Jacob Adolf Hägg Vidéos
compositeur suédois
- piano
- musique classique
- Suède
- compositeur ou compositrice, pianiste, organiste
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2024-06-01
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Tobias Ringborg Ringborg Vogler Netzel Gustav Hägg Hägg 2021
Provided to YouTube by NAXOS of America Adagio for Violin & Organ, Op. 34 · Tobias Ringborg · Ulf Norberg Vogler to Netzel: Swedish Organ Culture in the 19th Century ℗ 2021 Caprice Released on: 2021-10-15 Artist: Tobias Ringborg Artist: Ulf Norberg Composer: Gustav Hägg Auto-generated by YouTube.
Jacob Adolf Hägg Nilson Niels Gade Jenny Lind 1871 1880 1895 1896 1899 1901
Gävleborg Symphony Orchestra conducted by Göran W Nilson. I - Allegro: 0:00 II - Adagio cantabile: 5:21 III - Scherzo. Presto - L'istesso tempo - Tempo I: 9:33 IV - Finale. Maestoso. Allegro vivace - Presto e maestoso: 14:12 Hägg's Nordic Symphony began it's life as a four-hand piano sonata composed in 1871 in Copenhagen. He showed it to his teacher Niels Gade, who was delighted by the mastery of the form that his pupil showed, sending a copy of it to Jenny Lind. It would become his best-known work at the time. Unfortunatelly, as his mental illness grew in that decade, he ended up having to spend 15 years (from 1880 to 1895) in the St. Sigfrid of Växjö hospital, located in the south of Sweden. After that period, he decided to orchestrate the work and turn it into a symphony. The work was premiered in this form in 1899 in Copenhagen, later presented in Stockholm in 1901. The composer's style had not changed at all before and after the treatment, still maintaining a traditional romanticism that was anachronistic by the time the work was received. The "Nordic" subtitle also isn't very correct, as the work is more in a German style, derivated specially by Mendelsohn. The first movement is structured in sonata form. It begins with a majestic and joyfull main theme, which is presented by the strings. The second theme is more melodic and restrained. The brief development begins with a more stormy variation of the theme on the cellos, passing to the whole orchestra. The recapitulation begins with a climx on the main theme, followed by the second. A brilliant coda ends the movement The second movement is structured in ternary form. It opens with a gentle, lyrical main theme presented by the strings. The middle section is more majestic and solemn, with a more expressive and passionate variation of the theme. Shortly after the main theme is recapitulated in it's original form. A calm coda ends the movement. The third movement is a scherzo in ternary form. It begins with a vivacious and rhythmic main theme, which becomes more dramatic and forceful as it is exposed. The trio opens with a lyrical theme presented by the oboe, taken then by the strings. Soon after the scherzo's main theme is recapitulated. A decided coda ends the movement. The fourth movement is also structured in sonata form. It begins with a brief but pompous introduction. The flute presents a lively main theme, taken by the whole orchestra. It is contrasted by a more melodic second theme on the strings. During the development, the music culminates in a massive climax. Follows the recapitulation of the themes, after which a powerful final climax ends the work brilliantly. Picture: "Winter Sunset" (1896) by the Russian painter Vladimir Orlovsky. Musical analysis mostly written by myself. Source: (http•••)
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