Alfred Margis Vidéos
pianiste et compositeur français
Commémorations 2024 (Naissance: Alfred Margis)
- piano
- France
- compositeur ou compositrice, pianiste
Dernière mise à jour
2024-05-21
Actualiser
Claude Debussy Fauré Théodore Dubois Jules Massenet André Messager Berger Alfred Bruneau Cécile Chaminade Gustave Charpentier Charpentier Camille Erlanger Louis Ganne Xavier Leroux Alfred Margis Ernest Reyer Camille Saint Saëns Gaston Serpette Claude Terrasse Francis Thomé Paul Wachs Maurel Hind Maillard 1902 1905
The title under which it is known suggests some sort of Conservatoire test-piece - the kind of thing most self-respecting French composers of the time were invited to produce. But this Morceau's origin is very different, the title not being Debussy's at all and its purpose far removed from academic application. The piece first appeared in the January, 1905 edition of the French magazine 'Musica'. This splendid periodical had begun publication in 1902, each number consisting of two parts. The literary section dealt with a variety of musical matters, with perhaps a special leaning towards opera. Articles about popular singers and composers were intermingled with occasional pieces of historical and ethnic musical interest. General gossip of a golden age of French artistic activity was also provided in abundance. Occasionally, too, the Editor published musical puzzles and word games to tantalize his readers. In addition to all this, each issue offered a 48-page musical supplement. Here were included pieces of several kinds, many specially written for the occasion by distinguished composers. The music covered a commendably wide range - valses and other dances, salon pieces and established classics as well as the work of prestigious living composers like Fauré, Saint-Saëns, Dubois, Massenet and Messager. Most of the items were for piano solo, but there were also songs and occasional items for violin and other instruments. In both the literary and musical sections, editorial policy displayed a commendable sympathy with contemporary and even avant-garde composers. It was, however, nearly two years later that Debussy first contributed to the music pages of 'Musica' - a piece published anonymously and without a specific title. It happened like this: In the January 1905 edition, the Editor presented a competition for his readers with the assurance that to take part, It is necessary only to be a good musician, that is to say to possess a reasonably complete musical education tempered with sagacity and judgement. Flatteringly, he added, That is to say all readers of 'Musica' will be included. The music supplement for that month published six specially commissioned short pieces, each headed Morceau de Concours but without clue as to the composer's identity. Having been given the assurance that the pieces were all specially composed, readers were asked to identify who wrote which. To narrow the choice, the following list of possible options was given in alphabetical order: Rudolphe Berger, Alfred Bruneau, Cécile Chaminade, Gustave Charpentier, Claude Debussy, Théodore Dubois, Camille Erlanger, Louis Ganne, Xavier Leroux, Alfred Margis, Jules Massenet, André Messager, Ernest Reyer, Camille Saint-Saëns, Gaston Serpette, Claude Terrasse, Francis Thomé and Paul Wachs. It was a cunningly-contrived selection including some big Establishment names, one or two more daring ones, and a few (Ganne, Thomé and Wachs, for instance) primarily known for their lighter salon music. Of the six competition items, four were single-pagers, one was a short song and the other a two-page violin piece. Readers were given until the end of February to brood over their answers which had to be sent to M. André Maurel at the magazine's Offices in the avenue de l'Opéra. The result of the competition was published in the April number. The first piano piece, an attractive item with a LH melody, turned out to be by Gaston Serpette - and I for one would not have guessed that in a thousand years! The second was by Camille Saint-Saëns, despite the fact that it is completely uninspiring and gives the impression of being written in about five minutes before breakfast on a cold winter morning - which it probably was. The elegant third piece was by Cécile Chaminade - and I like to think I might have identified that one. Jules Massenet contributed the song - amiable enough though it could have been by more or less anyone. Rudolphe Berger was responsible for the violin solo while - wait for it! - Morceau de Concours No. 6 was duly revealed as being by Claude Debussy. I think, too, (with hind-sight, of course) I would have twigged this - the music possesses a commendable soupçon of self-parody with its sleazy chords and suggestions of a slice of Cake-walk. Interestingly, the Editor gave a breakdown of the answers received - Massenet was rightly identified as the composer of the song in 304 entries, while 218 had no doubts about the Debussy piece. Chaminade scored 150, Saint-Saens 146, Berger 80 and Serpette - hardly surprisingly - only 6. There was but one totally correct entry, and so the prize of a new piano was awarded to Madame Maillard, Teacher of Piano and Theory.
Toscha Seidel Margis Schumann Schubert Charles Hackett Hackett Gruenberg 1899 1918 1919 1962
Toscha Seidel (Violin) 1899 - 1962 00:00 - 1. Valse Bleue (Margis) 02:35 - 2. Träumerei (Schumann) 06:20 - 3. Serenade (Schubert)- with Charles Hackett (Tenor) recorded 27 Oct. 1919+••.••(...) June 1918 (1) Piano acc. by Harry Kaufman(1), Louis T. Gruenberg(2) transferred from U.S. Columbia 78s / 78760, 77899, 64384
Godoy Pires Neto Sousa Rocha Duwe Teixeira Nunes Freire Martins Alves Silveira Caprioli Pereira Oliveira Cecconi Rizzi Pacheco Margis Peres Maia Karas Krug Menezes Rodrigues Antunes Souza Kleber Araujo Guilherme Pelo Conta
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