Michael Tippett Vídeos
compositor inglés
Conmemoraciones 2025 (Nacimiento: Michael Tippett)
- ópera, música clásica
- Reino Unido
- director de orquesta, compositor de música clásica, autobiógrafo, musicólogo, libretista, compositor, pacifista
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2024-05-05
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Ralph Vaughan Williams James Burton Dag Jensen Jensen Iván Griffin Edward Elgar Hallé Alassio Wolfgang Amadeus Mozart Klaus Thunemann Claudio Abbado Benjamin Britten Michael Tippett Bellas Artes Festival Lucerna Tanglewood Orquesta Festival Lucerna 1872 1903 1904 1936 1958 2003 2005
La Orquesta Sinfónica Nacional del Instituto Nacional de Bellas Artes y Literatura presenta un programa con el concierto para fagot de Mozart y la cantata Dona Nobis Pacem de Vaughan Williams, bajo la batuta de James Burton, director invitado, y la participación solista del fagotista Dag Jensen, la soprano Christina Pier, el barítono Iván Griffin, Solistas Ensamble de Bellas Artes, Coro de Madrigalistas de Bellas Artes y el Ensamble Escénico Vocal del Sistema Nacional de Fomento Musical. La Obertura En el sur de Edward Elgar fue estrenada en mayo de 1904 por el propio compositor al frente de la Orquesta Hallé, y está inspirada en las impresiones de su visita en 1903 a las playas de Alassio, en la Riviera italiana. Con la participación solista del renombrado fagotista noruego, Dag Jensen, la Orquesta Sinfónica Nacional interpreta de Wolfgang Amadeus Mozart el Concierto para fagot y orquesta KV 191, que muestra, al igual que numerosas obras de su catálogo, la profunda comprensión del compositor de la naturaleza y la capacidad de los instrumentos de aliento. Dag Nació en Horten, Noruega. Comenzó a estudiar el fagot a los siete años con Robert Rönnes. Continuó su formación con Torleiv Nedberg en la Academia Noruega de Música de Oslo. Tuvo su primer puesto en la Filarmónica de Bergen a los 16 años de edad. Estudió más tarde con Klaus Thunemann en Hannover. De 2003 a 2005, Jensen fue fagot principal de la Orquesta del Festival de Lucerna fundada por Claudio Abbado. Concluye el programa de este concierto de la Orquesta Sinfónica Nacional con la monumental cantata del compositor inglés Ralph Vaughan-Williams, Dona Nobis Pacem (Danos la paz), para coro y gran orquesta, escrita y estrenada en 1936, ante los presagios de un posible conflicto bélico mundial. La obra fue comisionada por la sociedad coral Huddersfield para festejar su centenario. Los textos que utilizó Vaughan Williams +••.••(...)) provienen de fuentes diversas: poemas de Walt Whitman escritos a raíz de la Guerra Civil estadounidense, fragmentos de la Biblia y de la misa Católica. La frase Dona Nobis Pacem aparece en distintos momentos para reiterar la plegaria por la paz. Con el esplendor de la visión sonora de Vaughan Williams, esta cantata se suma, con el Réquiem de Guerra de Benjamin Britten y Un hijo de nuestro tiempo, de Michael Tippett, al prodigioso repertorio antibélico inglés del siglo XX. Originario de Londres, James Burton, director huésped, cantó desde niño en el coro de la Abadía de Westminster. Se graduó en el St. John College de Cambridge, donde estudió dirección coral. Tiene una maestría en dirección orquestal por el Conservatorio Peabody, donde estudió con Frederik Prausnitz y Gustav Meier. James Burton es también un reconocido compositor, y sus obras y arreglos corales han sido interpretados internacionalmente. Considerado como uno de los más destacados directores corales del Reino Unido, es actualmente Director Coral de la Orquesta Sinfónica de Boston y el Director del Coro del Festival Tanglewood.
Philharmonia Quartet Altenberg Trio Munich Chamber Orchestra Chamber Orchestra Europe Scottish Chamber Orchestra Royal Liverpool Philharmonic City Birmingham Symphony Orchestra Camerata Salzburg Melbourne Symphony Orchestra Orchestra Victoria Australian Chamber Orchestra Chicago Symphony Orchestra Philharmonia Orchestra Royal Philharmonic Concert Orchestra Northern Sinfonia Irish Chamber Orchestra Haydn Gilmore Yehudi Menuhin Julian Rachlin Fried Oskar Back Hennessy Hamer Nara Kobe Nobuko Imai Li Kuo Chang Roosevelt Hopkins Purcell Barbirolli Tippett Wigmore Hall Bbc Proms Royal Festival Hall Purcell Room Sage Gateshead 2000 2001 2009 2011 2016
The Programme • Haydn: String Quartet in A major, op 20, no 6 • Janáček: String Quartet no 2 (“Intimate Letters”) Philharmonia Quartet Benjamin Marquise Gilmore (violin) Philharmonia concert master Benjamin Marquise Gilmore grew up in England and studied with Natalia Boyarskaya at the Yehudi Menuhin School and Pavel Vernikov at the Vienna Conservatory, as well as with Julian Rachlin, Miriam Fried, and members of the Artis quartet and Altenberg trio. His father was the musicologist Bob Gilmore and he is the grandson of conductor Lev Markiz. Benjamin was awarded first prize at the Oskar Back violin competition in Amsterdam, and was a prizewinner at the Joseph Joachim competition in Hannover and the Mozart competition in Salzburg As a soloist, he has performed with the Amsterdam Sinfonietta, the NDR Hannover, the Rotterdam Philharmonic and the Munich Chamber Orchestra. A member of the Chamber Orchestra of Europe since 2011, Benjamin was appointed leader of the Scottish Chamber Orchestra in 2016. He performed with the SCO as soloist and director on several occasions and has been involved in the SCO’s chamber music series at the Queen’s Hall in Edinburgh. He has also appeared as guest leader with the Royal Liverpool Philharmonic and City of Birmingham Symphony Orchestra, and as leader and director with the Camerata Salzburg. Rebecca Chan (violin) Philharmia associate leader Rebecca Chan was born in Melbourne and studied violin with Alice Waten at the Australian National Academy of Music and Sydney Conservatorium and with William Hennessy at Melbourne University, where she also completed degrees in Medicine and Arts. Rebecca has played as soloist with many of Australia’s major orchestras, including the Melbourne Symphony Orchestra; Adelaide, Tasmanian and Canberra Symphony Orchestras; Orchestra Victoria; Melbourne Chamber Orchestra; and the Australian Chamber Orchestra. She has been the winner of the string section, and Nelly Apt Scholarship in the ABC Young Performers Awards, the ANAM concerto competition and the Australian Concerto and Vocal Competition, and was a prizewinner at the International Citta di Brescia Violin Competition. As a chamber musician, Rebecca has toured Australia, Europe and Asia, and has played in numerous festivals around the world. She is a member of the Australia Piano Quartet and the Hamer Quartet (winners of the first prize, the audience prize and Musica Viva award in the 2009 Asia Pacific Chamber Music Competition). Yukiko Ogura Principal viola with the Philharmionia Yukiko Ogura was born in the beautiful and historic city of Nara in western Japan. Having studied the violin at Kyoto City University of the Arts, she won a position as a member of the Kobe City Chamber Orchestra, which specialises in string repertoire. Encouraged by Nobuko Imai, Yukiko became more interested in the viola, eventually giving up the violin completely in order to study with Mazumi Tanamura in Tokyo. She emigrated to the USA in 2000 and continued her studies there with Li-Kuo Chang at Roosevelt University in Chicago. She became the violist of the Eusia String Quartet, which subsequently won the gold medal at the Fischoff National Chamber Music Competition in 2001. In the same year, Yukiko was appointed a member of the Chicago Symphony Orchestra. Her passion for the chamber music repertoire has remained the mainspring of her life. Richard Birchall (cello) Philharmonia cellist Richard Birchall read Music at Cambridge University and studied as a postgraduate cellist at the Guildhall School of Music and Drama in London under Louise Hopkins. He later completed studies in film music composition at Goldsmiths College. Richard pursues a varied and colourful career as cellist, composer, arranger and orchestrator. As a member of the Philharmonia Orchestra he performs regularly in the great concert halls of the world. He has appeared as Guest Principal cello with the Philharmonia, Royal Philharmonic Concert Orchestra, Northern Sinfonia and Irish Chamber Orchestra, and as concertmaster of the London Cello Orchestra. Richard’s solo and chamber work has ranged from Wigmore Hall to the catwalk at London Fashion Week. He is a founder member of cello octet Cellophony – now firmly established as the UK's leading cello ensemble – and cellist of the Minerva Piano Trio. Richard's arrangements and compositions have been performed at the BBC Proms, Royal Festival Hall, Wigmore Hall, The Purcell Room, The Sage Gateshead and throughout the UK, and have been broadcast on BBC Radio 3, Classic FM and French and German national radio. Richard has completed numerous transcriptions for Cellophony’s core repertoire, and has produced commissioned arrangements for the Doric, Barbirolli, and Tippett quartets (including Psycho Suite, subsequently released on the Signum label), the London Cello Orchestra and the Ernest Read Symphony Orchestra.
Armin Schibler Jean Louis Beaumadier Frey Willy Burkhard Benjamin Britten Edmund Rubbra Michael Tippett Wolfgang Fortner René Leibowitz Adorno 1920 1942 1944 1945 1948 1953 1986
flute piccolo JEAN-LOUIS BEAUMADIER piccolo (http•••) After attending high school in the town of Aarau, he studied music under Walter Frey and Paul Müller in Zurich. From 1942 to 1945, he was the pupil of Willy Burkhard. He later went to England to perfect his training where he would meet notable contemporaries Benjamin Britten, Edmund Rubbra and Michael Tippett. In 1948 and 1953, Schibler attended the Summer Courses at Darmstadt, where he met and worked with Wolfgang Fortner, Ernst Křenek, René Leibowitz and Theodor W. Adorno. From 1944, he was the professor of music at the Zurich Literary School. flute piccolo
Aldeburgh Festival Snape Maltings Benjamin Britten Michael Tippett Peter Pears Bentley 1943 2018 2019
Lucy Walker from the Britten-Pears Foundation talks about the special events planned at The Red House, Aldeburgh in June 2019. They are: Archive exhibition: Tippett & Britten (7-14 June, 11am-4pm) The Archive at The Red House holds the working materials of Britten’s composition process – the draft scores and libretti, costume and set designs – as well as thousands of letters, valuable books and artworks, posters, programmes and ephemera. During the Aldeburgh Festival the Archive will house an exhibition drawing from this rich collection. Its focus in the first week will complement and expand on this year’s main exhibition on Tippett and Britten, and the two composers’ long relationship. (http•••) Festival Talks: Tippett’s World (7-14 June, 1pm) Further insights into the life and works of Michael Tippett, including extracts of music from his long and varied career and footage from television interviews over the decades. (http•••) Song Moments (7-23 June daily, time variable) Every day of this year’s Festival we will be scheduling a ‘moment of song’. Each day there will be a different Britten song, a different singer, performing somewhere on The Red House site! The singer will be announced each day on social media and via a noticeboard on site. (http•••) Talk: Oliver Soden and Michael Tippett (13 June, 5-6pm) We are joined by Oliver Soden, Tippett’s biographer and curator of our exhibition this year, for a talk about the remarkable life of this fascinating twentieth century composer. (http•••) Scratch Choir on the Bandstand (14 June, 1pm) Come and hear our Scratch Choir for a sing through of Tippett’s beautiful Spirituals on the beach. For exact times see our website. (http•••) Archive exhibition: Britten & Song (15-23 June, 11am-4pm) Complementing the Festival talks in the second week and the programme at Snape Maltings, a rich and varied display of items from the Britten-Pears Foundation collection, including original music manuscripts and the poetry books used by Britten to create his song cycles and other vocal works. (http•••) Festival Talks: Britten & Song (15-23 June, 1pm) To coincide with the Singing Britten masterclasses at Snape Maltings, and the Poetry and Music season, our talks in the second week focus on Britten’s extraordinary output of vocal music. (http•••) Barlines: Conversations with Tippett in Prison (15 June, 4-5pm at The Pumphouse) An evocation of Michael Tippett’s life-changing stint in Wormwood Scrubs in 1943 as a conscientious objector. Set in the confines of Tippett’s prison cell, an hour of music, letters to the outside world, and conversations with Benjamin Britten. Written and directed by Sarah Gabriel (A House on Middagh Street, The Red House’s 2018 show) in collaboration with Tippett's biographer, Oliver Soden. (http•••) Talk: Facing the Music (19 June, 3-4pm) A few days before Peter Pears’ 109th birthday (on 22 June) art historian Dr Mandy Bentley discusses Britten and Pears’ collection of portraits, some of which are currently on display. These portraits give a fascinating insight into creative identity and the public and private presentation of the self. (http•••) Visit & Book Address: The Red House, Golf Lane, Aldeburgh, Suffolk IP15 5PZ Book online: brittenpears.org Booking line: 01728 451700
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- cronología: Compositores (Europa). Directores de orquesta (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): T...