Bruno Procopio Vidéos
claveciniste, fondateur de la marque phonographique Paraty
- clavecin
- Brésil, France
- claveciniste
Dernière mise à jour
2024-05-15
Actualiser
Pizzo Donizetti Rosetta Pampanini Benedetto Marcello Maria Carbone Maria Chiara Giuseppe Verdi Bizet Procopio Ricci Rossini Bellini Fanny Tacchinardi Persiani Persiani Mathilde Marchesi Nellie Melba 1835 1837 1889 1966 1967 1977
THE SONGBIRD: Italian soprano Rosetta Pizzo was named in honor of the famed soprano Rosetta Pampanini. She attended Benedetto Marcello Conservatory in Venice where she studied with Maria Carbone and Maria Chiara, as well as taking courses at the Giuseppe Verdi Conservatory in Milan, graduating in 1966. She did well in several voice competitions including winning in Spoleto in 1967, which led to her debut as Rosina in Rome that same year. Pizzo sang the standard Italian coloratura repertoire in Italy and other European cities for over 20 years, as well as revivals of some obscure works such as Bizet's "Don Procopio" and Ricci's "Crispino e la Comare." She was also a specialist in Italian art song. This recording originates from a concert in Verona April 13, 1977, Armando Gatto conducting. THE MUSIC: Donizetti's "Lucia di Lammermoor" has become one of the quintessential operas for a coloratura soprano / it's one of the most widely produced bel canto operas in the world and the title character is a benchmark role for this voice type. Donizetti composed it in 1835, which was a peak of his artistic and popular success / Rossini had recently retired, Bellini had just died, and Verdi had not yet had his first premiere ("Oberto" in 1837). Based on Walter Scott's novel, the opera premiered in Naples. The plot in a nutshell: after being tricked into marrying a man she doesn't love, and lied to that her true love has betrayed her, Lucia loses her mind and murders the groom on her wedding night. The mentally unstable young woman appears in a bloodied gown and sings a long, complex, and haunting "mad scene" mixing delusion and grief that is a tour-de-force of bel canto vocalism and gripping tragedy. The primary section of the mad scene culminates in a long cadenza with a flute (and occasionally the glass harmonica). Donizetti allowed the original Lucia, Fanny Tacchinardi Persiani, to improvise her own cadenza (she apparently had a talent for this). The most commonly performed cadenzas for the past 100+ years are based closely on three that were written and published by Mathilde Marchesi, including one for her famous student Nellie Melba when she sang the role in Paris in 1889.
Simón Bolívar Symphony Orchestra Bruno Procopio Rameau 2013
Provided to YouTube by harmonia mundi Acanthe et Céphise ou La Sympathie: Ouverture · Soloists of the Simón Bolívar Symphony Orchestra of Venezuela and Bruno Procopio Rameau in Caracas ℗ Paraty Released on: 2013-04-03 Artist: Soloists of the Simón Bolívar Symphony Orchestra of Venezuela Artist: Bruno Procopio Auto-generated by YouTube.
Tony Conrad Procopio Calvo Janssen 2016
The documentary film is available NOW at: (http•••) / Tony Conrad was one the great American artists of his time, yet to the world at large he remains criminally under appreciated. Since the early 1960s, Conrad's films and compositions have been the stuff of legend for artists and musicians everywhere. He performed in and recorded the soundtrack to Jack Smith’s legendary Flaming Creatures; he laid bare the paradigms of cinema with The Flicker, a film composed of only black and white frames; his powerful and startling drone compositions still have the music establishment scratching their heads; his early work with La monte Young and John Cale played a role in the formation of The Velvet Underground; as an early adopter of activist public access television he democratized the emerging medium of portable video for ordinary citizens. His vast, fifty year inter-disciplinary repertoire inspired and confounded generations of artists, collaborators and fans. In his later years he continued to perform and make work that pushed the boundaries of reason for which he has finally begun to receive worldwide attention. Utilizing intimate footage of Tony and his collaborators shot over the last twenty-two years, as well as his own archive of recordings and films, Tony Conrad: Completely in the Present mirrors Conrad’s own playfully radical approach to art making. The non-linear structure allows Conrad to wildly free associate his streams of consciousness, revealing an honest and humane way of navigating a remarkable, creative life. "JOYOUS, EXHILARATING, AND TRANSFORMATIVE, Tyler Hubby’s documentary Tony Conrad: Completely in the Present is essential viewing for anyone involved in the history of music and visual art." / ????????????????????????????????-- "An extraordinary and timely documentary" / ???????????????????????????????????? ????????????????????????????????-- "Director Tyler Hubby has made a canonical work of cinema that not only chronicles but embodies in its very form, scope, and aesthetic Conrad’s own style and personality / smart, funny, gruff, twinkling." / ???????????????????????????????? ????????????????????????????????-- ???????????????????????? - ???????????????? ????'???????????????????????? ???????????????????? ???????????????? ???????????????????????????????? ???????????????????????????????????? - ???????????? ???????????? ???????????????? ???????????????????????????????? ???????????????????????????????????? - ???????????????????????????????? ???????????????????? ???????????????????????????????????????????????????? ???????????????? ???????????????????????????????? ???????????????? ???????????????????????????????? ???????????????????????????????????? - ???????????????????????????????????????????????????? ???????????????? ???????????????????????????????? ???????????????????????????????????? ???????????????? ???????????????????????????????? ???????????????????????????????????? - ???????????? ???????????? ???????????????????????????????????????????? ???????????????? ???????????????????????????????? ???????????????? ???????????????????????? - ???????????????????????????????????????????? ???????????????????????????????????????????????????? ???????????????????????????????????????????? ???????????????? ???????????????????????????????? ???????????????? Film running time: 1h 36min Director: Tyler Hubby Editor: Tyler Hubby Writer: Tyler Hubby Producer: Tyler Hubby Producer: Christine Beebe Producer: Paul Williams Co-Producer: Gabriela Tollman Camera: Fortunato Procopio, Damian Calvo Associate Producers: Scott Gracheff, Lisa Janssen, Suzana Ognjanovic, Anna Scieme Voice Over Narration: Corby Gallegos
- chronologie: Chefs d’orchestre (Europe). Interprètes (Europe).
- Index (par ordre alphabétique): P...