Victor Dourlen Vídeos
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Félix Couppey Dourlen 1811 1825 1828 1837 1843 1854 1865 1886 1887
Piano play by Arthena Born: April 14, 1811 - Paris, France Died: July 4, 1887 - Paris, France The French composer and pedagogue, Félix Le Couppey, was a pupil of the Paris Conservatoire, where, in his 17th year, he was an assistant teacher of harmony. In 1825 he obtained the 1st pianoforte prize, and in 1828 that for harmony and accompaniment. In 1837 Félix Le Couppey became Professor of Solfège at Paris Conservatoire the until 1843, when he succeeded his master, Dourlen, as teacher of harmony and accompaniment until 1854. From 1854 to 1886 he was teacher of pianoforte. In this capacity he wrote many studies and similar things for his instrument. His work entitled Cours de instrument comprises A B C du piano; L'Alphabet; Le Progrès; L'Agilitée; Le Style; La Difficulté. He also wrote École du méchanisme du piano; L'Art du piano; De l'enseignement du piano; Conseils aux femmes professeurs (1865).
Ambroise Thomas Clari Schmidt Friedrich Kalkbrenner Victor Dourlen Pierre Zimmermann Zimmermann Jean François Lesueur 1811 1828 1832 1871 1896 2009
Das Klarinettenquartett Clari'good und Johannes Schmidt am Klavier spielen die Ouvertüre zur Oper "Mignon" von Ambroise Thomas (in einer Bearbeitung von Christian Debauve). Alexandra Santkin Es - Klarinette und B-Klarinette Christian Debauve B-Klarinette und Bassethorn Ronny Ramaekers Bassklarinette Marc Steenbergen Klarinette Aufzeichnung des Europakonzerts im Vereinshaus Fraulautern (Saarlouis) am 26. April 2009. Ambroise Thomas +••.••(...) in Metz - 12.2.1896 in Paris) war ein französischer Komponist. Thomas wurde 1828 Student des Pariser Konservatorium, wo er Schüler von Friedrich Kalkbrenner, Victor Dourlen, Pierre Zimmermann und Jean-François Lesueur war. Er gewann 1832 den Prix de Rome mit der Kantate Hermann und Ketty und hielt sich drei Jahre in Italien auf. Danach lebte er als Opernkomponist in Paris. Seit 1871 war er Direktor des Konservatoriums. Neben neunzehn Opern, deren erfolgreichste Hamlet und Mignon waren, komponierte Thomas ein Ballett, zwei Kantaten, ein Requiem, kammermusikalische Werke, Motetten, Kanzonen und Männerquartette. Text Wikipedia: (http•••)
Mythe ou réalité ? Anecdotique ou symbolique ? La légende veut qu’en ce début de première guerre mondiale, Anglais et Allemands cessèrent le feu et fraternisèrent autour d’un ballon en cuir. Ce match de football organisé au beau milieu du « no man’s land », un jour de noël 1914, continue de marquer le souvenir du conflit. A l'occasion du centenaire de l'Armistice, il nous semblait pertinent d'évoquer ce passage méconnu de l'un des conflits les plus meurtriers de l'Histoire. Afin de mener à bien notre projet nous avons effectué un vaste travail de recherche en amont, nouant des contacts avec Yvan Gastaut et Paul Dietschy, deux des historiens du sport les plus reconnus de l'hexagone, ainsi qu'à des associations de reconstitution afin de dresser le panorama le plus précis possible de cet événement. La principale problématique fut de récolter un nombre important d'images d'archives afin d'illustrer notre reportage tout en conservant au maximum sa dimension historique. Dans une démarche de contextualisation, nous avons également couvert les commémorations du 11 novembre au monument aux morts de Nice. Notre objectif à travers ce reportage était de susciter l'émotion et mettre en exergue ce moment d'humanité et de paix, aux antipodes de l'image véhiculée par la Grande Guerre. Sous la direction de l'EDJ, l'école du journalisme - Nice (06) Réalisé par Pierre Ferrand, Loïc Cognet, Willy Sonthonnax, Victor Menant, et Kristen Collie Script : Kristen Collie Narrateur/voix off : Victor Menant Voix : Kristen Collie et Maxence Dourlen Intervenants : Jon Bryant, Yvan Gastaut
Henri Herz Louis Barthélémy Pradher Victor Dourlen Anton Reicha Ignaz Moscheles Pleyel Fabric Frédéric Chopin 1803 1816 1818 1825 1828 1839 1855 1888
This is from 3 Nocturnes caractéristiques, Op.45, first published in the year 1828. My first thought while playing this was, I was ashamed, that I didn't play more Herz so far, and I only know him because of his Hexameron contribution. What a gorgeous piece this is! I'm speechless... The best way to know if a composer is "something", is to just play the works and see ! Herz+••.••(...)) was a virtuoso pianist, composer and piano manufacturer, Austrian by birth and French by nationality and domicile. He was a professor in the Paris Conservatoire for more than thirty years. Among his major works are eight piano concertos, a piano sonata, rondos, nocturnes, waltzes, marches, fantasias, and numerous sets of variations. In 1816 Herz entered the Conservatoire de Paris, where he studied piano with Louis-Barthélémy Pradher, harmony with Victor Dourlen and composition with Anton Reicha. He won first prize in piano in 1818. Herz's style of playing was, by his own admission, strongly influenced by Ignaz Moscheles. In 1825, Herz joined the piano workshop of Henri Klepfer et cie as a partner, but that connection proved unsuccessful, and in 1839 he founded his own piano factory, which became one of the three most important factories in France, the others being Erard and Pleyel. All three were awarded the "Médaille d`honneur" for "Pianos d'une sonorité très-remarquable" at the Paris World's Fair in 1855. Among important developments of Herz's early time as a piano maker in the 1820s and 1830s was the change from a single-layered hammer to one that was multi-layered, on the inside two layers of leather, several layers of fabric, and rabbit fur; on the outside wool felt in up to nine layers of decreasing hardness. The characteristic sound of Frédéric Chopin's grand pianos, to which the labor-intensive, hand-made hammers after Herz's patents make a distinctive contribution, disappeared with mid-century developments in the USA (Steinway). The Herz hammer sets have the drawback that pianos cannot be played quite as loud, because the hammers are less densely pressed, but the dynamics and colorfulness – in combination with traditional materials of wrought iron strings (before the invention of Bessemer steel) – are very finely graduated and fiery. In the second half of the 19th century, simplification and impoverishment of the piano's sound variety occurred with two-layer, industrially produced Dolge hammers. To Herz's work as a piano maker can also be attributed the implementation of a simplified version of Sebastian Erard's double repetition. Through the "Herz spring" (Repetierfeder) the mechanics of the instrument found their modern form. Herz composed many pieces, the opus numbers of his published works reaching 224.
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): D...