Satsuki Adachi Vidéos
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2024-06-05
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Shiqi Geng Herbst Adachi Fujiwara 2017 2020 2021
Shiqi Geng „Notturno“ im Herbst for Noh voice and Viola (2017/2020) World Premiere Ryoko Aoki (Noh voice) Mari Adachi(Viola) シキ・ゲン 秋の「夜想曲」謡とヴィオラのため (2017/2020) 世界初演 青木涼子(能声楽家)安達真理(ヴィオラ) Noh singer, Ryoko Aoki commission series “Noh x Contemporary Music” Vol.8-2 14 May 2021 SHIBAURA HOUSE (http•••) 能声楽家・青木涼子 新曲委嘱世界初演シリーズ「能 × 現代音楽」Vol.8-2 2021年5月14日 SHIBAURA HOUSE (http•••) As I have shown in other works, the theme that I have been interested in the last few years, is the passage of time, memories of the past, and "mono no aware". Because of this theme, I chose the following waka poem by Fujiwara no Sadaie as the text. 来し方は 皆面影に 浮かびきぬ 行く末照らせ 秋の夜の月 This waka poem consists of two parts, the first half of which describes the “past” and the memories, and the second half of which describes the "future" and hopes for the future as well as anxiety from uncertainty. Although the text is very short, I think between the letters, it evokes an extremely rich image. In particular, the first half of "皆面影" and the second half of "行く末", I think that each person can think of different memories of past and hopes for the future from their own standpoint. Based on my experience, I want to express different perspectives and emotions with the same things. The Utai usually repeats the same words for a long time, but I think that each time it has a slightly different feeling depending on the singing style and the change in the sound figure and color of the viola. In this sense, the process of composing can be said to be the process of seriously thinking about my past (and as the background of this, the events in my hometown). Although it was titled "Nocturne", it did not have a sense of classical music, it was used only to show the image of this waka poem. Shiqi Geng ここ数年私が関心のあるテーマは時間の流れ、過去の記憶及びそこからの「もののあわれ」である。このテーマによって私は下記の藤原定家の和歌をテキストとして選んだ。 来し方は 皆面影に 浮かびきぬ 行く末照らせ 秋の夜の月 この和歌は二つの部分からなり、前半は「過去」と記憶を描写し、後半は「未来」や未来への望みと同時に不確実性からの不安を描写すると考える。 テキストは非常に短いが、行間から極めて豊かなイメージを喚起させる。とりわけ前半の「皆面影」や後半の「行く末」、この言葉より各自が自分の立場から様々の過去の記憶や未来への望みを思い浮かぶことができる。 私は自分の体験に基づき、同じ物事で異なる視点やエモーションを表現したい。謡は基本的に長い間同じ言葉を繰り返すが、謡い方やヴィオラの音型や色彩の変化によって各回は微妙に異なる心持ちになると思う。そのためこの曲を作曲することは自分の過去(及びこの背景である自分の出身地にある出来事)について真摯に向き合う過程だと言える。 「夜想曲」というタイトルはクラシック音楽とは関係なく、ただ和歌のイメージを示すために使用した。 シキ・ゲン #contemporarymusic #現代音楽 #nohvoice #classicalmusic #クラシック音楽 #noh #ryokoaoki #青木涼子
Mozart : Duo in B-flat major for Violin and Viola, K.424 モーツァルト:ヴァイオリンとヴィオラのための二重奏曲 変ロ長調 K.424 Tatsuki Narita, violin Mari Adachi, viola 成田 達輝 ヴァイオリン 安達 真理 ヴィオラ Live performance on 6. September 2020 at DAI-ICHI SEIMEI HALL 2020年9月6日第一生命ホールにてライブ収録 00:00 Ⅰ. Adagio - Allegro 11:03 Ⅱ. Andante Cantabile 14:05 Ⅲ. Thema. Andante grazioso - Variazioni I-VI - Allegro ️ 成田達輝 YouTubeチャンネル (http•••) ️安達真理 オフィシャルサイト (http•••)
Antoine Tamestit Aleksey Igudesman Butt Lawrence Power Adachi Hara Carpenter Amihai Grosz Grosz Julian Rachlin
Get sheet music here: (http•••) Violamania - 11 pieces for Viola Solo by Aleksey Igudesman www.alekseyigudesman.com (http•••) Aleksey Igudesman is a truly imaginative and generous artist. In this new book dedicated to the Viola, which I could’t be happier about, he included the “Passacaglia for Antoine Tamestit” which I premiered. Challenging but in a fun way, musically rich with so many different colors, it is a wonderful piece, both serious and entertaining. It is situated at the crossroads between baroque, romantic, contemporary and even Spanish flamenco music. You will find in it everything you wish as a true modern performer. Aleksey Igudesman has respect for - and knowledge of - the past, but looks into the future. Hope you’ll enjoy this piece as much I did and do. Antoine Tamestit VIOLAMANIA 11 pieces for solo viola The viola is a beautiful instrument. In spite of all the viola jokes. Or perhaps even because of them. When it’s played well, it’s a great and wonderful surprise! The viola's range going up nearly as high as a violin, but yet having that beautiful C string at the bottom, gives it the role of the tenor of the string instruments. In the world of opera, the tenors are often the butt of a joke. Yet in spite of the all the tenor jokes, they are still the most sought-after singers. What many may not realise is that the viola came first. Not the chicken. Nor the egg. Before there was any mention of a violin or a cello, people all played viola. Admittedly, it had a different shape – or shapes, more like it. Every string instrument was a sort of viola at the beginning: Viola d’amore, viola da gamba and viola da braccio. The latter, later split into the violin (small viola) and in German: Bratsche. So you see, contrary to the myth, this German word does not derive from the sound it makes when you sit on it! However, I was not only inspired by the beautiful instrument but also by some of the beautiful people who play it. This time it's personal. Each piece is dedicated to a friend of mine, all of whom I have known for years and all of them viola players. Okay, I cheated a little, some of them also play the violin, but the viola is still an instrument they play constantly and with great passion. Some of these pieces are simple and melodic, others are highly virtuoso. The piece for Antoine Tamestit, he performed at the end of his solo viola recital as the grand finale. And the title "Brexit Polka" was an idea of Lawrence Power. It quotes one or two seconds from all of the national anthems of the European Union and has the British National Anthem, as their somewhat disturbing counterpart, interrupting them. However, each of the pieces is dedicated to the person who, in some way, inspired me. When I was looking for the right person to design the cover for "Violamania", I came across the extraordinary artist, Annamaria Kowalsky. Besides being a painter and photographer, she also happens to be a viola player and composer. As her Facebook profile picture she has a photo of herself with an amazing painting of hers and a text saying: "I am still a musician. I am just using my full potential." And that could easily be the credo of my life. 1. Romance For Aliona Komarovskaya 2. Scherzo For Subin Lee 3. Andantino For Mari Adachi 4 Vivace For Mariko Hara 5 Rhapsody For Eszter Haffner 6 Rachenitsa For David Aaron Carpenter 7 Brexit Polka For Lawrence Power 8 Tango-Waltz For Amihai Grosz 9 Introduction and Vivace for Sarah McElravy and Julian Rachlin 10 Passacaglia For Antoine Tamestit 11 Postlude for Annamaria Kowalsky As with all of Aleksey's music, these works inhabit a magical world of creativity which invite the performer to characterise in a fun and unique way. I'm honoured that “Brexit Polka” was written for me - possibly the only positive to come out of this strange, sad situation in which we find ourselves! Lawrence Power “Rachenitsa”, the short but brilliant work Aleksey wrote for me is the cure for all Viola jokes. And the title of the whole masterful book of his is wonderful! David Carpenter
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