Charles Geng Vidéos
Dernière mise à jour
2024-06-17
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Shiqi Geng Herbst Adachi Fujiwara 2017 2020 2021
Shiqi Geng „Notturno“ im Herbst for Noh voice and Viola (2017/2020) World Premiere Ryoko Aoki (Noh voice) Mari Adachi(Viola) シキ・ゲン 秋の「夜想曲」謡とヴィオラのため (2017/2020) 世界初演 青木涼子(能声楽家)安達真理(ヴィオラ) Noh singer, Ryoko Aoki commission series “Noh x Contemporary Music” Vol.8-2 14 May 2021 SHIBAURA HOUSE (http•••) 能声楽家・青木涼子 新曲委嘱世界初演シリーズ「能 × 現代音楽」Vol.8-2 2021年5月14日 SHIBAURA HOUSE (http•••) As I have shown in other works, the theme that I have been interested in the last few years, is the passage of time, memories of the past, and "mono no aware". Because of this theme, I chose the following waka poem by Fujiwara no Sadaie as the text. 来し方は 皆面影に 浮かびきぬ 行く末照らせ 秋の夜の月 This waka poem consists of two parts, the first half of which describes the “past” and the memories, and the second half of which describes the "future" and hopes for the future as well as anxiety from uncertainty. Although the text is very short, I think between the letters, it evokes an extremely rich image. In particular, the first half of "皆面影" and the second half of "行く末", I think that each person can think of different memories of past and hopes for the future from their own standpoint. Based on my experience, I want to express different perspectives and emotions with the same things. The Utai usually repeats the same words for a long time, but I think that each time it has a slightly different feeling depending on the singing style and the change in the sound figure and color of the viola. In this sense, the process of composing can be said to be the process of seriously thinking about my past (and as the background of this, the events in my hometown). Although it was titled "Nocturne", it did not have a sense of classical music, it was used only to show the image of this waka poem. Shiqi Geng ここ数年私が関心のあるテーマは時間の流れ、過去の記憶及びそこからの「もののあわれ」である。このテーマによって私は下記の藤原定家の和歌をテキストとして選んだ。 来し方は 皆面影に 浮かびきぬ 行く末照らせ 秋の夜の月 この和歌は二つの部分からなり、前半は「過去」と記憶を描写し、後半は「未来」や未来への望みと同時に不確実性からの不安を描写すると考える。 テキストは非常に短いが、行間から極めて豊かなイメージを喚起させる。とりわけ前半の「皆面影」や後半の「行く末」、この言葉より各自が自分の立場から様々の過去の記憶や未来への望みを思い浮かぶことができる。 私は自分の体験に基づき、同じ物事で異なる視点やエモーションを表現したい。謡は基本的に長い間同じ言葉を繰り返すが、謡い方やヴィオラの音型や色彩の変化によって各回は微妙に異なる心持ちになると思う。そのためこの曲を作曲することは自分の過去(及びこの背景である自分の出身地にある出来事)について真摯に向き合う過程だと言える。 「夜想曲」というタイトルはクラシック音楽とは関係なく、ただ和歌のイメージを示すために使用した。 シキ・ゲン #contemporarymusic #現代音楽 #nohvoice #classicalmusic #クラシック音楽 #noh #ryokoaoki #青木涼子
Georg Friedrich Haas Southard Streich Shiqi Geng 2022
Boarding completed, ready to take off ️ These are the participants of the INK STILL WET workshop 2022 with Composer in Residence Georg Friedrich Haas: Jose Luis Valdivia Arias (Spain) Keane Southard (USA) Lisa Streich (Sweden) Shiqi Geng (China) Simone Cardini (Italy) Tanja Glinsner (Austria) CONGRATULATIONS! (http•••) In cooperation with Ricordi / UMPC
Sequentia Speyer Amara Geng Regis
Ensemble: Sequentia Album: Fragments for the End of Time Video: Apocalisse, Ms. Latin 14410 (XIII cent.) (http•••) • From the booklet of the album: From the time of Christianity’s introduction into Europe until the end of the first millennium, apocalyptic images of the End of Days and the Last Judgement were widespread, both in texts and in the visual arts. These images, based largely on the Biblical Revelation of John, at times bear a remarkable similarity to the pagan Germanic descriptions of the world’s destruction during the final terrible battle (Ragnarök) between the gods (Odin, Thor, etc.) and their mortal enemies, the giants. These disparate sources share certain characteristics: the terrifying words of female oracles; the sounding of the horn; the massing of armies from below and above; the breakdown of material reality and the final destruction of the world by fire. The image of the Apocalypse which most readily comes to mind is associated with the almost incomprehensible mystery of the ‚end of time’, filled with terror and destruction. We envision the chilling image of the four horsemen mercilessly riding down upon our doomed world. But the Greek word apokalypsis actually means unveiling, or revelation, an image strongly linked to our mortal desire for access to the mysteries of existence, to our almost physical longing for union with creation and with the deity. John’s Book of Revelation is not only a faithful report of what he saw and heard in visions on the island of Patmos, but it is also filled with the feeling of his impatience and desire. In all these senses of the word, medieval artists created an especially powerful body of sung poetry, often in obscure images and language, visionary and prophetic, to prepare the singer and listener alike for a particular inner voyage of comprehension, and to awaken the soul to the experience of ‚seeing’ that which is one day to be revealed. The instruments used in this concert include reconstructions of Germanic harps (based on 7th century instruments from Oberflacht, near Stuttgart), an early medieval triangular harp, and copies of medieval transverse flutes (including a flute made from a swan’s bone, based on an 11th century instrument unearthed near Speyer). • 1 Fortis Atque Amara - Frankish sequence, IX cent. 2 ...Sin Tac Piqueme, Daz Er Touuan Scal - The "Muspilli Fragment", Fulda IX cent. 3 Unsar Trohtin Hat Farsalt - Instr. vers. of the "Freisinger Petruslied", Bavaria IX cent. 4 Thes Habet Er Ubar Woroltring - "De die Iudicii", gospel book of Otfrid von Weissenburg, Alsace †875 5 Adducentur - Frankish sequence, IX cent. 6 Geng Imo Tho The Godes Sunu - From the Old Saxon "Heliand", Fulda IX cent. 7 Occidentana - Frankish sequence, IX cent. 8 Iudicii Signum - The prophecy of the Erythraean Sibyl, Aquitaine XI cent. 9 Scalam Ad Caelos - Frankish sequence, IX cent. 10 Summi Regis Archangele Michahel - Sequence by Alcuin, IX cent. • Flute: Norbert Rodenkirchen Harp: Norbert Rodenkirchen (song 2) Voice, Harp, Symphonia: Benjamin Bagby • Buy: (http•••) The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: (http•••) • #MedievalMusic #MusicaMedievale #Apocalypse
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- chronologie: Compositeurs (Europe).
- Index (par ordre alphabétique): G...