Wenzel Ludwig von Radolt Vídeos
compositor, laudista
- Austria
Última actualización
2024-05-24
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Stoessel Johann Georg Weichenberger Radolt 1676 1700 1740
Johann Georg Weichenberger (* 11. Dezember 1676 in Graz; † 2. Januar 1740 in Wien) war ein österreichischer Lautenist, Komponist und Beamter der Wiener Hofbuchhaltung. Ähnlich wie Wenzel Ludwig Freiherr von Radolt war Johann Georg Weichenberger ein nicht hauptberuflich tätiger Musiker. Neben seinem Hauptberuf etablierte sich Weichenberger mit ersterem als einer der einflussreichsten Lautenisten im österreichisch-böhmischen Raum im beginnenden 18. Jahrhundert. Neben der von ihm verbreiteten "Neufranzösischen Lautenkunst" entstand zu Beginn nach 1700 das Lautenkonzert. In seinen Kompositionen pflegte Weichenberger den französischen galanten Stil. Weichenberger komponierte zahlreiche Suiten und Partiten für Laute, sowie Konzerte für Laute, Violine und Bass. Seine Werke sind in vielen Lautentabulaturen zu finden [1]. Arranged for 7-ch. Stoessel lute by Carsten Timpe
Antonio Bertali Radolt Samuel Capricornus Biber Pavel Josef Vejvanovský Ars Antiqua Austria
Antonio Bertali (was) a musician in the Viennese royal chapel from the 1620s and, from 1649 until his death in 1669, served as kapellmeister in the Viennese court. In Arcana's Antonio Bertali: Prothima Suavissima Parte Seconda, Gunar Letzbor leads the Ars Antiqua Austria / a group that has notably distinguished itself through recordings such as the superb Challenge Classics issue of Viennese lute concertos by Von Radolt / though the posthumous 1672 print indicated in the title in its entirety. There is some measure of controversy as to who composed the 12 sonatas in this volume; in 1671, composer Samuel Capricornus printed a collection entitled -Continuation der neuen wohl angestimten Taffelmusic, which duplicates six of these sonatas exactly, raising the issue of whether Capricornus / a student and follower of Bertali / "borrowed" these six sonatas from his then-departed master for his own publication or that the publisher might have used the Capricornus works to fill out a more commercially viable Bertali print. However, in listening one notes absolute unanimity of style between all 12 sonatas, and it is a solidly persuasive, elegant style as well. Compared to Biber, Bertali is not nearly as weird or experimental, but there are exploratory harmonic devices in use and plenty of the elements of surprise present for those already attuned to the early Baroque. 00:00 - Sonata VII 06:30 - Sonata VII Ars Antiqua Austria Gunar Letzbor Bertali's compositions are in the manner of other northern Italian composers of the time and include operas, oratorios, a large number of liturgical works, and chamber music. Particularly his operas are notable for establishing the tradition of Italian opera seria in Vienna. Approximately half of his output is now lost; copies survive made by Bertali's contemporary, Pavel Josef Vejvanovský, some of the pieces are currently in possession of Vienna's Hofbibliothek, the library of the Kremsmünster Abbey and the Kroměříž archive. The most important source for Bertali's work is, however, the Viennese Distinta Specificatione catalogue, which lists several composers of the Habsburg court and provides titles and scoring for more than 2000 compositions. (http•••)
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