Wilhelm Fitzenhagen Vídeos
músico alemán
- violonchelo
- Ducado de Brunswick
- compositor, profesor de música, profesor universitario, violonchelista
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2024-05-08
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Tchaikovsky Modest Tchaikovsky Nikolay Rubinstein Rubinstein Jan Hřímalý Adolph Brodsky Gerber Wilhelm Fitzenhagen Leopold Auer Karl Davydov Anatoly Aleksandrov Ferdinand Laub Metropolitan Opera 1875 1876 1877 1891 1955
Tchaikovsky: String Quartet No. 3 in E-flat minor, Op. 30 (1876) III. Andante funebre e doloroso, ma con moto (E♭ minor, 4/4) Tchaikovsky's String Quartet No. 3 in E-flat minor, Op. 30 (TH 113 ; ČW 92) was composed and scored in January and February 1876 in Paris and Moscow. Instrumentation: Scored for 2 violins, viola and cello. Duration: A complete performance lasts around 35 to 40 minutes. Composition: Tchaikovsky began to work on the quartet between 3/15 and 10/22 January 1876 in Paris. On 26 January he returned to Moscow, from where on 10/22 February he wrote to Anatoly Tchaikovsky and Modest Tchaikovsky about his work on the quartet: "All my time... is dedicated to composing the quartet, which is already written but not yet scored". "I'm now working full steam ahead to finish the quartet which, you may remember, I began in Paris". The quartet was finished on 18 February/1 March 1876, according to the date on the manuscript score. Tchaikovsky's notes on the autograph indicate that originally the 'Andante funebre e doloroso' was meant to be the second movement, and the 'Allegretto vivo e scherzando' the third. It also appears that the composer made cuts in the first movement (12 bars after bar 210, 4 bars after bar 222, 12 bars after bar 511 and 4 bars after bar 521) around the time of the first performances in 1876. Arrangements: The third movement was also arranged for violin with piano by Tchaikovsky in 1876, as Andante funebre. Performances: The quartet was performed for the first time during a soirée at Nikolay Rubinstein's apartment on 2/14 March 1876. A further private performance took place at the Moscow Conservatory on 16/28 March 1876, with Jan Hřímalý and Adolph Brodsky (violins), Yury Gerber (viola), and Wilhelm Fitzenhagen (cello). The same performers gave the work its public premiere on 18/30 March 1876, at a concert in Moscow organised by Jan Hřímalý, and this was repeated at the second quartet concert of the Russian Musical Society in Moscow on 22 March/3 April 1876. In Saint Petersburg the quartet was first heard on 19/31 October 1876, with Leopold Auer and Ivan Pikkel (violins), Ieronim Veykman (viola) and Karl Davydov (cello). The Kiev premiere took place on 23 March/4 April 1891 at the 1st RMS quartet concert, with Otokar Shevchuk and Shutman (violins), Yevgeny Ryb (viola), and Friedrich von Mullert (cello). Other notable performances include: London, Royal Normal College & Academy of Music for the Blind, 14/26 July 1877. New York, Metropolitan Opera chamber concert, 8/20 May 1891. Publication: In October 1876, Tchaikovsky worked at correcting the proofs of the quartet for the publisher Pyotr Jurgenson, and the full score appeared in print during November the same year. In 1955 it was included in volume 31 of Tchaikovsky's Complete Collected Works (1955), edited by Anatoly Aleksandrov. Autographs: Tchaikovsky's manuscript score is preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 104). Dedication: The quartet is dedicated to the memory of the violinist and quartet player Ferdinand Laub, professor at the Moscow Conservatory, who died in March 1875.
Tchaikovsky Modest Tchaikovsky Nikolay Rubinstein Rubinstein Jan Hřímalý Adolph Brodsky Gerber Wilhelm Fitzenhagen Leopold Auer Karl Davydov Anatoly Aleksandrov Ferdinand Laub Metropolitan Opera 1875 1876 1877 1891 1955
Tchaikovsky: String Quartet No. 3 in E-flat minor, Op. 30 (1876) I. Andante sostenuto (E♭ minor, 6/8) – Allegro moderato (E♭ minor, 3/4) Tchaikovsky's String Quartet No. 3 in E-flat minor, Op. 30 (TH 113 ; ČW 92) was composed and scored in January and February 1876 in Paris and Moscow. Instrumentation: Scored for 2 violins, viola and cello. Duration: A complete performance lasts around 35 to 40 minutes. Composition: Tchaikovsky began to work on the quartet between 3/15 and 10/22 January 1876 in Paris. On 26 January he returned to Moscow, from where on 10/22 February he wrote to Anatoly Tchaikovsky and Modest Tchaikovsky about his work on the quartet: "All my time... is dedicated to composing the quartet, which is already written but not yet scored". "I'm now working full steam ahead to finish the quartet which, you may remember, I began in Paris". The quartet was finished on 18 February/1 March 1876, according to the date on the manuscript score. Tchaikovsky's notes on the autograph indicate that originally the 'Andante funebre e doloroso' was meant to be the second movement, and the 'Allegretto vivo e scherzando' the third. It also appears that the composer made cuts in the first movement (12 bars after bar 210, 4 bars after bar 222, 12 bars after bar 511 and 4 bars after bar 521) around the time of the first performances in 1876. Arrangements: The third movement was also arranged for violin with piano by Tchaikovsky in 1876, as Andante funebre. Performances: The quartet was performed for the first time during a soirée at Nikolay Rubinstein's apartment on 2/14 March 1876. A further private performance took place at the Moscow Conservatory on 16/28 March 1876, with Jan Hřímalý and Adolph Brodsky (violins), Yury Gerber (viola), and Wilhelm Fitzenhagen (cello). The same performers gave the work its public premiere on 18/30 March 1876, at a concert in Moscow organised by Jan Hřímalý, and this was repeated at the second quartet concert of the Russian Musical Society in Moscow on 22 March/3 April 1876. In Saint Petersburg the quartet was first heard on 19/31 October 1876, with Leopold Auer and Ivan Pikkel (violins), Ieronim Veykman (viola) and Karl Davydov (cello). The Kiev premiere took place on 23 March/4 April 1891 at the 1st RMS quartet concert, with Otokar Shevchuk and Shutman (violins), Yevgeny Ryb (viola), and Friedrich von Mullert (cello). Other notable performances include: London, Royal Normal College & Academy of Music for the Blind, 14/26 July 1877. New York, Metropolitan Opera chamber concert, 8/20 May 1891. Publication: In October 1876, Tchaikovsky worked at correcting the proofs of the quartet for the publisher Pyotr Jurgenson, and the full score appeared in print during November the same year. In 1955 it was included in volume 31 of Tchaikovsky's Complete Collected Works (1955), edited by Anatoly Aleksandrov. Autographs: Tchaikovsky's manuscript score is preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 104). Dedication: The quartet is dedicated to the memory of the violinist and quartet player Ferdinand Laub, professor at the Moscow Conservatory, who died in March 1875.
Tchaikovsky Modest Tchaikovsky Nikolay Rubinstein Rubinstein Jan Hřímalý Adolph Brodsky Gerber Wilhelm Fitzenhagen Leopold Auer Karl Davydov Anatoly Aleksandrov Ferdinand Laub Metropolitan Opera 1875 1876 1877 1891 1955
Tchaikovsky: String Quartet No. 3 in E-flat minor, Op. 30 (1876) IV. Finale: Allegro non troppo e risoluto (E♭ major, 2/4) Tchaikovsky's String Quartet No. 3 in E-flat minor, Op. 30 (TH 113 ; ČW 92) was composed and scored in January and February 1876 in Paris and Moscow. Instrumentation: Scored for 2 violins, viola and cello. Duration: A complete performance lasts around 35 to 40 minutes. Composition: Tchaikovsky began to work on the quartet between 3/15 and 10/22 January 1876 in Paris. On 26 January he returned to Moscow, from where on 10/22 February he wrote to Anatoly Tchaikovsky and Modest Tchaikovsky about his work on the quartet: "All my time... is dedicated to composing the quartet, which is already written but not yet scored". "I'm now working full steam ahead to finish the quartet which, you may remember, I began in Paris". The quartet was finished on 18 February/1 March 1876, according to the date on the manuscript score. Tchaikovsky's notes on the autograph indicate that originally the 'Andante funebre e doloroso' was meant to be the second movement, and the 'Allegretto vivo e scherzando' the third. It also appears that the composer made cuts in the first movement (12 bars after bar 210, 4 bars after bar 222, 12 bars after bar 511 and 4 bars after bar 521) around the time of the first performances in 1876. Arrangements: The third movement was also arranged for violin with piano by Tchaikovsky in 1876, as Andante funebre. Performances: The quartet was performed for the first time during a soirée at Nikolay Rubinstein's apartment on 2/14 March 1876. A further private performance took place at the Moscow Conservatory on 16/28 March 1876, with Jan Hřímalý and Adolph Brodsky (violins), Yury Gerber (viola), and Wilhelm Fitzenhagen (cello). The same performers gave the work its public premiere on 18/30 March 1876, at a concert in Moscow organised by Jan Hřímalý, and this was repeated at the second quartet concert of the Russian Musical Society in Moscow on 22 March/3 April 1876. In Saint Petersburg the quartet was first heard on 19/31 October 1876, with Leopold Auer and Ivan Pikkel (violins), Ieronim Veykman (viola) and Karl Davydov (cello). The Kiev premiere took place on 23 March/4 April 1891 at the 1st RMS quartet concert, with Otokar Shevchuk and Shutman (violins), Yevgeny Ryb (viola), and Friedrich von Mullert (cello). Other notable performances include: London, Royal Normal College & Academy of Music for the Blind, 14/26 July 1877. New York, Metropolitan Opera chamber concert, 8/20 May 1891. Publication: In October 1876, Tchaikovsky worked at correcting the proofs of the quartet for the publisher Pyotr Jurgenson, and the full score appeared in print during November the same year. In 1955 it was included in volume 31 of Tchaikovsky's Complete Collected Works (1955), edited by Anatoly Aleksandrov. Autographs: Tchaikovsky's manuscript score is preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 104). Dedication: The quartet is dedicated to the memory of the violinist and quartet player Ferdinand Laub, professor at the Moscow Conservatory, who died in March 1875.
Tchaikovsky Brandukov Wilhelm Fitzenhagen Nikolay Rubinstein Rubinstein Bülow 1872 1873 1874 1888 1946
Tchaikovsky: Six Pieces, Op. 19 (1872) IV. Nocturne. Andante sentimentale (C-sharp minor) The Six Pieces (Six Morceaux) for solo piano, Op. 19 (TH 133 ; ČW 112 to 117), were completed by Tchaikovsky in the autumn of 1873 in Moscow. A complete performance lasts around 30 minutes. Composition: The set was commissioned by the publisher Pyotr Jurgenson, but their exact dates of origin are uncertain. The completed manuscript is dated 27 October/8 November 1873, but rough sketches for the Nocturne (No. 4) and Capriccioso (No. 5) appear in the same copybook as sketches for the opera Vakula the Smith (1874), the String Quartet No. 2 (1874), and the Six Pieces on a Single Theme, Op. 21 (autumn 1873), suggesting that some of the Op. 19 pieces could have been written during the summer of 1873 at Kamenka. Arrangements: In 1888 Tchaikovsky made an arrangement for cello with small orchestra of the Nocturne (No. 4) for Anatoly Brandukov, from a transcription for Wilhelm Fitzenhagen. Performances: Rêverie du soir (No. 1) was performed for the first time by Nikolay Rubinstein in the presence of the author at a concert in Moscow on 22 February/6 March 1874. Thème original et variations (No. 6) is known to have been performed by Hans von Bülow in Moscow in April 1874, and again at the St. James's Hall in London on 7/19 November the same year, representing the earliest-known performance of any of Tchaikovsky's works outside Russia. Publication: Published by Pyotr Jurgenson in January 1874 as separate numbers, and in May 1874 as a single volume. The set was included in volume 51Б of Tchaikovsky's Complete Collected Works (1946), edited by Ivan Shishov. Autographs: Tchaikovsky's manuscript score of the complete set is now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 111). Dedications: Each piece is dedicated to a different person: Rêverie du soir (No. 1) is dedicated to Nikolay Kondratyev Scherzo humoristique (No. 2) is dedicated to Vera Timanova Feuillet d'album (No. 3) is dedicated to Anna Avramova Nocturne (No. 4) is dedicated to Monika Terminskaya Capriccioso (No. 5) is dedicated to Eduard Langer Thème original et variations (No. 6) is dedicated to Herman Laroche Related Works: In his diary entry for 11/23 July 1873, Tchaikovsky noted down themes for a projected Symphony in B-flat major, which he went on to use in the Capriccioso (No. 5).
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- cronología: Compositores (Europa). Intérpretes (Europa).
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