Hieronymus Andreae Vidéos
imprimeur, graveur et typographe allemand du XVIe siècle
Commémorations 2025 (Naissance: Hieronymus Andreae)
- Allemagne
- imprimeur, xylographe, typographe, éditeur ou éditrice, artiste visuel ou artiste visuelle
Dernière mise à jour
2024-06-15
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Gutmann Anton Bruckner Volkmar Andreae Vienna Symphony 1885 2011
Provided to YouTube by NAXOS of America Symphony No. 7 in E Major, WAB 107 (modified 1885 version, ed. A. Gutmann) : IV. Finale: Bewegt, doch nicht schnell · Vienna Symphony Orchestra Bruckner, A.: 9 Symphonien ℗ 2011 Music and Arts Programs of America Released on: 2011-04-01 Conductor: Volkmar Andreae Orchestra: Vienna Symphony Orchestra Composer: Anton Bruckner Auto-generated by YouTube.
I Virtuosi Italiani Andreae Gioachino Rossini 2020 2021
Provided to YouTube by NAXOS of America L'equivoco stravagante: Overture · I Virtuosi Italiani · Marc Andreae Gioachino Rossini: The Best Overtures ℗ 2020 CPO Released on: 2021-08-13 Orchestra: I Virtuosi Italiani Conductor: Marc Andreae Composer: Gioachino Rossini Auto-generated by YouTube.
Franz Liszt Ernst Pauer Andreae Eugen Albert Vincenz Lachner Lachner Samuel Lange Michaelis 1813 1866 1885 1887 1897 1901 1908 1917 1918 1920 1924 1932 1933 1934 1945
Franz Liszt +••.••(...)) ETUDE NR. 11 (Harmonies du soir), Gespielt von Prof. Max von Pauer +••.••(...)) Notenrolle der Firma Philipps (Nr. 600) Flügel "GROTRIAN STEINWEG" (Braunschweig) mit Selbstspieleinbau der Firma "PHILIPPS" (Frankfurt / M.) (um 1918) Max von Pauer (* 31. Oktober 1866 in London; † 12. Mai 1945 in Jugenheim) war ein deutscher Pianist und Musikpädagoge. Pauer wurde 1866 in London als Sohn des Pianisten Ernst Pauer und dessen Frau Ernestine Pauer, geb. Andreae, geboren. Er studierte bis 1885 Klavier bei seinem Vater an der Royal Academy of Music zusammen mit Eugen d’Albert, seit 1885 Komposition bei Vincenz Lachner am Großherzoglichen Konservatorium in Karlsruhe. Von 1887 bis 1897 unterrichtete er am Konservatorium Köln und von 1897 bis 1924 am Königlichen Konservatorium für Musik Stuttgart. Im Jahr 1908 wurde er als Nachfolger von Samuel de Lange Direktor der Institution, für seine Verdienste wurde er von König Wilhelm II. von Württemberg geadelt. 1920 gestaltete er das Konservatorium zur modernen Musikhochschule um. Von 1924 bis 1932 leitete er das Landeskonservatorium der Musik zu Leipzig. 1933 bis 1934 war er Direktor der städtischen Musik-Hochschule in Mannheim. Im Frühjahr 1917, mitten im Ersten Weltkrieg, unternahm er mit der Violinistin Melanie Michaelis eine Deutschlandtournee, u. a. nach Berlin und Freiberg. Er war ein Pianist von Weltgeltung, der großen Wert auf die Werktreue legte und wie sein Vater zahlreiche Werke in Bearbeitungen herausgab. (Quelle: Wikipedia)
Vienna Philharmonic Bbc Symphony Orchestra Philharmonia Orchestra Philadelphia Orchestra André Previn Richard Strauss Beethoven John Lancie Volkmar Andreae Léon Goossens Goossens Adrian Boult Eugene Ormandy Bbc Proms 1640 1881 1945 1946 1948 1964 1987 1997
Richard Stauss: Oboe Concerto in D Major (1945) The concerto consists of three interconnected movements and lasts around 25 minutes: 1-Allegro moderato 00:02 2-Andante 08:11 3-Vivace - Attacca 16:40 4-Allegro 21:11 Martin Gabriel: Oboe Vienna Philharmonic, André Previn 1997 The Concerto in D major for Oboe and Small Orchestra, AV 144, TrV 292, was written by Richard Strauss in 1945. It was one of the last works he composed near the end of his life, during what is often described by biographers, journalists and music critics as his "Indian summer." Instrumentation: The concerto is scored for oboe solo with an orchestra of 2 flutes, cor anglais, 2 clarinets, 2 bassoons, 2 horns, and strings. Analysis: The tonal disposition of the movements is D major, B-flat major, D major. Juergen May has observed that "it is obvious that Strauss takes as his point of departure here the Classical and early-Romantic models of his musical youth. The composer looks back to a past aesthetic from the perspective of someone who has lived through the paradigm changes of the nineteenth and twentieth centuries. In this sense one might call the last works of Strauss postmodern." As with his other late works, Strauss builds up the music from a series of small melodic ideas "which are the point of departure for the development of the entire composition." The concerto is built up from three main thematic elements. The first is the 4 semiquavers D–E–D–E which opens the piece in the cellos. The second is a long note (minim) followed a playful figure of shorter durational values (semi-quavers). The third is a repetition short-short-short long followed by different variants of continuations. This motif echoes the rhythm of the Fate motif of Beethoven's Fifth symphony and "clearly refers to Metamorphosen, completed just before the Oboe Concerto – a remarkable example of the thematic links between the last instrumental works". However, it also relates back to Strauss's use of the rhythm of the Fate motif in the first movement of his youthful Piano Sonata written over 60 years earlier in 1881. The finale ends with a surprise: after the second cadenza, Strauss concludes with a dance-like Allegro in 6/8 meter which comes across as a fourth movement with a character of its own. Inception and premiere: American oboist John de Lancie was a corporal in the U.S. Army unit which secured the area round the Bavarian town of Garmisch where Strauss was living in April 1945, following World War II. As principal oboist of the Pittsburgh Orchestra in civilian life, he knew Strauss's orchestral writing for oboe thoroughly, visited the composer in his home, and in the course of a long conversation asked him if he had ever considered writing an oboe concerto. Strauss answered simply "No", and the topic was dropped. However, in the months to follow, the idea grew on him and he completed the short score of his Oboe Concerto on September 14, 1945, finishing the orchestration on October 25. The work was premiered on 26 February 1946 in Zürich, featuring Marcel Saillet as soloist[8] with the Tonhalle Orchester conducted by Volkmar Andreae. The British premiere was at the BBC Proms on 17 September 1946 with the oboist Léon Goossens and the BBC symphony orchestra conducted by Adrian Boult. As the concerto was being prepared for print in early 1948, Strauss revised and expanded its last-movement coda.The first recording was made in 1948 with oboist Léon Goossens and the Philharmonia Orchestra, conducted by Alceo Galliera (in the version without the final revisions).John de Lancie had been astonished to see that Strauss was indeed publishing an oboe concerto. Strauss saw to it that the rights to the U.S. premiere were assigned to de Lancie, who after the war had switched to the Philadelphia Orchestra and was only a junior member there. Protocol made de Lancie's performing the premiere impossible since the Philadelphia Orchestra's principal oboist had priority. De Lancie instead gave the rights to the U.S. premiere to a young oboist friend at the CBS Symphony Orchestra in New York, Mitch Miller, who later became famous as a music producer and host of a sing-along TV show. John de Lancie later became the principal oboist for the Philadelphia Orchestra and his only public performance of the Concerto was the company premiere of the piece on August 30, 1964 at the Interlochen Center for the Arts in Michigan, with Eugene Ormandy conducting. In 1987, de Lancie had the opportunity to record the work he helped inspire with a small orchestra identified only as "Chamber Orchestra" conducted by Max Wilcox on the RCA label. Léon Goossens, who played oboe on the first recording in 1948 (http•••)
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