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Eduard Brunner Jun Ichi Hirokami Symphonieorchester Bayerischen Rundfunks 1988 2018
Provided to YouTube by Zebralution GmbH Klavierkonzert mit Soloklarinette: II. Rondo. Allegro · Margarita Höhenrieder, Eduard Brunner, Symphonieorchester des Bayerischen Rundfunks, Jun'ichi Hirokami Suder: Klavierkonzert ℗ 2018 Bella Musica Edition Released on: 1988-09-28 Music Publisher: Bella Musica Composer: Joseph Suder Auto-generated by YouTube.
Edvard Hagerup Grieg Leif Ove Andsnes Jean Sibelius Bedřich Smetana Robert Schumann Clara Schumann Edmund Neupert Holger Simon Paulli Niels Gade Anton Rubinstein Rubinstein Rikard Nordraak James Huneker Franz Liszt Johan Svendsen Wilhelm Backhaus Junichi Hirokami Norrköping Symphony Orchestra 1843 1858 1868 1869 1870 1872 1874 1900 1907 1909
Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively. Please support my channel: (http•••) Piano Concerto in A minor, Op. 16 (1868) 1. Allegro molto moderato (0:00) 2. Adagio (12:51) 3. Allegro moderato molto e marcato (19:00) Leif Ove Andsnes, piano and Bergen Philharmonic conducted by Ole Christian Ruud Watch live performance here: (http•••) The work is among Grieg's earliest important works, written by the 24-year-old composer in 1868 in Søllerød, Denmark, during one of his visits there to benefit from the climate. The concerto is often compared to the Piano Concerto of Robert Schumann: it is in the same key; the opening descending flourish on the piano is similar; the overall style is considered to be closer to Schumann than any other single composer. Incidentally, both composers wrote only one concerto for piano. Grieg had heard Schumann's concerto played by Clara Schumann in Leipzig in 1858, and was greatly influenced by Schumann's style generally, having been taught the piano by Schumann's friend Ernst Ferdinand Wenzel. Grieg's concerto provides evidence of his interest in Norwegian folk music; the opening flourish is based on the motif of a falling minor second followed by a falling major third, which is typical of the folk music of Grieg's native country. This specific motif occurs in other works by Grieg, including the String Quartet No. 1. In the last movement of the concerto, similarities to the halling (a Norwegian folk dance) and imitations of the Hardanger fiddle (the Norwegian folk fiddle) have been detected. The work was premiered by Edmund Neupert on April 3, 1869, in Copenhagen, with Holger Simon Paulli conducting. Some sources say that Grieg himself, an excellent pianist, was the intended soloist, but he was unable to attend the premiere owing to commitments with an orchestra in Christiania (now Oslo). Among those who did attend the premiere were the Danish composer Niels Gade and the Russian pianist Anton Rubinstein, who provided his piano for the occasion. Neupert was also the dedicatee of the second edition of the concerto (Rikard Nordraak was the original dedicatee), and James Huneker said that he composed the first movement cadenza. The Norwegian premiere in Christiania followed on August 7, 1869, and the piece was later heard in Germany in 1872 and England in 1874. At Grieg's visit to Franz Liszt in Rome in 1870, Liszt played the notes a prima vista (by sight) before an audience of musicians and gave very good comments on Grieg's work which would later influence him. The work was first published in Leipzig in 1872, but only after Johan Svendsen intervened on Grieg's behalf. The concerto is the first piano concerto ever recorded—by pianist Wilhelm Backhaus in 1909.[9] Due to the technology of the time, it was heavily abridged and ran only six minutes. Grieg revised the work at least seven times, usually in subtle ways, but the revisions amounted to over 300 differences from the original orchestration. In one of these revisions, he undid Liszt's suggestion to give the second theme of the first movement (as well as the first theme of the second) to the trumpet rather than to the cello. The final version of the concerto was completed only a few weeks before Grieg's death, and it is this version that has achieved worldwide popularity. The original 1868 version has been recorded, by Love Derwinger, with the Norrköping Symphony Orchestra under Junichi Hirokami.
Enrico Pace Rossini Franz Liszt Frank Peter Zimmermann Zimmermann Marie Luise Neunecker Igor Roma Verdi Maurizio Pollini Yakov Kreizberg Walter Weller Gianandrea Noseda Andrey Boreyko Mark Elder Fürst Junichi Hirokami Eliahu Inbal Kord Alexander Liebreich Tuomas Ollila Tadaaki Otaka Otaka Skrowaczewski Bruno Weil Antoni Wit Shostakovich Keulen Leif Ove Andsnes Teatro Scala Salzburger Festspiele Raritäten Klaviermusik Rotterdam Philharmonic Orchestra Berlin Symphony Orchestra Mdr Symphony Orchestra Munich Philharmonic Bbc Philharmonic 1967 1987 1989 1997 1998 1999 2001 2002 2003 2004 2011
S.RACHMANINOFF:PIANO CONCERTO NO.3 - ENRICO PACE (v.1) Photos: Dolomiti; italian Alps Biography Enrico Pace (born 1967) is an Italian pianist of international renown. Enrico Pace was born in Rimini, Italy in 1967. He studied piano with Franco Scala, mainly at the Rossini Conservatory in Pesaro. He was also active as conductor and composer. In 1987 he won first prize at the International Yamaha Competition in Stresa and in 1989 he was first prize winner of the Second International Franz Liszt Piano Competition. Later Pace performed in many European cities and played with the symphonic orchestras of Sydney and Melbourne on an Australian tour. He also worked with the Warsaw Philharmonic Orchestra and with the Noord-Nederlands Orchestra. From 1997/1998, he started a long term co-operation with violinist Frank Peter Zimmermann, with whom Pace gave concerts in many European, South-American and Far Eastern countries. Other musicians with whom he often performs are horn player Marie-Luise Neunecker and pianist Igor Roma.[2] Pace has given many recitals in Europe, among others in the Amsterdam Concert Hall (he already performed four times there in the Master Pianists Series), Milan (Sala Verdi and Teatro alla Scala), Rome, Brescia/Bergamo, Florence, Berlin, Munich, Dortmund, Dublin and in some South American cities. As part of a Maurizio Pollini project, Pace gave a recital in Salzburg in 1999 for the Salzburger Festspiele (Festival Concerts). In the summer of 2001 his debut recitals at the Festivals of Husum (Raritäten der Klaviermusik [de]) [Piano Music Rarities] and La Roque-d'Anthéron made a profound impression and he was immediately invited to perform at the 2002 recitals as well.[3] He regularly performs with prominent orchestras, such as the Rotterdam Philharmonic Orchestra, The Radio Philharmonic Orchestra and Radio Symphony Orchestra, the Symphony Orchestras of Sydney and Melbourne (as part of a tour in Australia and New-Zealand), the Berlin Symphony Orchestra, the MDR Symphony Orchestra of Leipzig, the Philharmonic Orchestra of Warsaw, the Czech State Philharmonic Orchestra of Brno, the orchestras of Johannesburg and Cape Town, Amsterdam Sinfonietta, the Gelders Orchestra, the Brabants Orchestra, The Limburg Symphony Orchestra, the Northern Netherlands Orchestra, the Noordhollands Philharmonic Orchestra and the National Youth Orchestra. In the season of 2003/2004, Pace made several debuts: with the Munich Philharmonic conducted by Yakov Kreizberg, the Bamberger Symphony Orchestra conducted by Walter Weller and the BBC Philharmonic conducted by Gianandrea Noseda. Pace also worked with, among others, the conductors Andrey Boreyko, Mark Elder, Janos Fürst, Junichi Hirokami, Eliahu Inbal, Jan Latham-Koenig, Kazimirz Kord, Alexander Liebreich, Gianandrea Noseda, Tuomas Ollila, Tadaaki Otaka, Stanislav Skrowaczewski, Bruno Weil en Antoni Wit.[2] Apart from doing concerts with orchestras, Pace has also played chamber music: among others he played with the Shostakovich Quartet, the Vanbrugh Quartet and the Prometeo Quartet and he participated several times in Isabelle van Keulen's Delft Chamber Music Festival. So far pianist Leif Ove Andsnes invited him twice to perform at his chamber music festival in Risor. Pace also performed at the chamber music festivals of Kuhmo (Finland), Stresa (Italy), West Cork (Ireland) and Moritzburg (Germany).[1] Pace recorded in 2011 his first double CD as soloist for London label Piano Classics, recording Liszt's Années de pèlerinage – Suisse and Italie.[4
Jun Ichi Hirokami Hector Berlioz Philharmonia Orchestra 2009
Provided to YouTube by Universal Music Group Ouverture du Corsaire, Op. 21 · Jun-Ichi Hirokami · Royal Philharmonia Orchestra Berlioz: Symphony Fantastique, Op. 14 ℗ 2009 SLG, LLC Released on: 2009-01-01 Composer: Hector Berlioz Auto-generated by YouTube.
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