George L. Cobb Vidéos
compositeur américain
- piano
- ragtime
- États-Unis
- compositeur ou compositrice
Dernière mise à jour
2024-05-07
Actualiser
Casey Sullivan Burge Scully Robertson McNaughton Richard Watkins Watkins David Pyatt Martin Owen Berry Cobb Moore Byron Fulcher Clements Hartley Lockhart Richards Tim Jones Rayner Phil Woods Mayes 2018
Provided to YouTube by Universal Music Group He Saw An Opportunity - Counterpoint In C Minor · Nicholas Britell VICE ℗ A Decca Records Recording; ℗ 2018 ANNAPURNA PICTURES, LLC, under exclusive licence to Universal Music Operations Limited Released on: 2018-12-07 Producer, Conductor: Nicholas Britell Studio Personnel, Recording Engineer, Mix Engineer: Casey Stone Studio Personnel, Mastering Engineer: Patricia Sullivan Associated Performer, Violin: Everton Nelson Associated Performer, Violin: Richard George Associated Performer, Viola: Peter Lale Associated Performer, Cello: Ian Burge Associated Performer, Bass ( Vocal): Mary Scully Associated Performer, Flute: Karen Jones Associated Performer, Flute: Nina Robertson Associated Performer, Flute/ Piccolo: Anna Noakes Associated Performer, Oboe: John Anderson Associated Performer, Oboe: Janey Miller Associated Performer, Cor Anglais: Jane Marshall Associated Performer, Clarinet: Jon Carnac Associated Performer, Clarinet: Anthony Pike Associated Performer, Bass Clarinet: Dave Fuest Associated Performer, Bassoon: Daniel Jemison Associated Performer, Bassoon: Rachel Simms Associated Performer, Contra Bassoon: Gavin McNaughton Associated Performer, French Horn: Richard Watkins Associated Performer, French Horn: David Pyatt Associated Performer, French Horn: Laurence Davies Associated Performer, French Horn: Nigel Black Associated Performer, French Horn: Martin Owen Associated Performer, French Horn: Richard Berry Associated Performer, Trumpet: Jason Evans Associated Performer, Trumpet: Phil Cobb Associated Performer, Trumpet: Andy Crowley Associated Performer, Trumpet: Gareth Small Associated Performer, Trumpet: Sebastian Philpott Associated Performer, Trumpet: Kate Moore Associated Performer, Trombone: Byron Fulcher Associated Performer, Trombone: Andy Wood Associated Performer, Trombone: Ed Tarrant Associated Performer, Bass Trombone: Barry Clements Associated Performer, Harp: Skaila Kanga Associated Performer, Piano: Dave Hartley Associated Performer, Timpani: Bill Lockhart Associated Performer, Percussion: Frank Ricotti Associated Performer, Percussion: Chris Baron Associated Performer, Clarinet: Paul Richards Associated Performer, Bass Trombone: Dan West Associated Performer, French Horn: Tim Jones Associated Performer, French Horn: Simon Rayner Associated Performer, French Horn: Phil Woods Associated Performer, French Horn: Richard Bissill Associated Performer, Trumpet: James Fountain Associated Performer, Trumpet: Dan Newell Associated Performer, Trumpet: Paul Mayes Associated Performer, Trumpet: Pat White Associated Performer, Timpani: Sam Walton Composer: Nicholas Britell Auto-generated by YouTube.
Watch this fantastic performance of the first movement of Schubert's Arpeggione Sonata by double bassist Timothy Cobb and pianist Jean Schneider. Timothy has been working with String Virtuoso on a number of editions and tutorials, and the Arpeggione Sonata is the latest solo work to be covered. Timothy Cobb's edition of the Arpeggione Sonata is now available via our website, and comes with fingering and bowing suggestions along with piano accompaniment in solo and orchestral tuning. String Virtuoso is your go-to site for double bass music, tutorials, accompaniment videos, and more. Stay connected with us on social media to be the first to hear about our latest editions and videos. ???? Online: (http•••) ???? Facebook: (http•••) ???? Instagram: (http•••) #schubert #doublebass #timothycobb #stringvirtuoso
This is a free tutorial brought to you by String Virtuoso. We have a huge range of tutorials, performance videos, and piano accompaniment videos available at (http•••) — sign up there to access our full offering! String Virtuoso is your go-to site for double bass music, tutorials, accompaniment videos, and more. Stay connected with us on social media to be the first to hear about our latest editions and videos. ???? Online: (http•••) ???? Facebook: (http•••) ???? Instagram: (http•••)
Santa María Carreira Mui Foron Dev Tornar Sterling Ramm Nigel Rogers Cobb Greenberg David Munrow Christopher Hogwood René Clemencic Studio Frühen Musik Schola Cantorum New York Pro Musica Early Music Consort London Clemencic Consort Gothic Voices 1919 1952 1960 1964 1966 1967 1969 1970 1976 1979 1980
Esta é como Santa María juïgou a alma do Roméu que ía a Santïago, que se matou na carreira por engano do dïabo, que tornass' ao córpo e fezésse pẽedença. Non é gran cousa se sabe bon joízo dar a Madre do que o mundo tod' há de joïgar. Mui gran razôn é que sábia dereito quen Déus troux' en séu córp' e de séu peito mamentou, e del despeito nunca foi fillar; porên de sen me sospeito que a quis avondar. Non é gran cousa se sabe bon joízo dar... Sobr' esto, se m' oíssedes, diría dun joízo que déu Santa María por un que cad' ano ía, com' oí contar, a San Jam' en romaría, porque se foi matar. Non é gran cousa se sabe bon joízo dar... Este roméu con bõa voontade ía a Santïago de verdade; pero desto fez maldade que ant' albergar foi con mollér sen bondade, sen con ela casar. Non é gran cousa se sabe bon joízo dar... Pois esto fez, meteu-s' ao caminno, e non se mãefestou o mesquinno; e o démo mui festinno se lle foi mostrar mais branco que un arminno, polo tóst' enganar. Non é gran cousa se sabe bon joízo dar... Semellança fillou de Santïago e disse: “Macar m' éu de ti despago, a salvaçôn éu cha trago do que fust' errar, por que non cáias no lago d' iférno, sen dultar. Non é gran cousa se sabe bon joízo dar... Mas ante farás esto que te digo, se sabor hás de seer méu amigo: talla o que trages tigo que te foi deitar en poder do ẽemigo, e vai-te degolar.” Non é gran cousa se sabe bon joízo dar... O roméu, que sen dôvida cuidava que Santïag' aquelo lle mandava, quanto lle mandou tallava; poi-lo foi tallar, lógu' entôn se degolava, cuidando ben obrar. Non é gran cousa se sabe bon joízo dar... Séus companneiros, poi-lo mórt' acharon, por non lles apõer que o mataron, foron-s'; e lógo chegaron a alma tomar démões, que a levaron mui tóste sen tardar. Non é gran cousa se sabe bon joízo dar... E u passavan ant' ũa capéla de San Pedro, muit' apósta e béla, San James de Compostéla dela foi travar, dizend': “Ai, falss' alcavéla, non podedes levar a alma do méu roméu que fillastes, ca por razôn de mi o enganastes; gran traïçôn i penssastes, e, se Déus m' ampar, pois falssament' a gãastes, non vos póde durar.” Non é gran cousa se sabe bon joízo dar... Responderon os démões louçãos: “Cuja est' alma foi fez feitos vãos, por que somos ben certãos que non dev' entrar ante Déus, pois con sas mãos se foi desperentar.” Non é gran cousa se sabe bon joízo dar... Santïago diss': “Atanto façamos: pois nós e vós est' assí rezõamos, ao joízo vaamos da que non há par, e o que julgar façamos lógo sen alongar.” Non é gran cousa se sabe bon joízo dar... Lóg' ante Santa María vẽéron e rezõaron quanto mais podéron. Dela tal joíz' houvéron: que fosse tornar a alma onde a trouxéron, por se depois salvar. Non é gran cousa se sabe bon joízo dar... Este joízo lógo foi comprido, e o roméu mórto foi resorgido, de que foi pois Déus servido; mas nunca cobrar pod' o de que foi falido, con que fora pecar. Non é gran cousa se sabe bon joízo dar.../ About Studio Der Frühen Musik: Studio der frühen Musik was an early music group active from 1960–1980 and based in Munich. The leader of the group was Thomas Binkley, and the activity of the group coincided with the years he was teaching at the Schola Cantorum Basiliensis. Core members of the group were Binkley (lute), Sterling Jones (vielle), and Andrea von Ramm (mezzo-soprano, rebec, hurdy-gurdy and harp), who had previously organised an earlier Studio der Frühen Musik in Cologne. To these three members were added a male singer; first the tenors Nigel Rogers 1960-1964, then Willard Cobb 1964-1970, and Richard Levitt (counter-tenor) 1970-1979. The activity of the group ceased when Binkley returned to America to found the Early Music Institute at Bloomington, Indiana in 1979. An important predecessor was New York Pro Musica, founded 1952 by Noah Greenberg +••.••(...)). But Studio der frühen Musik produced a "radically different sound" anticipated other ensembles such as the Early Music Consort of London of David Munrow and Christopher Hogwood (founded 1967, disbanded in 1976 following Munrow's death), and the Clemencic Consort founded in 1969 by recorder player René Clemencic. The end of Studio der frühen Musik's activity coincided with the watershed in medieval performance moving to a cappella performance typified by Gothic Voices founded by Christopher Page in 1980.
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- chronologie: Compositeurs (Amérique du Nord).
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