuzzug von 1219 (1872) Image in high resolution: (http•••) Painting: Franz Anton Stecher +••.••(...)) - Der Komponist Johann Baptist Gänsbacher und seine Familie (c.1838) Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / Johann (Baptist Peter Joseph) Gänsbacher (Sterzing, [now Vipiteno], 8 May 1778 - Vienna, 13 July 1844) Austrian composer and conductor. He was the son of a choirmaster and teacher, Johann Gänsbacher +••.••(...)), and as a boy sang in church choirs in Sterzing, Innsbruck, Hall and Bolzano; he also had lessons in piano, organ, violin, cello and thoroughbass. In 1795 he went to the university at Innsbruck and studied first philosophy, then law, supporting himself by giving music lessons, playing the organ, singing in church choirs and playing in the theatre orchestra. His first compositions date from this period. While at university he took part in four campaigns against Napoleon. In 1801 he went to Vienna to continue his musical studies, and was relieved of financial worries when Count Firmian, who further promoted his career as a musician, took him into his family as a son in about 1803. In Vienna he had lessons from the Abbé Vogler +••.••(...)) and from Albrechtsberger (1806). A Mass in C, composed through the offices of Vogler for Nikolaus Esterhazy in 1806, established his reputation as a composer. Nevertheless, he returned to Vogler in Darmstadt for a short period in 1810, where his fellow-pupils and friends included Weber and Meyerbeer, who admitted him as a founder-member of the ‘Harmonische Verein’, for which he was active until 1813. In January 1813 he met Weber in Prague and recommended him for the post of Kapellmeister of the theatre. In the summer of the same year Gänsbacher returned to the Tyrol to join the fighting to liberate the province from the Bavarian occupation. After the end of the war he did not return to the Firmian family but joined the army as a first lieutenant (1814). He was stationed first in Italian garrisons, in Trient, Mantua and Padua then at Innsbruck in 1815, where he again tried to gain a foothold as a musician. He worked as a conductor and director of a church choir, and helped to found the Musikverein, though he did not gain the position of chief conductor. He did not accept the post of director of music in Dresden, offered him at the instigation of Weber in 1823, since (after representations against the election of Joseph Weigl), he was appointed Kapellmeister of the Stephansdom in Vienna as successor to Josef Preindl in September 1824. One of the choristers was his nephew Anton Mitterwurzer +••.••(...)), later famous as an opera singer. From this time on Gänsbacher composed mainly church music, and only a few homage cantatas. By the time of his death he was one of the most famous musicians in Vienna. Some of Gänsbacher's early instrumental compositions, such as the Clarinet Concertino and the sonatas in F major (1803) and G minor (1810), are remarkable for the individuality of their ideas and their unconventional structure, while his Italian canzonettas and terzetti are effective for their reticent simplicity. Yet the works he composed later for social performance clearly show a deterioration of quality. Even before his 20 years at the Stephansdom, sacred music was becoming central to his output. Starting with the masses in C and B and the Requiem (1812), he wrote some creditable and well-regarded works in this field. Although they do not stand out from the manner of their time, and show little stylistic innovation, they nonetheless show Gänsbacher's considerable skill as a composer. His son Josef Gänsbacher +••.••(...)) studied the piano, the cello and singing, and went to university to read law, graduating in 1855. He practised law for a number of years, but concurrently gave piano and singing lessons, and in 1868 devoted himself entirely to teaching singing. From 1875 to 1904 he was a tutor at the conservatory of the Gesellschaft der Musikfreunde, becoming by the turn of the century the most highly-regarded singing teacher in Vienna. Some of his pupils achieved international recognition, including Maria Wilt, Milka Ternina, Leopold Demuth and Julius Liban. Brahms dedicated his cello sonata op.38 to him. He was a composer, chiefly of songs but also of piano and choral pieces, and was a co-editor of the Schubert complete edition.
Charles Hackett Hackett Delibes Hubbard Lombardi Maria Barrientos Rosa Ponselle Metropolitan Opera Lyric Opera Chicago 1889 1914 1919 1923 1925 1934 1942
Charles Hackett sings 'Dans la foret,' recorded in New York on 22 October 1925. The harp is played by Sepp Murscher. From Wikipedia: Charles Hackett (November 4, 1889 – January 1, 1942) sometimes referred to as Carlo Hackett, was an American tenor. He was born on November 4, 1889 in Worcester, Massachusetts. Hackett studied first at the New England Conservatory in Boston with Arthur J. Hubbard, and later with Vincenzo Lombardi in Florence. He made his stage debut in Genova, as Wilhelm Meister in Mignon, in 1914. He sang in Italy and South America, before making his debut at the Metropolitan Opera on January 31, 1919, as Almaviva. He appeared there for three seasons, also as Lindoro, Roméo, Il duca di Mantova, Alfredo, Rodolfo, Pinkerton, Wilhelm Meister, Cavaradossi, Don Ottavio, Vincent and Des Grieux. He also sang at the Lyric Opera of Chicago from 1923 until 1934. He returned to the Metropolitan on February 3, 1934 as Roméo, and performed there for another five years. Hackett made a number of recordings for Edison and Columbia, notably duets with Maria Barrientos and Rosa Ponselle, in which one can appreciate a singer with a fine technique and a certain elegance. He died on New Year's Day, January 1, 1942 in Manhattan, New York City. I transferred this side from my copy of Australian Columbia 03542.
Ching Dvořák Yehudi Menuhin Ida Kavafian Wai Blavet 1778 1983 2019
Hannah Wan Ching Tam, 14, HKSAR, performs Dvořák's Violin Concerto in A minor, Op. 53, Allegro ma non troppo at the Menuhin Competition #Richmond2021 Junior Finals. Pianist: Maria Jee Admitted to the Curtis Institute of Music aged 12, Hannah Wan Ching Tam currently studies with Ida Kavafian. She previously studied with Michael Ma, Maria Jee and Chan Kwok Wai at the Hong Kong Academy of Performing Arts. She has won top prizes at international competitions including Kloster Schöntal in Germany and Andrea Postacchini in Italy. Hannah has performed as a soloist with the Hong Kong Philharmonic, Virtuosi Italiani and Mantua Chamber orchestras amongst others. Recently, she received the Audience Prize at the “Mini Violini” showcase of the Concours Musical International de Montréal 2019. Hannah plays on the G.B. Guadagnini Torino 1778 ex Blavet, kindly supported by Alfredo Primavera. Founded by Yehudi Menuhin in 1983, the Menuhin Competition is the world's leading international competition for young violinists. The Competition attracts hundreds of entries from countries across the globe, choosing only 44 of the world’s very best young violinists to participate. Held every two years in a different world city the Competition discovers, encourages and nurtures exceptionally talented young musicians from all corners of the world under the age of 22 years to develop into the next generation of great artists. Find out more about the Menuhin Competition on our website: (http•••) Follow us on social media: (http•••) Sign up to our newsletter to stay up to date: (http•••)
Claudio Monteverdi Ricciardo Amadino 1603
Madrigal for five voices composed by Claudio Monteverdi and published in "Il Quarto Libro de' Madrigali a cinque voci" (Venice, 1603). Iscriviti/Subscribe → (http•••) Performers Website → (http•••) Download score → (http•••) Info ↓ Source: Il Quarto Libro de' Madrigali a cinque voci, di Claudio Monteverde, Maestro della Musica del Serenissimo Signor Duca di Mantova, nuovamente composto et dato in luce. In Venetia, appresso Ricciardo Amadino. MDCIII (1603), p. 4. Notes → Transcription: Andrea Francesco Scalia Buy tracks/album ↓ iTunes → (http•••) Google Play → (http•••) Amazon → (http•••) Be Social: follow me ↓ Subscribe → (http•••) Facebook → (http•••) Twitter → (http•••) Google+ → (http•••) LinkedIn → (http•••) tsū → (http•••)
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