ensemble instrumental allemand
Commémorations 2025 (Création: Bach-Collegium Stuttgart)
- Stuttgart
- Allemagne
streaming
Dernière mise à jour
2024-05-02
Actualiser
Johann Sebastian Bach Moller Leib Arleen Auger Gabriele Schreckenbach Lutz Michael Harder Philippe Huttenlocher Helmuth Rilling Bach Collegium Stuttgart 1502 1587 1617 1725
Ach Gott, wie manches Herzeleid (Oh God, how much heartache), BWV 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Martin Moller in 1587. Bach composed the cantata in his second year as Thomaskantor in Leipzig as part of cantata cycle of chorale cantatas, for the second Sunday after Epiphany. The work is based on a hymn without evident connection to the prescribed readings. It is a meditation on Jesus as a comforter in distress, based on a medieval model. An unknown librettist reworked the ideas of the 18 stanzas in six movements, retaining the words of stanzas 1, 2 and 18 as movements 1, 2 and 6. Similarly, Bach retained the choral melody in three movements, set as a chorale fantasia in the opening chorus with the bass singing the cantus firmus, as a four-part setting with interspersed recitatives in the second movement, and in the closing chorale. He scored the cantata for two oboes d'amore, strings and continuo, with an added trobone to support the bass in the first movement, and a horn to support the soprano in the last movement. It's set in six movements: 0:00 - No.1 Chorus: "Ach Gott, wie manches Herzeleid" 5:31 - No.2 Recitative/Chorale: "Wie schwerlich läßt sich Fleisch und Blut" 8:23 - No.3 Aria: "Empfind ich Höllenangst und Pein" 15:02 - No.4 Recitative: "Es mag mir Leib und Geist verschmachten" 16:17 - No.5 Duetto: "Wenn Sorgen auf mich dringen" 24:06 - No.6 Chorale: "Erhalt mein Herz im Glauben rein" Performer(s): Arleen Auger (soprano), Gabriele Schreckenbach (contralto), Lutz-Michael Harder (tenor), Philippe Huttenlocher (bass); Gachinger Kanteroi, Bach-Collegium Stuttgart, conducted by Helmuth Rilling
Hanno Müller Brachmann Johann Sebastian Bach Helmuth Rilling Bach Collegium Stuttgart 2000
Provided to YouTube by NAXOS of America Christmas Oratorio, BWV 248, Pt. 1: Aria: Erleucht auch meine finstre Sinnen (Bass) · Hanno Müller-Brachmann Bach: Christmas Oratorio, BWV 248 ℗ 2000 haenssler CLASSIC Released on: 2000-01-01 Artist: Hanno Müller-Brachmann Conductor: Helmuth Rilling Orchestra: Bach-Collegium Stuttgart Composer: Johann Sebastian Bach Auto-generated by YouTube.
Johann Sebastian Bach Helmuth Rilling Kurt Thomas Bach Collegium Stuttgart Gedächtniskirche 2014
Magnificat in D Major, BWV 243: Quia respexit · Bach Collegium Stuttgart, Figuralchor Gedächtniskirche, Helmuth Rilling, Romy Gundermann, Hildegarde Rütgers, Kurt Equiluez, Erich Wenk, Willy Schnell Bach: Magnificat, Kurt Thomas vs. Helmuth Rilling (Compare 2 Versions) ℗ Musikazoo Released on: 2014-04-07 Music Publisher: D.R Composer: Johann Sebastian Bach Auto-generated by YouTube.
James Taylor Johann Sebastian Bach Helmuth Rilling Bach Collegium Stuttgart 2000
Provided to YouTube by NAXOS of America Christmas Oratorio, BWV 248, Pt. 1: Aria: Frohe Hirten, eilt, ach eilet (Tenor) · James Taylor Bach: Christmas Oratorio, BWV 248 ℗ 2000 haenssler CLASSIC Released on: 2000-01-01 Artist: James Taylor Conductor: Helmuth Rilling Orchestra: Bach-Collegium Stuttgart Composer: Johann Sebastian Bach Auto-generated by YouTube.