Tobias Haslinger Vídeos
editor y compositor austriaco
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2024-05-11
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Chopin Giovanni Velluti Anton Rubinstein Rubinstein Fontana Tobias Haslinger 1839 1840 2000
Fourth movement from 2nd sonata op.35. LIVE Recorded by an amateur on December 2000 Piano Yamaha Concert Grand The fourth movement of the Piano Sonata No. 2 was described by famous 19th century pianist Anton Rubinstein as " the wind howling over the gravestones". This finale is probably the most enigmatic piece Chopin ever wrote. It is marked "Presto" with the indication «sottovoce e legato». Chopin completed the entire sonata by 1839. In a letter on 8 August 1839, addressed to Fontana, Chopin wrote: "I am writing here a Sonata in B flat minor which will contain my March which you already know. There is an Allegro, then a Scherzo in E flat minor, the March and a short Finale about three pages of my manuscript-paper. The left hand and the right hand gossip in unison after the March. ... My father has written to say that my old sonata [in C minor, Op. 4] has been published[note 1] by [Tobias Haslinger] and that the German critics praise it. The complete sonata was published in May 1840 in London, Leipzig, and Paris. It has no dedication. IF YOU LIKED THE VIDEO PLEASE COMMENT AND SUBSCRIBE THE CHANNEL BY CLICKING ON THE THUMBNAIL ON THE LOWER RIGHT SIDE OF THE SCREEN. www.giovannivelluti.com
Chopin Giovanni Velluti Fontana Tobias Haslinger 1839 1840 2000
First movement from 2nd sonata op.35. LIVE Recorded by an amateur on December 2000 Piano Yamaha Concert Grand The first movement of the Piano Sonata No. 2 is marked "Grave – Doppio movimento". Chopin completed the entire sonata by 1839. The Sonata is built all around the famous third movemente, the "FUNERAL MARCH". As a matter of fact in a letter on 8 August 1839, addressed to Fontana, Chopin wrote: "I am writing here a Sonata in B flat minor which will contain my March which you already know. There is an Allegro, then a Scherzo in E flat minor, the March and a short Finale about three pages of my manuscript-paper. The left hand and the right hand gossip in unison after the March. ... My father has written to say that my old sonata [in C minor, Op. 4] has been published[note 1] by [Tobias Haslinger] and that the German critics praise it. The complete sonata was published in May 1840 in London, Leipzig, and Paris. It has no dedication. If you like this please subscribe by clicking on the Thumbnail (with my face) bottom right in the video. www.giovannivelluti.com
Johann Strauss Dolci Jetty Treffz Carl Haslinger Haslinger Sigismund Thalberg Verdi Zimmermann Blatt 1818 1862 1863 1864
Very sweet and romantic ! WONDERFUL ! "Dolci pianti", Lied (Romanze) ("Sweet Tears", Song (Romance)) o. op. Feigning illness, Johann Strauss interrupted his summer 1862 concert season at Pavlovsk, near St. Petersburg, and returned to Vienna. His "illness" was short-lived: once back in his native city his motives became apparent when, on 27 August 1862, he married Henrietta Carolina Josepha Chalupetzky +••.••(...)). 'Jetty Treffz', as the 44-year-old Frau Strauss was known to the musical world, was an internationally acclaimed mezzo-soprano. Although no longer at the peak of her career, she was still sufficiently admired to perform before the Russian Imperial Court when she accompanied her husband to Pavlovsk in the summer of 1863. During the course of a long letter, written to Johann's Viennese publisher, Carl Haslinger, on 8 July 1863 (= 26 June, Russian calendar), Jetty announced: "My dear, dear Jeany-boy [= Johann] was seduced by me into writing a song for me in the Italian style, but good Italian style, and it came off so splendidly that it is my cheval de bataille [= current fad]. [Sigismund] Thalberg has also set the same text to music, only Jeany's composition is far, far better, more beautiful and more rewarding. It is written with cello and harp, and was sung exquisitely well (naturally!) by my humble self. Would you like to have absolute ownership of this composition, possibly dedicated to the Emperor of all the Russias and graciously accepted by him? If so, I request that you inform Jeany immediately and specify how many hundreds you are prepared to give for it. The song is for mezzo-soprano and will sell as quickly as hot rolls after a famine". In the event, Haslinger declined to publish the song, entitled "Dolci pianti" (Sweet Tears), and regrettably the original version sung by Jetty has been lost. However, an arrangement of the piece for cello and piano is extant: bearing a dedication to Jetty Treffz, it survived among the papers of Strauss's estate and is now housed in the collection of the Wiener Stadt- und Landesbibliothek in Vienna. Johann himself had referred to the same piece of music during June 1863, adding in a postscript to Haslinger: "You'll be getting a little song from me which, fashioned in Verdi's style, is a disgrace". In a subsequent letter, written from Pavlovsk on 16 August that year, the composer again mentioned the piece: "The song will very shortly be in your possession. I am playing it for the first time in my benefit concert on Tuesday (arranged for cello and harp) ...". The first performance of the work in the version for cello and harp (with orchestral accompaniment) took place, as Johann announced, at his second benefit concert held at the Vauxhall Pavilion in Pavlovsk on 18 August 1863 (= 6 August, Russian calendar). The enthusiastic audience at once demanded a repetition of the work, which the orchestra's diarist, F.A. Zimmermann, entered in his programme details under the title Neue Romanze (New Romance). Commenting on this benefit concert, Jetty wrote to Haslinger on 24 August (= 12 August) that "a new polka-mazurka (Invitation à la Polka Mazurka) caused a furore, and so did my song, which Johann has written for cello and harp and orchestra; it always has to be repeated and sounds absolutely delightful". Between its première and the final concert of the 1863 Pavlovsk season on 27 September (= 15 September), Strauss conducted the piece a further sixteen times - most notably on 11 September (= 30 August) during a ball given by the Russian Emperor, Alexander II, at his palace in Tsarskoye-Selo (= Pushkin), situated some 3 miles/5 km from Pavlovsk. Zimmermann's records for this, and several other performances, entitle the work: "lied [Song] Süsse Thränen" - the German translation of the title "Dolci pianti" - while further entries refer to it as a "Romanze". Regrettably it has proved impossible to determine which, if any, of these aforementioned performances were sung by Jetty, rather than being purely instrumental renditions. Viennese audiences heard the new composition for the first time on 10 January 1864 at a concert in the Volksgarten given by Josef and Eduard Strauss, "with the participation of Hofball-Musikdirektor Johann Strauss". The press announcements for the event (for example, in the Fremden-Blatt of 6 January) drew particular attention to the performance of the novelty, arranged as an instrumental romance: "Note: 'Dolci pianti', song in the Italian style for cello and physharmonica [a large harmonium] by Johann Strauss, accompanied by him on the physharmonica". The version for cello, harp and small orchestra used in this present recording was prepared by a long-standing member of the Strauss Orchestra. paintings by William Bouguerau
Bricht Mayr Kaun Haslinger Reiter 2011
"Man Kann Nie Wissen" (Cornelia Melian, Micro Oper München, 2011) Neues Musiktheater über die Angst. Music-theatre about fear. Sicherheit verkauft sich gut. Eine ganze Branche lebt davon, ihre Klientel gegen alle erwartbaren Lebensrisiken abzusichern: von „A wie Arbeitslosigkeit" bis „Z wie Zu dicker Po". Micro Oper München entwirft mit „Man kann nie wissen!" ein surreales Gruselkabinett, das die alltägliche Verunsicherung in der modernen Leistungsgesellschaft musikalisch überhöht und bricht. Stimme, Künstlerische Leitung, Konzept: Cornelia Melián Sampler, Keyboards, Komposition: Ernst Bechert Cello: Mathis Mayr Perkussion: Thomas Simmerl Live-Video: Anton Kaun / Rumpeln Perkussion: Thomas Simmerl Szenische Umsetzung: Martina Veh Ausstattung: Robert Kis Licht: Wieland Müller-Haslinger Texte: Harry Kienzler Texte, Dramaturgie, Produktion: Katrin Dollinger Assistenz: Marlene Besl Videotrailer: Anton Kaun Kamera, Videodokumentation : Jo Braus URAUFFÜHRUNG September 2011 ORT Schwere Reiter, Dachauerstraße 114, 80636 München (http•••)
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): H...