orchestre canadien
- Orchestre de chambre
- Winnipeg
- Canada
Dernière mise à jour
2024-04-30
Actualiser
Sophie Carmen Eckhardt Gramatté Ellin Simon Streatfeild Anton Rubinstein Rubinstein Jacques Thibaud Bronislaw Huberman Beethoven Kreutzer Manitoba Chamber Orchestra 1950 1953 1954 1976 1994
00:00 - I. Allegro risoluto (Entschieden, rhythmisch) 05:33 - II. Ausdrucksvoll, ohne zu schleppen, verträumt, improvisierend [attaca] 09:33 - III. Allegro risoluto (Entschieden, rhythmisch) / Bassoon: Vincent Ellin Conductor: Simon Streatfeild Orchestra: Manitoba Chamber Orchestra Year of Recording: 1994 / "Few persons in the musical world have such an exceptional international career as the composer Sophie-Carmen Eckhardt-Gramatte. An infant prodigy, she eventualiy became a virtuoso pianist and violinist, performing in that capacity in Europe and America. Born in Moscow, she spent her early childhood in England and France, receiving her earliest piano training from her mother (a pupil of Anton Rubinstein) and later at the Paris Conservatoire. She studied the violin with Jacques Thibaud and Bronislaw Huberman and composition at the Prussian Academy in Berlin. Her debut in Berlin was made at the age of eleven when she performed Ludwig van Beethoven's Kreutzer Sonata on the violin, and then his Appassionata Sonata on the piano. Sophie-Carmen Eckhardt-Gramatte came to Canada in 1953 when her husband Dr. Ferdinand Eckhardt was appointed director of the Winnipeg Art Gallery. A colourful, quixotic and energetic personality, she was an inspired teacher; her compositions, for the most part orchestral and instrumental, have been widely performed and recorded. The Bassoon Concerto was written during the composer's final years in Vienna and premidred at a 1950 summer student festival in Bad Aussee, Austria. It is dedicated to the American bassoonist Gloria Soloway, who first performed it with the Orchestra of the Vienna Academy. It had its North American premiere in 1954 in New York. The concerto was greeted with grudging approval by the New York critics, but the composer remarked that bassoonists 'were very happy about the piece and glad to have something in which the orchestra doesn't choke them.' The concerto marked the end of a major period of composition 'in which several styles and techniques are combined in works of considerable originality.' In the main, the concerto is considered as a reaction against romantic excesses and is technically very demanding for the soloist. Even so, there is plenty of romantic expression, particularly in the slow section, which has an almost Delian rhapsodic intensity about it. The composer's own notes on the concerto describe the work as a single movement which nevertheless falls into three distinct sections. In the first movement the 'downish' qualities of the bassoon are heard to advantage, especially in the repeated notes of the central theme' A slow middle section, which is both lyrical and sombre, is introduced by unaccompanied bassoon. The final section is a kind of grand recapitulation of the first section with a striking cadenza in which the soloist expresses and develops the instrument's varied characteristics." (Jeffrey Anderson) / Note: Special thanks to Ana-Maria Lipoczi of the Canadian music centre for providing a score to make this video possible! / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Karl Jenkins Anne Manson Manitoba Chamber Orchestra 2018
Provided to YouTube by CDBaby Sonata in D Minor, Op. 5: No. 12 “La Folia” (Arr. for Marimba, Vibraphone and Strings by Karl Jenkins) · Evelyn Glennie · Manitoba Chamber Orchestra · Anne Manson Mirage? Concertos for Percussion ℗ 2018 Manitoba Chamber Orchestra Released on: 2018-02-16 Auto-generated by YouTube.
Anne Manson Vivaldi Haydn Carman Flon Manitoba Chamber Orchestra 2022
* Please note that since recording this conversation, there have been a few changes to this program. Please visit our website for the latest information. Thank you for your understanding. * Enjoy this pre-concert chat with MCO Music Director Anne Manson! The Manitoba Chamber Orchestra presents VIVALDI, HAYDN, AND LAU Westminster Church in Wolseley Winnipeg, Manitoba 7.30pm, Tuesday & Wednesday, 26 & 27 April 2022 Online presentation 13 May 2022 (http•••) THE MCO IS GOING ON TOUR! Carman (April 28) Pinawa (April 29) Flin Flon (April 30) Thompson (May 1) Please subscribe to the Manitoba Chamber Orchestra YouTube channel for more behind-the-scenes content!
Manitoba Chamber Orchestra 2021 2022
Mountain Goats Composed by Nahre Sol Performed by Narumi Higuchi (violin) and Nahre Sol (piano) Commissioned by the Manitoba Chamber Orchestra with the assistance of the Canada Council for the Arts. This work was commissioned by the MCO to honour the beauty of the BC mountains, as experienced by MCO violinist, Narumi Higuchi, who regularly runs in this landscape. After the terrible wildfires of the summer of 2021, we wanted to pay homage to this intersection of nature and music. Recorded in California and BC, autumn 2021 and winter 2022; Narumi Higuchi, violin and runner; Nahre Sol, piano; videography of mountain running: John Swerdelian; video editing: Ivan Hughes. The Manitoba Chamber Orchestra gratefully acknowledges the support of the Canada Council for the Arts, the Manitoba Arts Council, the Winnipeg Arts Council, The Winnipeg Foundation, the Richardson Foundation, the Department of Canadian Heritage, and the B.A. Goodman, M.E.M. Goodman and Dorothy Jean Goodman Foundation, and the support of its many patrons, donors, and sponsors. #NahreSol, #minimalism, #postminimalism