Thomas Hayward Vidéos
artiste lyrique
Commémorations 2025 (Décès: Thomas Hayward)
- ténor
- opéra
- États-Unis
- artiste lyrique, professeur ou professeure de musique
Dernière mise à jour
2024-05-07
Actualiser
Joseph Hislop Coates Kahn Hayward Sharpe Steane Covent Garden 1884 1914 1920 1927 1934 1937 1977
'Bird Songs at Eventide' was recorded on 14 June 1927, with piano by Percy Kahn, violin by Marjorie Hayward and 'cello by Cedric Sharpe. It is difficult to improve upon John Steane's appreciation of the art of Joseph Hislop. 'He is a singer for whose ways and means one comes to have much affection, partly through the interaction of opera and song,' wrote Steane in 'The Grand Tradition.' As regards his records of Scottish songs and English ballads, Steane spoke of Hislop's 'tender and restrained way...varying his tone from a clear, incisive ring to a gentle mezzo voce, veiled and floated with fine control. In relation to the operatic recordings, Steane was a little less enthusiastic, but only a little. Michael Scott certainly found his singing to be clean and vigorous, with everything 'done to a high degree of competence.' Hislop was born in Edinburgh on 5 April 1884. He gained a musical education as a choirboy, but initially pursued a career in photoengraving. Ultimately, photography was jettisoned in favour of singing studies - in Stockholm, where he made his debut in 1914. He made his Covent Garden and North American debuts in 1920, and continued to sing in opera until 1934. He also made many concert tours, including to Australia. Retiring from singing in 1937, he began a teaching career in Stockholm, later continuing it in England. He died in Fife, Scotland, on 6 May 1977.
Joseph Hislop Gounod Byng Hayward Steane Covent Garden 1884 1914 1920 1926 1934 1937 1977
'Salut, demeure' was recorded on 9 June 1926, with orchestra conducted by George Byng and violin by Marjorie Hayward. It is difficult to improve upon John Steane's appreciation of the art of Joseph Hislop. 'He is a singer for whose ways and means one comes to have much affection, partly through the interaction of opera and song,' wrote Steane in 'The Grand Tradition.' As regards his records of Scottish songs and English ballads, Steane spoke of Hislop's 'tender and restrained way...varying his tone from a clear, incisive ring to a gentle mezzo voce, veiled and floated with fine control. In relation to the operatic recordings, Steane was a little less enthusiastic, but only a little. Michael Scott certainly found his singing to be clean and vigorous, with everything 'done to a high degree of competence.' Hislop was born in Edinburgh on 5 April 1884. He gained a musical education as a choirboy, but initially pursued a career in photoengraving. Ultimately, photography was jettisoned in favour of singing studies - in Stockholm, where he made his debut in 1914. He made his Covent Garden and North American debuts in 1920, and continued to sing in opera until 1934. He also made many concert tours, including to Australia. Retiring from singing in 1937, he began a teaching career in Stockholm, later continuing it in England. He died in Fife, Scotland, on 6 May 1977.
Ruggero Leoncavallo Richard Tucker Lucine Amara Giuseppe Valdengo Thomas Hayward Adler Metropolitan Opera 1857 1919 1951
Ruggero Leoncavallo +••.••(...)) I Pagliacci Richard Tucker, tenore Lucine Amara, soprano Giuseppe Valdengo, baritono Thomas Hayward, tenore Clifford Harvout, basso Orchestra e Coro del Metropolitan Opera Association Kurt Adler, maestro del Coro Fausto Cleva, direttore New York, 1951 Prologo Si può? Si può? Atto I Son qua Un grande spettacolo Un tal gioco, credetemi Andiam! Andiam! Qual fiamma avea nel guardo... Stridono lassù Sei là! Credea te ne fossi andato Nedda! Silvio, a quest'ora Decidi il mio destin Non mi tentar! Cammina adagio Derisione e scherno! Recitar!... Mentre preso dal delirio... Vesti la giubba
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