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Henryk Wieniawski Michael Rabin Itzhak Perlman Charlie Siem Paganini Gil Shaham Ivry Gitlis Konstanty Kulka Marat Bisengaliev Lukas David Brodsky Boris Goldstein Roman Simovic Soyoung Yoon Carnegie Hall 1835 1853 1880 1947 1963 2006 2012
Note: the sound was recorded by a close-range shotgun mic, which killed all the reverb, and therefore it sounds like I'm playing in a practice room. David Roberts performs Henryk Wieniawski's Violin Concerto Number 1 in F sharp minor, Opus 14 at the Emerging Artists Concert during the Green Mountain Chamber Music Festival on July 5, 2012 in UVM Recital Hall on the University of Vermont's Redstone Campus, accompanied by Nelson Padgett on piano. I. Allegro moderato 0:44 II. Larghetto 13:06 III. Allegro giocoso 16:06 Henryk Wieniawski +••.••(...)) of Poland was one of the Romantic era's greatest violin virtuosos and a composer of some of the most challenging works in the violin repertoire, successfully blending brilliant virtuosity with true Romantic inspiration. His Violin Concerto No. 1 is a marathon for the violinist, brimming with virtuosic pyrotechnics as well as expansive romantic melodies, pathos and poetry that dazzle the audience. Some consider it the most difficult violin concerto of all. Dedicated to King Friedrich Wilhelm IV of Prussia, Wieniawski composed and then first performed this concerto on October 27, 1853 in Leipzig when Wieniawski was just 18 years old and living in Russia, yet this work reflects an astounding musical maturity. A composition in which musical inspiration may have been, as critics later maintained, subordinated to the virtuoso's need to demonstrate his sheer technical prowess, this concerto nevertheless hugely impressed European audiences, launching Wieniawski's international career as a violinist-composer. Michael Rabin chose this concerto to make his first professional appearance, accompanied by the Havana Philharmonic under Artur Rodzinski in 1947. Itzhak Perlman made his Carnegie Hall debut in New York City with this concerto in 1963, an event Perlman said that is "etched in my memory forever". Physicist Stephen Hawking requested British violin virtuoso Charlie Siem perform this concerto at an event honoring Hawking at Cambridge University's King's College Chapel in 2006. Siem soon learned "what a monster it was," requiring Paganini-level technique. Other famous artists performing this concerto include Gil Shaham, Ivry Gitlis, Robert Kabara, Liviu Prunaru, Midori, Konstanty Kulka, Victor Pikaisen, Marat Bisengaliev, Lukas David, Mikhail Bezverkhni, Vadim Brodsky, Boris Goldstein, Roman Simovic and Soyoung Yoon. The extreme difficulty hits the soloist immediately with grandioso tenths opening the first movement (Allegro moderato). This movement has two contrasting themes, the first in dotted rhythm and initially hesitant and the second in B major (begun by the cellos), wide-ranging and expressive. These themes are, in turn, dissected and ornamented by the soloist with formidable virtuosity and acrobatics using multiple-stopping and harmonics, "devil's staccatos" and, notably in the cadenza, the extreme upper register of the violin. The second movement, Preghiera or 'Prayer' (Larghetto), is a short lyrical interlude in A major whose solo part probably is intended to be played entirely on the G-string, thereby exhibiting the richness of the violin's tone while providing a substantial challenge, especially by requiring extreme sensitivity balancing the "religioso" and lyrical characteristics of this movement. The Preghiera leads right into the energetic concluding Rondo (Allegro giocoso), a colourful and vivacious piece with a contrasting episode in B major and demanding mastery of martelé bowing and overall bravura playing. The brilliance of the first movement is recaptured in the final section of the last movement, which is intended to be performed as fast and crisply as the soloist can manage. Wieniawski probably conceived this concerto as a showpiece of technical virtuosity on a par with, or indeed to outdo, any of Paganini's caprices or concertos, and along the lines of violin fantasies on operatic themes that were becoming more and more fashionable. When asked about the sheer near-impossible demands of this piece, Wieniawski was reputed to have said, "Il faut risquer!" (One must take risks!).
Tseng Jean Sibelius Tchaikovsky Yuri Simonov Conunova Kang Yuri Bashmet Salvatore Accardo Liana Isakadze Leonidas Kavakos Maxim Vengerov Vadim Repin Ilya Kaler Maxim Fedotov Ling Roman Simovic Nikolaj Znaider Mihaela Martin Victor Tretyakov Haefliger James Ehnes Jascha Heifetz Pollack Moscow Philharmonic Orchestra Berlin Philharmonic 2015
Yu-Chien Tseng (曾宇謙), at the age of 20, plays Sibelius Violin Concerto in D minor, Op. 47 at the 2015 XV International Tchaikovsky Competition (Final Round). Bravo!!! Jean Sibelius - Violin Concerto in D minor, Op. 47 1. Allegro moderato ((http•••) 2. Adagio di molto ((http•••) 3. Allegro ma non tanto ((http•••) Date: June 29, 2015, 7:45 p.m. Concert hall: Tchaikovsky Concert Hall Violin: Yu-Chien Tseng (曾宇謙, 20 y.o., Taiwan) With: Moscow Philharmonic Orchestra Conductor: Yuri Simonov [NOTES] Yu Chien Tseng (曾宇謙) (http•••) (http•••) (http•••) The following 6 contestants became a winners of the XV International Tchaikovsky Competition in the Violin category: First prize and a gold medal: / Second prize and a silver medal: Tseng, Yu-Chien (20 y.o., Taiwan) Third prize and a bronze medal: Kazazyan, Haik (33 y.o., Russia); Conunova, Alexandra (26 y.o., Moldova); Milyukov, Pavel (31 y.o., Russia) Fourth prize: Kang, Clara-Jumi (28 y.o., Germany, South Korea) Fifth prize: Kim, Bomsori (25 y.o., South Korea) (http•••) (http•••) Jury for the Violin category included: Yuri Bashmet, Salvatore Accardo, Liana Isakadze, Leonidas Kavakos, Maxim Vengerov, Vadim Repin, Boris Kuschir, Ilya Kaler, Maxim Fedotov, Vera Tsu Wei Ling, Roman Simovic, Nikolaj Znaider, Mihaela Martin, Victor Tretyakov, Michael Haefliger, James Ehnes. (http•••) Maxim Vengerov said (before the competition): .... Because the identity of the musician, first of all, in my opinion is the sound. Sound is like the fingerprints. Let’s just give one example, Jascha Heifetz, or Myron Pollack, or Berlin Philharmonic. You know when you listen to the recordings or the nuance you would immediately know oh this is Jascha Heifetz…so Today, in this competition, the Tchaikovsky Competition, we want to select the 1st prize, 2nd prize, and 3rd prize winners, etc., the ones will stay for the next 20 years that give us the joy and we’ll recognize them. The identity of the sound is as important as in speech……..because the sound is the emotion’s carrier and is also very informative… (http•••) 赴莫斯科現場聆賞演出的樂評家焦元溥表示,曾宇謙決賽時的兩首協奏曲,「鋪陳細膩、結構章法嚴謹又有音樂家自我的思考。其弓法、音色豐富多變,尤其是兩首樂曲的第二樂章,在情感和詮釋鋪排的超齡演出,根本是老靈魂來著!」......這次他在西貝流士小提琴協奏曲第三樂章的弓法與句法設計,著實令我大開眼界,而我們可以知道,這來自演奏者深思熟慮過的真摯用心,智識與情感皆面面俱到。 大賽評論員在曾宇謙演出結束後,也激動大喊三次「bravo」。「技法多元又到位,是少見具有原創性的小提琴家。」該評論員更表示:「如果音樂能反映個性的話,曾宇謙無疑是個具有充沛生命力的音樂家。」 (http•••) 曾宇謙小時候恩師小提琴家陳沁紅指出,在所有同樣拉西貝流士的選手中,曾宇謙的爆發力、整個技術控制和音色細緻度,都很扣人心弦。 (http•••) 本次決賽自選協奏曲曾宇謙選擇西貝流士小提琴協奏曲,是他從小到大最愛樂曲。曾宇謙說,該曲曾為他贏得薩拉沙泰及新加坡國際小提琴大賽首獎,也伴他13歲考上美國寇帝斯音樂院,不同的是,過去他最擅長拉技巧性強的第3樂章,直到近來較成熟,才漸能掌握情感深邃的第1、2樂章。 (http•••)
Rebeka Bradić Sylvester Kunze Silvester Miletić Stepanov Radovanović Matić Madlenianum
Mjuzikl Rebeka, kompozitor Silverster Levaj, reditelj Nebojša Bradić. Kompilacija Musical Rebecca by Sylvester Levay and Michael Kunze. Compilation REBEKA Mihael Kunce / Silvester Levai Inscenacija i režija: Nebojša Bradić Dirigent: Đorđe Stanković Scenograf: Geroslav Zarić Kostimograf: Maja Nedeljković Davidovac Koreograf: Vera Obradović Asistent reditelja: Tadija Miletić Asistent scenografa: Vladislava Cunnington Saradnik-kostimograf: Snežana Pešić Rajić Ja...............................Branislava Podrumac Maksim de Vinter.......Ivan Bosiljčić Misiz Denvers............Katarina Gojković Džek Fevel.................Dejan Lutkić Misiz van Hoper.........Nataša Marković Frenk Krouli...............Zafir Hadžimanov Beatrisa.....................Dušica Novaković Ben / Horidž..............Žarko Stepanov Pukovnik Džulijan......Predrag Miletić Džajls / Frenk Krouli..Zoran Leković Ansambl: Boris Postovnik (Frit), Lazar Jovanov (Robert), Milena Moravčević (Klarisa), Jasmina Dimitrijević (Misiz Raterford), Andrija Daničić (Kelner, Posluga), Vladimir Bulatović (Šef sale, Gost na balu 5), Zorana Kalapiš (Gost 5, Spremačica), Nataša Radovanović (Gost 1, Sobarica), Zorana Stanišić (Gost 4, Sobarica), Maja Ristić (Kuvarica, Gost na balu 3), Nevena Đorđević (Sobarica, Gost na balu 2), Dragana Radovanović (Gost 6, Sobarica), Ivan Debeljak (Gost 2, Posluga, Kuvar), Ivan Plazačić (Gost na balu 1, Čovek), Nemanja Pražić (Gost 3, Kuvar, Posluga), Srđan Miletić (Kuvar, Posluga), Slobodan Japundžić (Posluga, Gost na balu 4), Bojana Račić (Kuvarica), Marija Matić (Spremačica), Anđelka Simović (Spremačica), Marko Živković (Posluga, Kuvar), Eduard Tešenji (Vozač, Posluga), Dejan Dobrosavljević (Posluga)
Rebeka Kunze Sylvester Bradić Predrag Miletić Stepanov Radovanović Matić Petrović Titl Madlenianum
Probe i pripreme mjuzikla Rebeka, Opera & Theatre Madlenianum Premiere of the musical Rebecca REBEKA Michael Kunze - Sylvester Levay Inscenacija i režija: Nebojša Bradić Dirigent: Đorđe Stanković Scenograf: Geroslav Zarić Kostimograf: Maja Nedeljković Davidovac Koreograf: Vera Obradović Asistent reditelja: Tadija Miletić Asistent scenografa: Vladislava Cunnington Saradnik kostimograf: Snežana Pešić Rajić Uloge: Ja...................................Branislava Podrumac Maksim de Vinter..................Ivan Bosiljčić Misiz Denvers....................Katarina Gojković Džek Favel........................Dejan Lutkić Misiz van Hoper..................Nataša Marković Frenk Krouli......................Zafir Hadžimanov Beatrisa...........................Dušica Novaković Ben / Horidž......................Žarko Stepanov Pukovnik Džulijan................Goran Daničić Predrag Miletić Džajls.............................Zoran Leković Ansambl: Boris Postovnik (Frit), Lazar Jovanov (Robert), Milena Moravčević (Klarisa), Jasmina Dimitrijević (Misiz Raterford), Andrija Daničić (Kelner, Posluga), Vladimir Bulatović (Šef sale, Gost na balu 5), Zorana Kalapiš (Gost 5, Spremačica), Nataša Radovanović (Gost 1, Sobarica), Zorana Stanišić (Gost 4, Sobarica), Maja Ristić (Kuvarica, Gost na balu 3), Nevena Đorđević (Sobarica, Gost na balu 2), Dragana Radovanović (Gost 6, Sobarica), Ivan Debeljak (Gost 2, Posluga, Kuvar), Ivan Plazačić (Gost na balu 1, Čovek), Nemanja Pražić (Gost 3, Kuvar, Posluga), Srđan Miletić (Kuvar, Posluga), Slobodan Japundžić (Posluga, Gost na balu 4), Bojana Račić (Kuvarica), Marija Matić (Spremačica), Anđelka Simović (Spremačica), Marko Živković (Posluga, Kuvar), Eduard Tešenji (Vozač, Posluga), Dejan Dobrosavljević (Posluga) Orkestar MADLENIANUMA, koncertmajstor Vesna Janssens Inspicijent: Vesna Ćurčić-Petrović Organizator: Andreja Rackov Dizajn zvuka: Zoran Jerković • Dizajn svetla: Miloš Nešić • Muzička priprema: Đorđe Stanković, Vladimir Gligorić, Srđan Marković • Prevod: Husnija Kurtović • Lektor: Ljiljana Mrkić-Popović • Titl: Dragan Stevović • Sufler: Zorica Popović • Realizator videa: Zvonimir Jelušić • Realizator tona: Dušan Arsikin • Majstor pozornice: Milan Ćirić • Šminka i frizura: Mirjana Rakić • Garderoba: Tanja Vuksanović i Miladin Pavićević
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