Dernière mise à jour
2024-04-27
Actualiser
Opera Boston's vivid and airy new production, directed by James Marvel, opened last night, and all three performances sold out before the curtain went up. Marvel's boasts plenty of dancing and shadow puppetry put to attractive and poetic ends. It has a fanciful touch and a vibrant look, saturated with bright colors that seem right for an opera set in ancient Ceylon - Jeremy Eichler, Boston Globe
(http•••) Boston Conservatory at Berklee is recognized for having one of the best voice/opera programs in the country. With a nurturing community of teachers and peers, and a forward-thinking curriculum that is continually evolving, our voice and opera programs will help you grow as a professional singer and as a whole artist for the 21st-century stage.
Netania Davrath Gustav Mahler Edith Boroschek Jennie Tourel Leonard Bernstein John Barbirolli Leopold Stokowski Zubin Mehta Joseph Canteloube Barnett Utah Symphony Chicago Symphony Orchestra London Philharmonic Lyric Opera Chicago Opera Boston 1931 1948 1987
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Netania Davrath--soprano Utah Symphony Maurice Abravenel--conductor Date (?) / "Netania Davrath (Нетания Доврат) (12 August 1931 – 11 April 1987) was a Ukrainian-born Israeli soprano opera and concert singer. In 1948, Davrath moved to Israel with her family. There, she studied in Jerusalem with Edith Boroschek. She subsequently studied in Düsseldorf and later at the Juilliard School in New York with Jennie Tourel, as well as in Italy. Davrath's repertoire included both opera and concert pieces. She collaborated with conductors Leonard Bernstein, John Barbirolli, Leopold Stokowski and Zubin Mehta and several orchestras: the New York Philharmonic, Chicago Symphony Orchestra, London Philharmonic, Israel Philharmonic, Lyric Opera of Chicago, and Opera Boston among others. She recorded ten discs under the Vanguard Classics label. Davrath was fluent in eight languages.[1] Her childhood years may have influenced her attraction to folk music – first in her native country Ukraine (then part of the Soviet Union), then later in Israel. These influences are reflected in her performance style; a delicate tone, clarity of enunciation, and agility. Her early recording of Joseph Canteloube's Chants d'Auvergne is considered by many to be unsurpassed. Her voice is tender, strong, nasal, arch, shy, abandoned, free from vibrato, pure and clean and distinctly un-operatic. She has that platinum quality of voice that is unsophisticated and girlishly innocent. Going by track record this is not something that can be taught. You either have it or you don't. Davrath's facility in eight languages undoubtedly aids her interpretations which are always intelligent and which do not give the impression of being phonetically acquired. — Rob Barnett, music critic[2]"; wikipedia
Netania Davrath Mikhail Glinka Edith Boroschek Jennie Tourel Leonard Bernstein John Barbirolli Leopold Stokowski Zubin Mehta Joseph Canteloube Barnett Orchester Wiener Staatsoper Wiener Staatsoper Chicago Symphony Orchestra London Philharmonic Lyric Opera Chicago Opera Boston 1931 1948 1987
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Netania Davrath--soprano Orchester der Wiener Staatsoper Date (?) / "Netania Davrath (Нетания Доврат) (12 August 1931 – 11 April 1987) was a Ukrainian-born Israeli soprano opera and concert singer. In 1948, Davrath moved to Israel with her family. There, she studied in Jerusalem with Edith Boroschek. She subsequently studied in Düsseldorf and later at the Juilliard School in New York with Jennie Tourel, as well as in Italy. Davrath's repertoire included both opera and concert pieces. She collaborated with conductors Leonard Bernstein, John Barbirolli, Leopold Stokowski and Zubin Mehta and several orchestras: the New York Philharmonic, Chicago Symphony Orchestra, London Philharmonic, Israel Philharmonic, Lyric Opera of Chicago, and Opera Boston among others. She recorded ten discs under the Vanguard Classics label. Davrath was fluent in eight languages.[1] Her childhood years may have influenced her attraction to folk music – first in her native country Ukraine (then part of the Soviet Union), then later in Israel. These influences are reflected in her performance style; a delicate tone, clarity of enunciation, and agility. Her early recording of Joseph Canteloube's Chants d'Auvergne is considered by many to be unsurpassed. Her voice is tender, strong, nasal, arch, shy, abandoned, free from vibrato, pure and clean and distinctly un-operatic. She has that platinum quality of voice that is unsophisticated and girlishly innocent. Going by track record this is not something that can be taught. You either have it or you don't. Davrath's facility in eight languages undoubtedly aids her interpretations which are always intelligent and which do not give the impression of being phonetically acquired. — Rob Barnett, music critic[2]"; wikipedia
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Tous les jours, soclassiq cherche de nouveaux articles, vidéos, concerts, etc. sur la musique classique et l'opéra, leurs artistes, leurs lieux de concert, leurs orchestres....
Opera Boston ? Nous n'avons pas encore rassemblé beaucoup de contenu sur ce sujet, mais nous continuons à chercher.
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