Festival De Glyndebourne Vídeos
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Conmemoraciones 2024 (Inauguración: Festival de Glyndebourne)
- Glyndebourne
- Reino Unido
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Última actualización
2024-05-07
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Fritz Busch Audrey Mildmay Henderson Brownlee Helletsgruber Pataky Salvatore Baccaloni Rebel Glyndebourne Festival Opera
SP DM 424 DON GIOVANNI-Recitativo-IO DEGGIO AD OGNI PATTO (I NMust Close Accounts With This Madman) Aria -FIN CH’ HAN DAL VINO (Wine, Flow Like a Fountain) (Act 1) (Mozart) Baccaioni, Browniee and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 423-17 16434-B (14763-A, 014574) DON GIOVANNI-Recitativo-MESETTO, SENTI UN PO (Masetto! List Awhile) Aria -part 1 BATTI, O BEL MASETTO, O BEL MASETTO (Chide Me, Chide Me, Dear Masetto) (Act 1) (Mozart) Mildmay, Henderson and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 423-18 16435-A (14763-B, 014575) DON GIOVANNI-Aria- cont.-PACE, PACE, OVITAMIAI (Ah! I See, Love) Recitativo-GUARDA UN PO (Look You Now) Finale-Part 1-PRESTO, PRESTO (Act 1) (Mozart) Mildmay, Henderson, Brownlee and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 423-19 16436-A (14764-A, 014576) DON GIOVANNI-Finale-Part 2-TRA QUEST’ ARBORI CELATA (Frendly Grove, Thy Shady Distance) (Act 1) (Mozart) Mildmay, Henderson, Brownlee Helletsgruber, Pataky, Souez and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-20 16437-A (14764-B, 014577) DON GIOVANNI-Finale-Part 3-SIGNOR GUARDATE UN POCO (Master, I Pray Observe) (Act 1) (Mozart) Baccaloni, Brownlee, Souez, Helletsgruber, Pataky, and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-21 16438-A (14765-A, 014578) DON GIOVANNI-Finale-Part 3-SIGNOR GUARDATE UN POCO (Master, I Pray Observe) (Act 1) (Mozart) Baccaloni, Brownlee, Souez, Helletsgruber, Pataky, and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-21 16438-A (14765-A, 014578) DON GIOVANNI-Finale-Part 4-RIPOSATE VEZZOSE RAGAZZE (Pause a Moment) (Act 1) (Mozart) Brownlee, Baccaloni, Henderson, Mildmay, Souez, Helletsgruber, Pataky, and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-22 16439-A (14765-B, 014579) DON GIOVANNI-Finale-Part 5-RICOMINCIATE IL SUONO! (Strike Up a Stirring Music) (Act 1) (Mozart) Brownlee, Baccaloni, Henderson, Souez, Helletsgruber, Pataky, Mildmay and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-23 16440-A (14766-A, 014580) DON GIOVANNI-Finale-concluded- ECCO IL BIRBOI (See the Scoundrel) (Act 1) (Mozart) Brownlee, Baccaloni, Henderson, Helletsgruber, Pataky, Mildmay and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-24 16440-B (14766-B, 014581) DON GIOVANNI-EH VIA BUFFONE (How Now, Sir Stupid?) (Duet) (Act 2) (Mozart) John Brownless, Bar. -Salvatore Baccaloni, Bass and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-25 16439-B (14767-A, 014582) DON GIOVANNI-AH, TACI, IN GIUSTO COREI (Ah, Lull Thy Rebel Yearning, Fond Heart) (Trio) (Act 2) (Mozart) Helletsgruber, Baccaloni, Brownless and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-26 16438-B (14767-B, 014583) DON GIOVANNI-DEI , CHE CIMENTO E QUESTOI (O, ‘Twere Too Keen a Trial) (Trio-concluded) (Act 2) (Mozart) Helletsgruber, Baccaloni, Brownless and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-27 16437-B (14768-A, 014584) DON GIOVANNI-CANZONETTA-DEH VIENI ALLA FINESTRA (Open Thy Csement, Dearest) Recitative- VE GENTE ALLA FINESTRA (Someone is at the Window) (Act 2) (Mozart) Brownless, Hendersonand Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-28 16436-B (14768-B, 014585) DON GIOVANNI-Aria-META DI VOI QUA VADANO (Do you Pursue the Right-hand Path) Recitative- ZITTO, LASCIA CH’ lo SENTA (Softly, While We Listen) (Act 2) (Mozart) Brownless, Henderson, Mildmay and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-29 16435-B (14769-A, 014586) DON GIOVANNI-Aria-VEDRAI CARINO (List, and I’II Find, Love) (Act 2) (Mozart) Audrey Mildmay, Sop and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-30 16434-B (14769-B, 014587)
Johannes Brahms Alban Berg Christian Tetzlaff Robin Ticciati Bartók Mendelssohn Schumann Bach Suk Borne Ferenc Fricsay Lorin Maazel Riccardo Chailly Kent Nagano Ingo Metzmacher Tugan Sokhiev Berlioz Haydn Dvořák Bruckner Duparc Ravel Sir Colin Davis Sir Simon Rattle Deutsches Symphonie Orchester Berlin Scottish Chamber Orchestra National Youth Orchestra Great Britain Glyndebourne Festival Opera 1946 1956 1993 2005 2009 2011 2014 2015 2016 2017 2019 2022
In this new concerto album one of the greatest violinist of his generation, Christian Tetzlaff, offers profound interpretations of two deeply dramatic and lyrical concertos – those of Brahms and Berg – together with the Deutsches Symphonie-Orchester Berlin conducted by Robin Ticciati. “Reasons of substance justify the recording of the Violin Concertos of Johannes Brahms and Alban Berg on a single album: both works concern existential human states of being. For me, the concerto by Johannes Brahms is a work that in a violin concerto dares to address very dangerous, abysmal, and profound states of the soul. Here an enormous contrast between ecstasy and total lonely isolation is in evidence. (...) Brahms also has a lot to say about pain. That’s rare in violin concertos – and links the Brahms concerto to the one by Alban Berg. I’ve been playing both concertos for 40 years – and I’ve played both of them, taken together, much more than 300 times. Here it seems to me as though the experience of these pieces changes one’s own life.” (Christian Tetzlaff’s liner notes) Christian Tetzlaff is considered one of the world’s leading international violinists and maintains a most extensive performing schedule. Musical America named him ‘Instrumentalist of the Year’ in 2005. His recording of the Bartók Violin Concertos (ODE 1317-2) received both Gramophone and ICMA Awards, and the recording was also a finalist for the BBC Music Award in 2019. His recording of the Violin Concertos by Mendelssohn and Schumann, released on Ondine in 2011 (ODE 1195-2), and Bach Sonatas and Partitas released in 2017 (ODE 1299-2D) received the ‘Preis der deutschen Schallplattenkritik’. In addition, in 2015 ICMA awarded Christian Tetzlaff as the ‘Artist of the Year’, and he also received ECHO ‘Instrumentalist of the Year’ award in 2017. His recordings on Ondine with Brahms’ Trios (ODE 1271-2D) and Violin Concertos by Dvorák and Suk +••.••(...)), released in 2015 and 2016, earned GRAMMY nominations. For more than 70 years the Deutsches Symphonie-Orchester Berlin (DSO Berlin) has distinguished itself as one of Germany’s leading orchestras. Founded as the RIAS Symphony Orchestra in 1946, it was renamed the Radio Symphony Orchestra Berlin in 1956 and has borne its current name since 1993. Robin Ticciati has led the DSO as its music director since the 2017–18 season. Since its inception, the orchestra has been able to retain outstanding artist personalities, including Ferenc Fricsay, Lorin Maazel, Riccardo Chailly, Vladimir Askenazy, Kent Nagano, Ingo Metzmacher, and Tugan Sokhiev. Robin Ticciati has been Music Director of the Deutsches Symphonie-Orchester Berlin since 2017 and Music Director of Glyndebourne Festival Opera since 2014. He was Principal Conductor of the Scottish Chamber Orchestra from 2009–18. His highly acclaimed discography includes recordings of works by Berlioz, Haydn, Schumann, Brahms, Dvořák, Bruckner, Duparc and Ravel. Born in London, Robin Ticciati is a violinist, pianist and percussionist by training. He was a member of the National Youth Orchestra of Great Britain when, aged fifteen, he turned to conducting under the guidance of Sir Colin Davis and Sir Simon Rattle. He holds the position of ‘Sir Colin Davis Fellow of Conducting’ at the Royal Academy of Music. Facebook: (http•••) Instagram: (http•••) Twitter: (http•••)
Maria Callas Leyla Gencer Carreira Donizetti Puccini Verdi Anna Bolena Gianandrea Gavazzeni Agostino Ferrin Molinari Piero Cappuccilli Bondini Silvano Pagliuca Mario Rossi Mario Petri Franco Ricciardi Ricciardi Carlo Felice Cillario Teatro San Carlos Festival Glyndebourne Maggio Musicale Fiorentino 1928 2008 2020
Esta edição do programa Prelúdios, de Arthur Dapieve, está no site da Rádio Batuta desde 17/2/2020. (http•••) Rival de Maria Callas, a turca Leyla Gencer +••.••(...)) hoje é pouco lembrada como uma das mais brilhantes vozes do século XX. Arthur Dapieve apresenta algumas interpretações da soprano, quase todas ao vivo. Sua carreira em estúdio é ínfima. Árias de óperas de Donizetti predominam no repertório. Repertório Puccini. Tosca: Vissi d’arte – Leyla Gencer, orquestra e coro do Teatro San Carlo, regidos por Vincenzo Bellezza Verdi. La forza del destino: Pace, pace mio Dio – Leyla Gencer e Orquestra Sinfônia da RAI, regida por Arturo Basile Donizetti. Anna Bolena: Piangete voi?… Al dolce guidami – Leyla Gencer, orquestra e coro do Festival de Glyndebourne, regidos por Gianandrea Gavazzeni Donizetti. Maria Stuarda: Quando di luce rosea – Leyla Gencer, Agostino Ferrin e orquestra do Maggio Musicale Fiorentino, regida por Francesco Molinari Pradelli Donizetti. Roberto Devereux: Ecco l’indegno!… Alma infida, ingrato core… Tutti udite – Leyla Gencer, Piero Cappuccilli (barítono), Ruggero Bondini (tenor), Gabriele de Julis (tenor), Silvano Pagliuca (baixo), orquestra e coro do Teatro San Carlos, regidos por Mario Rossi Donizetti. Lucrezia Borgia: Com’è bello!… Mentre geme il cor – Leyla Gencer, Mario Petri (baixo-barítono), Franco Ricciardi (tenor) e orquestra do Teatro San Carlo, regida por Carlo Franci Donizetti. Caterina Cornaro: Pietà, o Signor – Leyla Gencer e orquestra do Teatro San Carlo, regida por Carlo Felice Cillario Apresentação: Arthur Dapieve Edição: Filipe Di Castro Site da Batuta: (http•••) Site do IMS: (http•••) Facebook: (http•••) Twitter: (http•••) Instagram: (http•••)
Giuseppe Verdi Marie McLaughlin Macneil Bernard Haitink Turner Thornton Holmes Gordon Sandison David Hillman Enid Hartle Ivor Bolton James Rutherford Marlis Petersen Glyndebourne Festival Opera London Philharmonic Orchestra 1988
From Glyndebourne Festival Opera, 1988 Passionate production of Giuseppe Verdi's timeless classic, directed by the internationally renowned Sir Peter Hall and conducted by one of music's all-time greats, Bernard Haitink. Don't miss the second act: (http•••) Giuseppe Verdi - La Traviata 0:00 Overture 4:11 Act I Marie McLaughlin - Violetta Walter MacNeil - Alfredo Jane Turner - Flora Christopher Thornton-Holmes - Marchese d'Obigny Gordon Douphol - Gordon Sandison John Hall - Doctor Grenvil David Hillman - Gastone Enid Hartle - Annina Brent Ellis - Germont Martyn Harrison - Giuseppe Charles Kerry - Messenger Glyndebourne Chorus Ivor Bolton - conductor London Philharmonic Orchestra Bernard Haitink - conductor Compare with this version of Verdi's classic by James Rutherford, Marlis Petersen and Giuseppe Varano on @EuroArtsChannel : (http•••) Subscribe to wocomoMUSIC: (http•••) Follow us on Facebook: (http•••) Vivacious, young soprano Marie McLaughlin is magnificent as the ill-fated courtesan Violetta in this passionate production of Giuseppe Verdi's timeless classic, directed by the internationally renowned Sir Peter Hall and conducted by one of music's all-time greats, Bernard Haitink. Walter MacNeil brings to striking life the role of Violetta's lover, Alfredo, and Brent Ellis shines as Alfredo's father, Germont. Set in 19th century Paris, this moving story of doomed love and its dramatic deathbed reconciliation remains one of Verdi's most popular operas.
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