Stanisław Szpinalski Vídeos
pianista polaco
- piano
- música clásica
- Polonia
- compositor, profesor de música, pianista
Última actualización
2024-05-11
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Grigory Romanovich Ginzburg Rossini Barber Issay Dobrowen Tales Alexander Goldenweiser Hanon Franz Liszt Chopin Lev Oborin Szpinalski Etkin Moszkowska Persimfans 1904 1910 1922 1924 1927 1928 1929 1935 1951 1959 1961 2010
Grigory Ginzburg transcription of "Largo al factotum" from "Il barbiere de Siviglia (The Barber of Seville)" by Rossini. Recorded in 1951. ~ Grigory Romanovich Ginzburg +••.••(...)) Russian pianist, born into a family with no musical traditions. However, his parents insisted that their three sons become acquainted with the basics of music and play piano at least on an amateur level. Grigory, the youngest child, displayed the greatest interest in music. He initially started to study with his mother, and then in his native Nizhny Novgorod with Sofia Barabeichik, sister of the pianist and conductor Issay Dobrowen. Tales of the remarkably talented boy reached Alexander Goldenweiser in Moscow. In 1910, the Ginzburgs introduced their son to Goldenweiser, who immediately decided to teach him music and piano playing. After the death of Grigori's father, Goldenweiser became a surrogate father to the boy. Goldenweiser placed particular emphasis on the development of basic technique. He worked Ginzburg through Hanon's exercises, teaching how to transpose them to any chosen key, play complicated rhythms, tempos and contrasting dynamics. Ginzburg was accepted to the Moscow Conservatoire at the age of twelve, to the so-called lower course, but soon became a full-time student in Alexander Goldenweiser's class. Goldenweiser was Ginzburg's only teacher during the entire course of his musical education. Ginzburg was still a student when he made his debut in 1922, playing Franz Liszt's Piano Concerto No. 1 in E flat major with the renowned Moscow 'Persimfans' orchestra. In spring 1924 Ginzburg graduated from the Conservatoire earning a gold medal, which meant his name was engraved on a white marble plate that listed the best graduates of the Conservatoire. During 1924 - 1928, Ginzburg undertook post-graduate studies at the Conservatoire under the supervision of Goldenweiser, and started his teaching career as an assistant. 1927 brought him great success when he took 4th place at the 1st International Chopin Competition in Warsaw; Lev Oborin being the first prize winner, Stanislaw Szpinalski the second and Rosa Etkin-Moszkowska the third. He was among the favourites of the Warsaw audience who believed he should have been awarded 1st Prize. He joined the staff of the Moscow Conservatoire in 1929 and was appointed full professor in 1935. He devoted considerable energy to educational matters; he was the President of All-Russian Union of Music Teachers, was instrumental in establishing a conservatoire in Nizhny Novgorod the early 1950s and played a vital role in improving the quality of pianos in use throughout the USSR when Steinway began to make appearance. Ginzburg abhorred the Soviet communist system and yet, for much of his life and unlike some of his peers, he miraculously remained unscathed. However, by April 1959, the bureaucracy in Moscow Conservatoire, being in the hands of communist civil servants, had become so intolerable that Ginzburg tendered his resignation. His only option seemed to start extensive concert tours the get away from Moscow but as he embarked upon this new phase in his career he suffered a heart attack. He made a remarkable recovery but when he recommenced his travels it was with the knowledge that he had developed an inoperable cancer. Undaunted, he continued, his final triumph being a sensational tour of Yugoslavia in May 1961. He died in Moscow, December 1961. ~~~ This post is dedicated to my colleague, Ms. Asma Pardi, passing away today, 20 January 2010, at a very young age. ~~~
Andrzej Czajkowski Vogt Wanda Landowska Lazare Lévy Dąbrowska Stanisław Szpinalski Rachmaninoff Sikorski Chopin Stefan Askenase Ravel Nadia Boulanger Arthur Rubinstein Shakespeare Bach Haydn Schubert Fauré 1935 1942 1944 1945 1950 1951 1955 1956 1957 1966 1982
recorded in Paris, c. 1966 André Tchaikowsky (also Andrzej Czajkowski; born Robert Andrzej Krauthammer; November 1, 1935 / June 26, 1982) was a Polish composer and pianist. Robert Andrzej Krauthammer was born in Warsaw in 1935. He had shown musical talent from an early age, and his mother, an amateur pianist, was teaching him the piano when he was only four years old. His family were Jewish; when the Second World War broke out, they were moved into the Warsaw Ghetto. Krauthammer remained here until 1942, when he was smuggled out and provided with forged identity papers that renamed him Andrzej Czajkowski; he then went into hiding with his grandmother, Celina. The pair remained hidden until 1944, when they were caught up in the Warsaw Uprising, and they were then sent to Pruszkow Concentration Camp as ordinary Polish citizens, from which they were released in 1945. Tchaikowsky's father, Karl Krauthammer, also survived the war, and remarried, producing a daughter, Katherine Krauthammer-Vogt; Tchaikowsky's mother, Felicja Krauthammer (née Rappaport) was rounded up in the Warsaw Ghetto in 1942, and perished in Treblinka.[1] Andrzej Czajkowski, as he then was (he later adopted the spelling later André Tchaikowsky), resumed his lessons at age 9 in Lodz State School, under the tuition of Emma Altberg (herself once a student of Wanda Landowska); from here, he proceeded to Paris, where Lazare Lévy took over his education, and where he would also break off relations with his father for many years after an argument. After his return to Poland (1950), he studied at the State Music Academy in Sopot under Prof. Olga Iliwicka-Dąbrowska, and later at the State Music Academy in Warszawa under Prof. Stanisław Szpinalski. Already during his studies he began developing his concert career, displaying his showmanship through public performances of Bac's Goldberg Variations, Rachmaninoff's Piano Concerto No. 2 and astounding listeners with improvisations on any given theme. From 1951, he took composition classes with Prof. Kazimierz Sikorski. After his success at the fifth Chopin Competition, where he won the 8th award (1955), Tchaikowsky left to study in Brussels under Stefan Askenase. As a result of his co-operation with the famous Polish pianist, Tchaikowsky took part in the Queen Elisabeth Music Competition, winning third prize (1956). In 1957, he gave a series of recitals in Paris, performing all of Ravel's compositions for piano in honor of the twentieth anniversary of the French composer's death. During the same time, he consulted Nadia Boulanger at Fontainbleau in matter of composition, as well as establishing contacts with Arthur Rubinstein. Despite his success as a pianist, André Tchaikowsky's greatest passion was composition. He wrote a Piano Concerto, String Quartet, a setting of Shakespear's Seven Sonnets for voice with piano, a Piano Trio and several compositions for piano solo. He began work on an opera, a setting of Shakespeare's The Merchant of Venice. He made several recordings of his work for the EMI label. For RCA Red Seal and Columbia Masterworks, he recorded works by Bach (Goldberg Variations), Haydn (two Sonatas, Variations in F minor), Mozart (Concerto in C major, two Sonatas and minor works), Schubert (waltzes, ländlers, German dances), Chopin (15 mazurkas) as well as Fauré (Piano Quartet in C minor). (source:Wikipedia)
Kazimierz Serocki Sikorski Stanisław Szpinalski Tadeusz Baird Jan Krenz Warsaw Autumn 1922 1979 1981 2021
Michael Delfin - Piano (live here - (http•••) I. 0:00 (Animato) II. 1:05 (Affettuoso) III. 3:32 (Agitato) IV. 4:52 (Teneramente) V. 7:16 (Veloce) VI. 8:25 (Capriccioso) VII. 9:25 (Furioso) Kazimierz Serocki +••.••(...)) was a Polish Composer and one of the founders of the Warsaw Autumn contemporary music. He studied composition with Kazimierz Sikorski and piano with Stanisław Szpinalski at the State Higher School of Music in Łódź. Serocki's output is concentrated in two main spheres: orchestral music and vocal-instrumental pieces to Polish texts. His main compositional idea was to explore sound color in music. His last work – Pianophonie (1979) – used the possibilities provided by electronic processing of live piano sound. Together with Tadeusz Baird and Jan Krenz he formed the composers' group Group 49. Please support this channel for it's long term commitment to music. I got plans for 2021, where i would be playing the piano and exposing some of the obscure repertoir, that still hasn't had the chance to be recorded, and for that i am saving up some money for buying better recording equipments. Please donate any little amount, you can also choose to donate with monthly subscription in the following link - (http•••) There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.
Chopin Stanisław Szpinalski Jasiński Ekier 1827 1829 1934 2022
The Contredanse in G flat major ascribed to Chopin was discovered and published in 1934, apparently written in either 1827 or 1829. Its authenticity is not certain, as the extant manuscript is not in the composer’s hand. Stanisław Szpinalski, Roman Jasiński and Ludwik Bronarski attributed this dance to Chopin. Chomiński and Ekier included it among the dubious works. When listening to this graceful but flighty dance miniature, that is worth bearing in mind. (Source : Chopin Institute , Musopen) Hope you enjoy my performance :) If you want to support my channel, you can click the link below! (http•••) Date recorded : 26 January 2022 Piano : NUX npk-10 Editor : Shotcut
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- cronología: Compositores (Europa). Intérpretes (Europa).
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