Alois Klíma Vidéos
chef ou cheffe d'orchestre, enseignant ou enseignante
Commémorations 2025 (Naissance: Alois Klíma)
- musique classique
- Tchécoslovaquie
Dernière mise à jour
2024-05-17
Actualiser
Fryderyk Chopin Zbigniew Drzewiecki Conta George Georgescu Carlo Zecchi Mieczyslaw Horszowski Maurizio Pollini Barbosa Artur Rubinstein 1924 1928 1930 1934 1936 1938 1939 1945 1947 1948 1949 1950 1951 1953 1955 1957 1960 1962 1970 1971 1972 1980 1995 1996 2000 2011
Regina Smendzianka (9 October 1924 / 15 September 2011) was a Polish pianist. She was born in Toruń, and began her public performances as a child of eight surprising the audience with her mature interpretation of the classical works. In 1949 she was awarded the just resumed Fryderyk Chopin International Piano Competition's 11th prize soon after graduating from the Kraków State Music Academy with the highest marks. She was a disciple of Zbigniew Drzewiecki from 1950 to 1955, and subsequently launched an international career. Smendzianka held a professorship at the Fryderyk Chopin Music Academy until 1996, briefly serving as the institution's rector. She was a juror at the 1970, 1980, 1995 and 2000 editions of the Chopin Competition. Regina Smendzianka (ur. 9 października 1924 w Toruniu, zm. 15 września 2011 w Warszawie) / polska pianistka i pedagog. Naukę gry na fortepianie rozpoczęła w roku 1928. Następnie podjęła naukę pianistyki u Marii Drzewieckiej w Konserwatorium Pomorskiego Towarzystwa Muzycznego w Toruniu (1930), a później u Henryka Sztompki, ucznia I. J. Paderewskiego, w tymże samym Konserwatorium +••.••(...)). Na konkursie Młodych Talentów w Warszawie uzyskała nagrodę i dyplom honorowy (1934). Pierwszy publiczny występ z orkiestrą dała w Toruńskim Teatrze Miejskim (1938). Po wojnie kontynuowała naukę w klasie Henryka Sztompki, ale już w Państwowej Wyższej Szkole Muzycznej (obecnie: Akademia Muzyczna) w Krakowie +••.••(...)), którą ukończyła z najwyższym odznaczeniem. W latach 1950-1955 doskonaliła swoje umiejętności pianistyczne u Zbigniewa Drzewieckiego. Pierwszy koncert w zawodowej karierze pianistycznej wykonała w Filharmonii Krakowskiej pod dyrekcją Jana Krenza (28 marca 1947). W 1949 roku otrzymała XI nagrodę na IV Międzynarodowym Konkursie Pianistycznym im. F. Chopina w Warszawie. Po roku 1955 podjęła intensywną działalność koncertową. Występowała w ponad 50 krajach Europy, Ameryki Północnej i Południowej oraz Bliskiego i Dalekiego Wschodu. W latach 1953-1962 odbyła liczne tournée z wieloma orkiestrami krajowymi, spośród których należy wymienić Filharmonię Narodową, Wielką Orkiestrę Symfoniczną Polskiego Radia, orkiestrę Filharmonii Pomorskiej. Towarzyszyli jej tacy mistrzowie batuty, jak: Josif Conta, Ogan Durian, George Georgescu, Alojz Klima, Kirył Kondraszyn, Carlo Zecchi oraz prawie wszyscy krajowi dyrygenci. レギナ・スメンジャンカ(Regina Smendzianka、1924年10月9日 - 2011年9月15日)は、ポーランドのピアニスト。 トルン生まれ。クラクフ国立音楽アカデミーを卒業した直後、ちょうど再開したフレデリック・ショパン国際ピアノコンクールの11位に入賞した。1950年から1955年にズビグニェフ・ジェヴィエツキの弟子となり、つづいて国際的な経歴を打ち立てた。スメンジャンカはショパン音楽アカデミーの教授を1996年まで務め、短い間ではあるが学長を務めた。1970年、1980年、1995年、2000年のショパンコンクールの審査員を務めた。 2011年9月15日、ワルシャワで死去。86歳没。 Chopin / Mieczyslaw Horszowski, 1953: Piano Concerto No. 1 in E Minor, Op. 11 - Complete - (http•••) Chopin / Maurizio Pollini, 1960: Piano Concerto No. 1 in E Minor, Op. 11 - Complete - (http•••) Chopin / Antonio Barbosa, 1971: Waltz in E-flat, Op. 18 - Connoisseur Society, 1972 LP - (http•••) Chopin / Robert Goldsand, 1951: Etude in A-flat, Op. 25 No. 1 - CHS LP - (http•••) Chopin / Artur Rubinstein, 1957: Nocturne in C-Sharp minor, Op. 27, No. 1 - RCA Victor LP - (http•••)
Georg Friedrich Händel Majer Alfred Cortot Lučić Anđelko Klobučar André Jolivet Franjo Dugan Max Reger Ferruccio Busoni Ottorino Respighi Vatroslav Lisinski Ruža Pospiš Baldani Ivanka Boljkovac Ljiljana Molnar Talajić Stilinović Dubravka Šeparović Mušović Puškarić Dupré Duruflé Langlais Dubois Widor Hakim Kolb Varaždin Baroque Evenings Osor Musical Evenings Vatroslav Lisinski Concert Hall Ensemble Syntagma 1685 1759 1855 1947 1972 1973 1987 1998 2008 2013 2017
Georg Friedrich Händel +••.••(...).) Ombra mai fu (Largo from Xerxes); organ arrangement Hvalimira Bledšnajder, organ Instrument: Walcker, 1855. Zagreb Cathedral, April 23rd 2017. Hvalimira Bledšnajder (Zagreb, 27.IX.1947.) is Croatian organist and pianist, currently on position as titular organist of Zagreb Cathedral. After graduation at "Pavao Markovac" Music School in Zagreb (in class of Maša Majer), she continued her studies at Music Academy in Zagreb; piano with Petar Dumičić (student of Alfred Cortot), organ with Vlasta Hranilović (student of Franjo Lučić) and Anđelko Klobučar (student of André Jolivet), a brother of conductor Berislav Klobučar, and harmony with Natko Devčić (student of Franjo Dugan (Max Reger's student), and Svetislav Stančić (student of Ferruccio Busoni)). After she graduated as concert pianist and organist in 1972, she continued her education with famous Fernando Germani (student of Ottorino Respighi) at Accademia Nazionale di Santa Cecilia in Rome, where she perfected her pedal technique and gained delicate registration skills. In the early 1970s, after several solo recitals she gave in Zagreb Cathedral, she started to perform duty of deputy organist and assistant of Anđelko Klobučar, main cathedral organist whose position she succeeded as main titular organist in 1987 until today! Maestro Klobučar (also a composer) dedicated several compositions for organ to her as a token of respect. She also worked as permanent church organist of St. Joseph Church for more than four decades and organist of St. Blaž Church in Zagreb for one decade. She continued her international career in Slovenia, Austria, Germany, France, Switzerland and Netherlands as concert organist. As a soloist, she has played at many international music festivals, churches and concert halls, such as "Europaeische Kirchenmusik", "Orgelmusik in Domkirche-Wien", "Organ of the Zagreb Cathedral", "Varaždin Baroque Evenings", "Osor Musical Evenings", "Heferer Organs", "Požega Organ Evenings", "Hvar Summer Concerts", "Organ of St. Mark's Church in Zagreb", "Vatroslav Lisinski" Concert Hall... In chamber ensembles, she performed with artists as Ruža Pospiš Baldani (mezzosoprano), Josip Klima (violinist), Ivanka Boljkovac (soprano), Ljiljana Molnar Talajić (soprano), Branka Oblak-Stilinović (soprano), Dubravka Šeparović Mušović (mezzosoprano), Želimir Puškarić (tenor), as well as permanent piano and organ accompanist of several choirs ("Ivan Goran Kovačić" Male Vocal Ensemble, "Zagreb Doctor's Choir", "Zagreb Cathedral Mixed Choir", etc.). She made several recordings for labels Jugoton (later Croatia Records) and "Sacred Music", both as soloist, accompanist in sacred music and with her early music ensemble "Syntagma musicum", where she played positive, portative organ and harpsichord. Her organ repertoire consists of works from renaissance and baroque period up to contemporary composers, with a special affinty for late romantic and modern French composers (Dupré, Duruflé, Franck, Langlais, Dubois, Boëllmann, Widor, Hakim...) and modern Croatian authors (Dugan, Kolb, Vidaković, Odak, Klobučar, Njirić, Magdić, Lešćan...). As claimed by herself, she never gave a recital without playing at least one composition by Anđelko Klobučar, the professor whom she was most grateful for. In her long career, she especially emphasizes her playing at the liturgical celebration in Marija Bistrica during the visit of Pope John Paul II. to Croatia in 1998. Apart from concert career and contribution to liturgical celebrations, she left an enormous impact in musical pedagogy in Croatia. She worked as assistant professor (docent) of organ at "Albe Vidaković" Church Music Institute +••.••(...)) as well as organ and piano professor at "Pavao Markovac" Music School in Zagreb +••.••(...)). In those four decades, she raised many students and several prominent organists, always imparting them her knowledge of pedal technique and registration, until her retirement in 2013. As a member of "Organum" organological society, she held several masterclasses and courses as part of the Organ Summer School in Šibenik (Croatia). Hvalimira Bledšnajder was appointed by the Croatian Episcopal Conference in the Professional Organ Protection Trust of the Cultural Heritage Directorate of the Ministry of Culture of the Republic of Croatia. She was often invited to play at the formal collaudation concerts of new or renewed organs in Croatia and abroad.
Johann Sebastian Bach Alessandro Marcello Majer Alfred Cortot Lučić Anđelko Klobučar André Jolivet Franjo Dugan Max Reger Ferruccio Busoni Ottorino Respighi Vatroslav Lisinski Ruža Pospiš Baldani Ivanka Boljkovac Ljiljana Molnar Talajić Stilinović Dubravka Šeparović Mušović Puškarić Dupré Duruflé Langlais Dubois Widor Hakim Kolb Varaždin Baroque Evenings Osor Musical Evenings Vatroslav Lisinski Concert Hall Ensemble Syntagma 1685 1750 1855 1947 1972 1973 1987 1998 2008 2013 2020
Johann Sebastian Bach +••.••(...).) Adagio from Concerto in D minor (after Alessandro Marcello), BWV 974 Hvalimira Bledšnajder, organ Instrument: E. F. Walcker (1855) at Zagreb Cathedral February 9th, 2020 NOTE: a non-concert performance; the piece was shortened to fit into the holy mass. Hvalimira Bledšnajder (Zagreb, 27.IX.1947.) is Croatian organist and pianist, currently on position as titular organist of Zagreb Cathedral. After graduation at "Pavao Markovac" Music School in Zagreb (in class of Maša Majer), she continued her studies at Music Academy in Zagreb; piano with Petar Dumičić (student of Alfred Cortot), organ with Vlasta Hranilović (student of Franjo Lučić) and Anđelko Klobučar (student of André Jolivet), a brother of conductor Berislav Klobučar, and harmony with Natko Devčić (student of Franjo Dugan (Max Reger's student), and Svetislav Stančić (student of Ferruccio Busoni)). After she graduated as concert pianist and organist in 1972, she continued her education with famous Fernando Germani (student of Ottorino Respighi) at Accademia Nazionale di Santa Cecilia in Rome, where she perfected her pedal technique and gained delicate registration skills. In the early 1970s, after several solo recitals she gave in Zagreb Cathedral, she started to perform duty of deputy organist and assistant of Anđelko Klobučar, main cathedral organist whose position she succeeded as main titular organist in 1987 until today! Maestro Klobučar (also a composer) dedicated several compositions for organ to her as a token of respect. She also worked as permanent church organist of St. Joseph Church for more than four decades and organist of St. Blaž Church in Zagreb for one decade. She continued her international career in Slovenia, Austria, Germany, France, Switzerland and Netherlands as concert organist. As a soloist, she has played at many international music festivals, churches and concert halls, such as "Europaeische Kirchenmusik", "Orgelmusik in Domkirche-Wien", "Organ of the Zagreb Cathedral", "Varaždin Baroque Evenings", "Osor Musical Evenings", "Heferer Organs", "Požega Organ Evenings", "Hvar Summer Concerts", "Organ of St. Mark's Church in Zagreb", "Vatroslav Lisinski" Concert Hall... In chamber ensembles, she performed with artists as Ruža Pospiš Baldani (mezzosoprano), Josip Klima (violinist), Ivanka Boljkovac (soprano), Ljiljana Molnar Talajić (soprano), Branka Oblak-Stilinović (soprano), Dubravka Šeparović Mušović (mezzosoprano), Želimir Puškarić (tenor), as well as permanent piano and organ accompanist of several choirs ("Ivan Goran Kovačić" Male Vocal Ensemble, "Zagreb Doctor's Choir", "Zagreb Cathedral Mixed Choir", etc.). She made several recordings for labels Jugoton (later Croatia Records) and "Sacred Music", both as soloist, accompanist in sacred music and with her early music ensemble "Syntagma musicum", where she played positive, portative organ and harpsichord. Her organ repertoire consists of works from renaissance and baroque period up to contemporary composers, with a special affinty for late romantic and modern French composers (Dupré, Duruflé, Franck, Langlais, Dubois, Boëllmann, Widor, Hakim...) and modern Croatian authors (Dugan, Kolb, Vidaković, Odak, Klobučar, Njirić, Magdić, Lešćan...). As claimed by herself, she never gave a recital without playing at least one composition by Anđelko Klobučar, the professor whom she was most grateful for. In her long career, she especially emphasizes her playing at the liturgical celebration in Marija Bistrica during the visit of Pope John Paul II. to Croatia in 1998. Apart from concert career and contribution to liturgical celebrations, she left an enormous impact in musical pedagogy in Croatia. She worked as assistant professor (docent) of organ at "Albe Vidaković" Church Music Institute +••.••(...)) as well as organ and piano professor at "Pavao Markovac" Music School in Zagreb +••.••(...)). In those four decades, she raised many students and several prominent organists, always imparting them her knowledge of pedal technique and registration, until her retirement in 2013. As a member of "Organum" organological society, she held several masterclasses and courses as part of the Organ Summer School in Šibenik (Croatia). Hvalimira Bledšnajder was appointed by the Croatian Episcopal Conference in the Professional Organ Protection Trust of the Cultural Heritage Directorate of the Ministry of Culture of the Republic of Croatia. She was often invited to play at the formal collaudation concerts of new or renewed organs in Croatia and abroad.
Dvořák Libuše Domanínská Alois Klíma 1955
Dvořák - Rusalka 'Necitelná vodní moci' (Akt III.) Libuše Domanínská - soprán Symfonický orchestr Českého rozhlasu Alois Klíma - dirigent s.d. ~ 1955
ou
- chronologie: Chefs d’orchestre (Europe).
- Index (par ordre alphabétique): K...