Muzio Clementi Vídeos
compositor italiano
- piano, órgano, clavecín
- música clásica
- Reino Unido de Gran Bretaña e Irlanda
- pianista, director de orquesta, compositor de música clásica, musicólogo, profesor de música, compositor, editor de música
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2024-05-04
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Vladimir Samoylovich Horowitz Chopin Bach Debussy Schumann Alexander Scriabin Sergei Rachmaninoff Tchaikovsky Thomas Beecham Liszt Toscanini Brahms Scarlatti Haydn Clementi Beethoven Samuel Barber Prokofiev Kabalevsky Schonberg Carnegie Hall 1757 1903 1915 1925 1928 1932 1933 1936 1940 1950 1953 1965 1985 1987 1989
LIKE and SUBSCRIBE for more videos ! (http•••) SUBSCRIBE to my PATREON ! → (http•••) Vladimir Horowiz : Carnegie Hall Rehearsal, 7 January 1965 (Bach, Chopin, Debussy, Schumann, Conversations etc...) Performer : Vladimir Horowitz, piano Date : 7 January 1965 Place : Carnegie Hall Program : Rehearsal 00:00 Horowitz improvising 03:24 Conversation and Horowitz testing the piano 05:24 Horowitz improvising II 10:31 Conversation I 11:28 Bach : Toccata Adagio and Fugue in C Major, BWV 564, I Preludio 17:57 II Intermezzo Adagio 22:15 III Fuga Moderamente scherzando un poco umoristico 27:19 Conversation II 28:15 Chopin - Polonaise Fantaisie in A Flat Major Op. 61 41:19 Conversation III 41:42 Debussy : Etudes Livre II No. 11 Pour les arpeges composés 45:45 Conversation IV 47:12 Schumann : Fantasie in C Major Op. 17 I Durchaus phantastisch und leidenschaftlich vorzutragen fragment 58:08 Conversation V 58:24 Chopin : Nocturne No. 15 in F Minor Op. 55 No. 1 BIOGRAPHY The most famous pianist of the twentieth century, his name known to the proverbial man on the street the world over, Vladimir Samoylovich Horowitz (1903–1989) was born in 1903 in Kiev. Horowitz showed enough prodigious talent to play for Alexander Scriabin in 1915, just before the Russian composer-pianist’s early death. Horowitz would become a superlative interpreter of Scriabin’s music, which the pianist described as “mystical… expressionistic.” Horowitz also became friends with another great Russian composer-pianist (and Scriabin’s former schoolmate), Sergei Rachmaninoff – who was the acme of Romanticism. He also made a benchmark recording of Rachmaninoff’s Piano Sonata No. 2. Emigrating from Russia in 1925 and eventually settling in New York City, Horowitz made his American debut with Tchaikovsky’s Piano Concerto No. 1 in 1928 at Carnegie Hall, which would become his home venue, the site of many recordings. Impressed by the pianist’s tonal dynamism, conductor Thomas Beecham, who led that concert, reportedly said: “Really, Mr. Horowitz, you can’t play like that – it shows the orchestra up.” Horowitz made a series of solo recordings for HMV at London’s Abbey Road Studios in 1932, including several Chopin pieces and an electrifying take on Liszt’s B Minor Sonata, helping to establish the piece in the standard repertoire. A review of a 1933 London concert declared Horowitz “the greatest pianist dead or alive.” Horowitz would make hit recordings with Toscanini of the Tchaikovsky concerto and the Brahms Piano Concerto No. 2 in 1940–41. Over the course of his career, Horowitz’s recorded repertoire stretched far beyond those early specialties of Chopin, Brahms, Liszt, Tchaikovsky, Scriabin and Rachmaninoff; in long associations for RCA, then Columbia and, finally, Deutsche Grammophon, Horowitz also ranged from Scarlatti, Haydn and Clementi to Beethoven, Schumann and miniatures across the ages with artistic and commercial success; in a period of applying himself to modern music, he premiered Samuel Barber’s Sonata in 1950, along with recording sonatas by Prokofiev and Kabalevsky. Driven to “grow until I die,” he said, the pianist reapplied himself to select Beethoven sonatas in his middle period and then several Mozart works as he grew older. Horowitz also crafted his own transcriptions and arrangements, including such showstoppers as his variations on Carmen and Stars and Stripes Forever. In his book The Great Pianists, critic Harold Schonberg wrote: “As a technician, Horowitz was one of the most honest in the history of modern pianism. Famously high-strung, his art always a mental-physical high-wire act, Horowitz took four sabbaticals from public performance to deal with various issues, his returns much-ballyhooed events. The first layoff was for two years in 1936; the longest was 1953 to 1965, followed by a tremendous homecoming to Carnegie Hall. But even over his later breaks, he recorded regularly at home in his Manhattan townhouse, documenting his art as it subtly evolved even beyond great venues and the recording studio. A 1985 film, The Last Romantic, captured the pianist in his last years, performing at home as well as reminiscing about Scriabin and Rachmaninoff. The next year, Horowitz returned to Russia, 61 years after leaving — a hugely emotional event for both artist and audience, documented in the concert album and film Horowitz in Moscow. In 1987, he played his final recital, in Hamburg; he died two years later. “Piano playing consists of intellect, heart and technique,” Horowitz said. “All should be equally developed. Without intellect, you will be a fiasco; without technique, an amateur; without heart, a machine. The profession has its perils.”
Johann Christian Bach Johann Sebastian Bach Haydn Rondeau Clementi Hanover Band 1735 1762 1777 1782 1912
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After a spell in Italy, Bach moved to London in 1762, where he became known as "the London Bach". He is also sometimes known as "the English Bach", and during his time spent living in the British capital, he came to be known as John Bach. He is noted for playing a role in influencing the concerto styles of Haydn and Mozart. He contributed significantly to the development of the new sonata principle. Please support my channel: (http•••) Piano Concertos Nos. 1-3 from 6 Keyboard Concertos (1777) Dedication: Mrs. Pelham 1. Concerto in C major, W.C 62 a. Allegro (0:00) b. Rondeau: Allgretto (7:13) 2. Keyboard Concerto in D major, W.C 63 a. Allegro con spirito (12:59) b. Andante (19:12) c. Allegro (25:45) 3. Concerto in F major, W.C 64 a. Allegro con brio (30:02) b. Rondeau: Allegro (37:33) Anthony Halstead, fortepiano & the Hanover Band Details by Susan Alexander-Max: Johann Christian’s music was widely heard in London and his position as the English Bach won increasing recognition, ensuring him the greatest success of the musical Bach family during his lifetime. Greatly influenced by his studies in Italy and in Italian style, he became known as the master of the galant. This was a term applied to the style that developed in the latter half of the eighteenth century, suggesting a return to classical simplicity after the complexity of the late Baroque era. In very simple terms, it meant simpler music, with less ornamentation, more importance placed on the melody, and less on the bass line. The phrases tended to be of regular length, and the harmonic vocabulary emphasized principally the tonic and dominant. It was, in many ways, a reaction against the more elaborate and pretentious Baroque style. Johann Christian’s ability to make the new fortepiano his own won even more favour in public circles. Indeed, whilst Clementi was still performing on the old harpsichord in London, Johann Christian was charming his audiences with the new keyboard. Composed in the 1770s, his keyboard concertos represent some of the best examples of all his keyboard works and incorporate all that was admired in their day. All in three movements, the traditional fast – slow – fast, they are stylish and elegant, graceful and galant. Johann Christian wooed his audiences using the grace and charm of the Italian style whilst involving and intertwining the folk elements of his adoptive country. How better to please the Queen! The Concerto in D major, Op.13, No.2, is the second of a set of six piano concertos published in 1777, under the title: “A Third Sett of Six Concertos for the Harpsichord, or PianoForte. With Accompaniments for two Violins and a Bass, two Hautboys and two French Horns ad Libitum. Humbly Dedicated to Mrs. Pelham and composed by John Christian Bach Music Master to Her Majesty the Queen of Great Britain”. It was the custom in all of his concertos for the pianoforte to play the figured bass in orchestral pasages. This means that the piano is playing throughout: it plays the figured bass to accompany the orchestra as well as its own solo part.
Johann Christian Bach Bach Haydn Beethoven Domenico Scarlatti Antonio Soler Carl Philipp Emanuel Bach Baldassare Galuppi Muzio Clementi Myslivecek Groth 1735 1782
Er wird als "Vater der Wiener Klassik" bezeichnet, er war Klavierlehrer einer Königin und sogar der junge Wolgang Amadeus Mozart wurde zeitweise von ihm unterrichtet. Die Rede ist von Johann Christian Bach (* 5. September 1735 in Leipzig; † 1. Januar 1782 in London). Wenn Dir das Video gefallen hat und Du gerne Unterricht bei mir nehmen möchtest – entweder über Skype oder bei mir zu Hause in Heroldsberg – dann kannst du gerne mit mir Kontakt aufnehmen: te ( äääääääät ) torsteneil . de Zu meinem Unterricht über Skype gibt es zwischenzeitlich auch zwei interessante Videos: (http•••) (http•••) Verwendete Bilder gemeinfrei auf Wikipedia. / * * * M E H R * V I D E O S * * * Noch mehr interessante Videos rund ums Klavier spielen findest du auf meinem Kanal ((http•••) und in den Playlists Technik-Serie (http•••) Repertoire-Serie (http•••) Fragen & Antworten (http•••) Improvisation für klassische Pianisten (http•••) / * * * K L A V I E R U N T E R R I C H T * * * Der Klavierunterricht von Torsten Eil richtet sich an Schüler aus der Region Heroldsberg, Kalchreuth, Eckental, Nürnberg, Erlangen und Fürth. Darüber hinaus bietet er für Schüler aus der Schweiz, aus Österreich und Deutschland Online-Klavierunterricht über Skype an. Die erste Stunde ist als Probestunde kostenlos. Kontakt über die Homepage: (http•••) Wenn du noch Fragen hast, dann findest du auf der Homepage Antworten zu vielen Themen, die Schüler immer wieder beschäftigen: (http•••) Auch zum Klavierunterricht gibt es einige Fragen, die immer wieder aufkommen. Die Antworten findest du ebenfalls auf der Homepage: (http•••) / * * * V I T A * * * Torsten Eil widmet seine künstlerische Tätigkeit vor allem der Musik des Barock, des Galanten Stils und der Wiener Klassik. Dabei hat er es sich zur Aufgabe gemacht, die fast verlorene Tradition der „Veränderten Reprisen“ wieder zu beleben. Torsten Eils Repertoire umfasst nicht nur Musik solcher Titanen wie Bach, Händel, Haydn, Mozart und Beethoven, sondern gerade auch musikalische Raritäten, darunter Meisterwerke von Domenico Scarlatti, Antonio Soler, Carl Philipp Emanuel Bach, Johann Christian Bach, Baldassare Galuppi, Muzio Clementi, Josef Myslivecek und einigen mehr. Seine künstlerisch-pianistische Ausbildung erhielt er durch Persönlichkeiten wie Prof. Georg Steinschaden, Prof. Anna Hidjova, Angelika Niclaus-Bronnec und Dagmar Groth. In jüngster Zeit übte der Cembalisten Jermaine Sprosse einen besonderen Einfluss auf ihn aus. Bei ihm konnte Torsten Eil viel über die Veränderten Reprisen lernen. Wenn du Torsten Eil für ein Konzert buchen möchtest oder eine kostenlose Probestunde vereinbaren willst, dann kannst du gerne Kontakt aufnehmen. Kontakt über die Homepage: (http•••) Ausführlicher Lebenslauf auf der Homepage: (http•••) / * * * Homepage * * * (http•••) / * * * Impressum * * * (http•••) / #Klavier_lernen #online_Klavierunterricht #Klaviertechnik #Klavierlehrer /
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- cronología: Compositores (Europa). Directores de orquesta (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): C...