Dan Grigore Vidéos
pianiste roumain
- piano
- musique classique
- Roumanie
- compositeur ou compositrice, pianiste
Dernière mise à jour
2024-05-10
Actualiser
Gabriel Fauré Joseph Eybler Grigore 1791 1880 1900
Montaj și redactare: Bogdan CICHIRDAN …Cum spuneam, luni seară, 26 04 21, ieșeam de la Filarmonică, după ce am asistat (filmat cu aparatul în mână, pentru imagini de știri) la un concert eveniment: două lucrări vocal simfonice, Recviemul de Gabriel Fauré - scris între 1880 și 1900 și Recviemul, compus l-a sfârșitul propriei vieți (1791) de W. A. Mozart (elevii săi definitivându-l: Joseph Eybler și Franz Xaver Süßmayr). Da, am fost prezent la o seară muzicală eveniment la care, pe lângă Corul „Euphonia” (pregătit de Aurel Poenaru) al Filarmonicii vâlcene, și orchestra simfonică, și-au dat concursul dirijorul Constantin Grigore din București și soliștii Camelia Clavac-soprană și baritonul Alexandru Aghenie din Brașov. Eveniment creat de corală și instrumentiști, de dirijor și cei doi soliști. Eveniment pentru faptul că pe parcursul unei ore și ceva, melomanii vâlceni i-au reascultat în Săptămâna Mare din acest an pe Faure și Mozart în două dintre operele lor cele mai reușite, recviemuri!... al lui W. A. Mozart, fiind una din capodoperele vocal simfonice ale muzicii universale…(Fragment din Articolul „Fauré și Mozart la Filarmonica din Râmnicu Vâlcea”, www.culturaarsmundi.ro)
Grigore Beethoven Dinu Lipatti George Enescu Hauser Shostakovich Cotrubas Marina Krilovici Radu Lupu Sergiu Celibidache Arthur Rubinstein Maurizio Pollini Murray Perahia Vladimir Ashkenazy Chopin Arturo Benedetti Michelangeli Benedetti Romanian Athenaeum Gasteig Münchner Philharmoniker 1821 1822 1943 1960 1961 1962 1964 1967 1968 1969 1979 1989 1996
Beethoven's last sonata in C minor op.111 is dedicated to Archduke Rudolf, composed in 1821 -1822. - Maestoso; Allegro con brio ed appasionato Part I : - Arietta: Adagio molto semplice e cantabile Part II : (http•••) Part III : (http•••) ~~~ Dan Grigore (1943) Romanian pianist, born in Bucharest. He was first a pupil of Mihail Jora and then of Florica Musicescu, who had both been teachers to Dinu Lipatti. He made his debut playing Enescu's Burlesque, Choral and Carillon Nocturne in first world audition. On the recommendation of his two maestros, Musicescu and Jora, he obtained a scholarship at the St. Petersburg Music Academy +••.••(...) - class of Professor Tatiana Kraftchenko) and a Herder scholarship in 1969 at the Vienna Music Academy - class of Professor Richard Hauser. Winner of the George Enescu National Music Competition (1960), laureate of George Enescu International Music Competition +••.••(...)) and Montreal International Piano Competition in 1968. Professor at the Music University in Bucharest +••.••(...)). Dan Grigores career in Romania and abroad was severely restricted because of his steady opposition to the Ceausescu regime, who punished his lack of collaboration by refusing his international tours: "Dan Grigore, the marvellous pianist, had suffered severely under Ceausescu. I suggested a parallel with Shostakovich under Stalin, but on reflection I think Grigores lot was worse. Stalin at least took an interest in what Shostakovich was doing, even if he tried to order him how and what to compose, and threatened him with prison if he did not conform. Grigore, who refused consistently to give any sign of public support for Ceausescu, was denied permission to travel and perform abroad dangers of professional death for a pianist of his stature and was hounded and persecuted at home. No nomenclatura privileges for him." (Peter Roberts, Ambassador of Canada in Bucharest, 1979-83) He initiated the return on the stage of the Athenaeum, of the great Romanian artists in exile, among which Ileana Cotrubas, Marina Krilovici, Silvia Marcovici, Radu Lupu, Radu Aldulescu; he has also initiated the restoration of the symbol of Bucharest and one of the most beautiful concert halls in Europe, the Romanian Athenaeum. In June 1996 he gave three concerts at Gasteig Hall together with Sergiu Celibidache and the Münchner Philharmoniker. Those were the last concerts of the great conductor who used to tell him: You are one of the greatest pianists in the world ! Dan Grigore has an extremely wide repertoire, covering the whole range of styles and his work has been remarkably praised by many of the leading international critics, since the very beginning of his career: "Arthur Rubinstein, the rational-elegant Maurizio Pollini, the cultivated-sensible Murray Perahia, the pathetic virtuoso Garrick Ohlson, the spontaneous-delicate Vladimir Ashkenazy and the Master of the Chopin interpretation Arturo Benedetti Michelangeli, might have a great satisfaction to relate, to compete, to share same ideas, to have a friend: Grigore is sensational world class ! He plays classic-logical, elegant and cultivated, supersensitive and delicate, reaching the bounds of perfection." (Kleine Zeitung- Austria) "Thank Goodness for the events of 1989 which liberated fettered talents such as this into the free world! His entry announced an extraordinary power weighted through his fingertips which, combined with a strong lyric impulse and ripplingly refined decoration, reminded us Grigore comes from the same stable as the legendary Lipatti." (The Birmingham Post - Great Britain) "Ovations were given to the Romanian piano virtuoso, Dan Grigore. (...) Dan Grigore belongs to the highest elite of pianists. In fact, he has captivated the audience not only due to the volcanic vigour of his interpretation, but, more importantly, due to his great sense of form as well as to his musical sensualism. Bravo! " (Tagesspiegel - Berlin) "A legendary pianist in his country, who got involved in the political life after Ceausescus fall ten years ago, Dan Grigore is a remarkable character in the Romanian musical life.(...) He sits down, puts his big hands (he can cover easily the duodecima) on the piano and what a round and bright sound ! What sweetness of touch ! He plays very sophisticated, almost stilted, for all that with a rigour which doesnt allow any compromise. We listen to him fascinated." (Le Monde) ~~~
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