David Nadien Vidéos
violoniste américain
Commémorations 2024 (Décès: David Nadien)
- violon
- musique classique
- États-Unis
- violoniste, premier violon, professeur ou professeure de musique
Dernière mise à jour
2024-05-14
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David Nadien Leonard Bernstein Rimsky Korsakov New York Philharmonic 1968
Rimsky Korsakov Cappricio Espagnol, 4th movement (Scena e canto gitano) This excerpt is from a New York Philharmonic “Young People’s Concert” under Leonard Bernstein. Date originally aired: 5/26/1968
David Nadien Wieniawski Sarasate Paganini Kreisler Veracini Vieuxtemps Corelli
0:00 Wieniawski - Scherzo-Tarantelle. Op. 16 4:33 Sarasate - Habanera, Op. 21, Nr. 2 9:32 Sarasate - Zapateado. Op. 23 13:10 Paganini - Caprice 20 Op. 1 (Arr. Kreisler) 15:46 Veracini - Largo 19:42 Kreisler - Praeludium And Allegro 25:14 Paganini - Moto Perpetuo, Op. 11 29:46 Sarasate - Caprice Basque, Op. 24 34:37 Kreisler - Recitativo And Scherzo, Op. 6 39:25 Sarasate - Introduction and Tarantella, Op. 43 44:08 Vieuxtemps - Regrets, Op. 40 50:00 Tartini - Variations On A Theme By Corelli (Arr. Kreisler)
David Hancock plays the piano Cesar Frank Violin Sonata in A Major IV - Allegretto Poco Mosso The sharing of this recording is protected under Fair Use for non profit educational purposes. 107: Limitatons on exclusive rights: Fair Use Notwithstanding the provisions of section 106, the fair use of a copyrighted work, including such use by reproduction in copies or phone records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use, the factors to be considered shall include: 1.The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2.the nature of the copyrighted work; 3.the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and 4.the effect of the use upon the potential market for or value of the copyrighted work. (added pub. l 94-553, Title I, 101, Oct 19, 1976, 90 Stat 2546)
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