Ignacio Cervantes Vidéos
compositeur et pianiste cubain
Commémorations 2025 (Décès: Ignacio Cervantes)
- piano
- opéra
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- compositeur ou compositrice, pianiste
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2024-05-10
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Rebeca Olvera Javier Camarena Cervantes Rodriguez Domenico Gaetano Maria Donizetti Saint Georges Palacio Bellas Artes 1797 1840 1848 2004
21 de noviembre, 2004. Palacio de Bellas Artes (estreno) Javier Camarena, tenor (debut operistico) / Rebeca Olvera, soprano (debut operistico) / Josué Cerón, baritono (debut operistico)/ Mayte Cervantes (Marquesa) / Manuel Betancourt (Hortensius) / Angel Rodriguez, pianist (Caffarello) Chacun le sait, chacun le dit (Marie) - opera La Fille du régiment / La hija del regimiento (1840) - Gaetano Donizetti / Domenico Gaetano Maria Donizetti +••.••(...)) Libreto: Jean François Bayard y J. H. Vernoy de Saint-Georges (basado en una pieza de Carl Gollmick)
Ruggero Raimondi Riccardo Chailly Ronconi Massenet Cervantes Teatro Comunale Bologna 1990
As a distinguished creative team, led by conductor Riccardo Chailly and stage director Luca Ronconi, prepare a production of Mozart’s mythic opera Don Giovanni at Bologna’s historic Teatro Comunale. Ruggero Raimondi reflects on his own interpretation of the central character of Don Giovanni. Arguably one of the finest performers of this role, Raimondi has sung it in many of the major opera houses of the world, starred in Joseph Losey’s film of it, and has even directed it himself in the opera house. His comments and insight lead straight to the heart of this enigmatic work. In addition to taking the viewer through all the various stages of preparation for the opera’s production, the film eavesdrops on Raimondi relaxing with friends, passing on his knowledge and experience to younger singers at the Bologna Conservatory, and considering another key role in the bass-baritone repertoire – in many ways the opposite of Don Giovanni: that of Massenet’s Don Quichotte, inspired by Cervantes’s immortal figure Don Quichotte of La Mancha. The glorious Italian countryside and rich architecture of Bologna itself provide a fitting backdrop to this revealing film about the life and thoughts of one of the finest Italian singers of recent years. Opera material shot at the Teatro Comunale di Bologna Conductor: Riccardo Chailly Orchestra and Chorus of the Teatro Comunale di Bologna Don't miss the other episodes of "My favourite Opera": (http•••) Subscribe to EuroArts: (http•••)
Pablo Luna Cervantes Eslava Sánchez Rafaela Haro Luis Foglietti 1253 1910 1911
Números musicales de "Molinos de viento" (opereta original de Luis Pascual Frutos, con música de Pablo Luna) grabados por artistas que protagonizaron el estreno de la obra en Madrid. La opereta fue estrenada en el Teatro Cervantes de Sevilla el día 2 de diciembre de 1910 y en el Teatro Eslava de Madrid el día 3 de febrero de 1911. ¡Por primera vez se ofrece esta grabación con los números reunidos y ordenados como corresponde! MARGARITA / Juana Manso CAPITÁN ALBERTO / Felipe Cabasés ROMO / Antonio González "Gonzalito" TENIENTE PRIMERO / Araceli Sánchez Imaz TENIENTE SEGUNDO / Rafaela Haro TENIENTE TERCERO / Carmen González TENIENTE CUARTO / Luisa Melchor CABO STOCK / Francisco Alarcón DIRECTORES: Luis Foglietti y Pascual Marquina GRABACIÓN: International Talking Machine. Fonotipies Company, 1911 FOTOGRAFÍA EN PORTADA: Rafaela Haro como teniente segundo de "Molinos de viento", 1911 (colección González-Remmers, Alemania) 1. QUINTETO DE LAS CARTAS. Teniente 1º, teniente 2º, teniente 3º, teniente 4º y cabo Stock 0:00 2. DÚO Y SERENATA. Romo y capitán Alberto 2:21 3. DÚO DE LA CARTA. Margarita y Romo 5:45 4. CONCERTANTE. Margarita, capitán Alberto, Romo y coro (1ª Parte) 10:02 5. CONCERTANTE. Margarita, capitán Alberto, Romo y coro (2ª Parte) 12:53 También me puedes seguir: En Facebook: (http•••) En Instagram: (http•••) #zarzuela #zarzuelagoldenage
Jules Massenet Francesco Rosa Dimitrova Sancho Pavlova Rodrigues Georgiev Feodor Chaliapin Lucy Arbell Vanni Marcoux Fugère Cervantes Sofia National Opera National Opera Ballet 1910
Dynamic all rights reserved www.dynamic.it Conductor: Francesco Rosa - Orchestra & chorus of the Sofia Opera Chorus master: Violeta Dimitrova Stage Director :Plamen Kartaloff Sofia National Opera and Ballet, Bulgaria Scenes & Costume designer: Yoanna Manoledaki Choreographer: Antonaeta Alexieva Cast: (Don Quichotte) Orlin Anastasov - (Sancho) Ventselav Anastasov (Pedro) Silvia Teneva - (Garsias) Rositsa Pavlova-Indzheva - (Rodrigues) Krasimir Dinev (Juan) Plamen Papazikov - (Bandit) chief Alexander Georgiev Even though it is mainly to Manon and Werther that Massenet owes his renown, he composed operas of different genre and character, which just as effectively reveal his fine lyrical vein and talent in depicting various emotions. Don Quichotte is brilliantly comic. Finished in 1910, after a career studded with successes, the opera was premièred at the Opera Theatre in Monte Carlo. It was a resounding success, fostered by the presence, in the main roles, of famous singers such as the Russian bass Feodor Chaliapin as Don Quichotte and Lucy Arbell as Dulcinée. A few months later, in December of the same year, it would be repeated at Paris's Théâtre Galté-Lyrique, with Lucy Arbell this time partnered by Vanni Marcoux (Don Quichotte) and Lucine Fugère (Sancho Panza). The subject, from Cervantes's masterpiece, had been versified by the young and extravagant writer Jacques Le Lorrain. The story is quite different from that of Miguel de Cervantes's hero, appearing, rather, as a self-portrait of the poet himself: the knight becomes a model of virtue, of generosity, driven by lofty ideals; Dulcinée, from maid in an inn becomes a woman of the world. Massenet, who, despite the difficult period he was going through,conceived a rich score, full of verve and maturity.
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