Ernst Wilhelm Wolf Vidéos
compositeur
Commémorations 2025 (Naissance: Ernst Wilhelm Wolf)
- piano
- opéra, symphonie
- Allemagne
- compositeur ou compositrice, chef ou cheffe d'orchestre
Dernière mise à jour
2024-05-04
Actualiser
Bach Carl Philipp Emanuel Bach Wolfgang Amadeus Mozart Joseph Haydn Beethoven Lassus Monteverdi Gesualdo Georg Anton Benda Benda Ernst Wilhelm Wolf Johann Gottfried Müthel Friedrich Wilhelm Rust Wilhelm Rust Felix Mendelssohn Weber Robert Schumann Johannes Brahms Alfred Wotquenne Helm Friedemann Bach Il Giardino Armonico 1906 1941 1989 2000
Through the later half of the 18th century, the reputation of Carl Philipp Emanuel Bach stood very high. Wolfgang Amadeus Mozart said of him, "He is the father, we are the children." The best part of Joseph Haydn's training was derived from a study of his work. Beethoven expressed for his genius the most cordial admiration and regard.[citation needed] His keyboard sonatas, for example, mark an important epoch in the history of musical form. Lucid in style, delicate and tender in expression, they are even more notable for the freedom and variety of their structural design; they break away altogether from both the Italian and the Viennese schools, moving instead toward the cyclical and improvisatory forms that would become common several generations later. The content of his work is full of invention and, most importantly, extreme unpredictability, and wide emotional range even within a single work, a style that may be categorized as empfindsamer Stil. It is no less sincere in thought than polished and felicitous in phrase. He was probably the first composer of eminence who made free use of harmonic colour for its own sake since the time of Lassus, Monteverdi, and Gesualdo.[citation needed] In this way, he compares well with the most important representatives of the First Viennese School. In fact he exerted enormous influence on the North German School of composers, in particular Georg Anton Benda, Bernhard Joachim Hagen, Ernst Wilhelm Wolf, Johann Gottfried Müthel, Friedrich Wilhelm Rust and many others. His influence was not limited to his contemporaries, and extended to Felix Mendelssohn and Carl Maria von Weber. His name fell into neglect during the 19th century, with Robert Schumann notoriously opining that "as a creative musician he remained very far behind his father";[8] in contrast, Johannes Brahms held him in high regard and edited some of his music. The revival of C. P. E. Bach's works has been underway since Helmuth Koch's rediscovery and recording of his symphonies in the 1960s, and Hugo Ruf's recordings of his keyboard sonatas. There is an ongoing project to record his complete works, led by Miklós Spányi (de) on the Swedish record label BIS. The works of C. P. E. Bach are known by "Wq" numbers, from Alfred Wotquenne's catalogue (1906) and by "H" numbers from a catalogue by Eugene Helm (1989). He was portrayed by Wolfgang Liebeneiner in the 1941 biopic of his brother Friedemann Bach. (Wikipedia)
This is pure clavichord music. Played on harpsichord or fortepiano it doesn't work. Ernst Wilhelm Wolf +••.••(...)) was kapellmeister at the court of Weimar. Almost all keyboard sonatas he has written are for clavichord (the Clavier). I play it on my clavichord, built by Jacobus Verwolf. I have tuned it in Vallotti temperament.
Almost all keyboard sonatas by Ernst Wilhelm Wolf +••.••(...)) are written for clavichord. This one in F major is really a little jewel. It is from top to toe clavichord music. Played on harpsichord or fortepiano one doesn't get the right feeling. I play it on my Verwolf clavichord, tuned in Vallotti temperament.
Franz Liszt Franz Liszt Chamber Orchestra 1735 1792
Ernst Wilhelm Wolf (1735~1792) Symphony in C major 00:03 I. Allegro di molto 05:49 II. Andante 08:20 III. Minuetto 1 / Minuetto 2 12:57 IV. Allegro Franz Liszt Chamber Orchestra Weimar / Nicolás Pasquet
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