Ignaz Moscheles Vídeos
compositor y pianista virtuoso bohemio
Conmemoraciones 2024 (Nacimiento: Ignaz Moscheles)
- piano
- Monarquía Habsburgo, Imperio austríaco, Sacro Imperio Romano Germánico, Confederación Germánica
- pianista, director de orquesta, compositor, pedagogo, musicólogo, profesor de música, diarista, profesor universitario, violinista
Última actualización
2024-05-09
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Chopin Moscheles Fétis Ferrand 1839 1843
Joël Rigal joue l'Etude de CHOPIN en fa mineur N°1 extraite des "Trois nouvelles études" composées en 1839 pour la "Méthode des Méthodes de Moscheles et Fétis" sur un piano de concert ERARD construit en 1843 et entièrement restauré (cordes, marteaux,chevilles, sommier...) ,accordé presqu'un demi ton en dessous du LA 440. Cette étude a été écrite pour travailler les 3 pour 4 ainsi que l'indépendance des deux mains et les longs phrasés chopiniens. Joël Rigal performs the Etude in F minor N°1 from "Trois nouvelles études" by Chopin composed in 1839 for "La Méthode des Méthodes de Moscheles et Fétis" on a concert grand built by ERARD in 1843, entirely restored (strings, hammers, pin block...) and tuned almost a semitone lower than A 440.This Etude was meant for practising hand independence (3 against 4) as well as long Chopinian phrasings. TECH SPECS Recorded on June 29th at Clermont-Ferrand Conservatory, VIDEO : Shooting with 2 Sony HD cameras SOUND : recorded with an AKG 414 stereo couple WEBSITE : (http•••)
Frédéric Chopin Franz Liszt Moscheles Czerny Hummel Johnston 1829
Etude Op.10 No.11 in E-flat Major by Frederic Chopin Chopin Etudes: (http•••) Chopin Impromptus: (http•••) Franz Liszt Transcendental Etudes (http•••) Frederic Chopin Ballades (http•••) Frederic Chopin Sonatas (http•••) Donate with PayPal to support the channel at this link: (http•••) The twenty-four Études of Frédéric Chopin (divided into two separate opuses, 10 and 25, but actually composed almost simultaneously) remain the most significant entries in that particular musical genre. Chopin refers, in a letter dating from the fall of 1829, to having written a study "in [his] own manner," and indeed, a great chasm stands between his achievements and the far drier études of his predecessors (one thinks of Moscheles, Czerny, and Hummel in particular). It was not Chopin's intent, as it was with many nineteenth-century pianist-composers, to create studies of mere technique and raw dexterity; here, instead, are works with an inexhaustible array of textures, moods, and colors to explore. These are works meant for the concert hall as well as for the practice room. The twelve Études published as Chopin's Opus 10 are an indispensable tool of the modern pianist's craft: they are a rite of passage that no serious pianist can ignore. The performer's two hands must join forces to execute the continuous harp-like (or perhaps guitar-like) arpeggiations that run throughout the Étude in E flat major, Op.10, No.11. A plaintive melody rests atop this buoyant, allegretto foundation. Gentle chromatic fluctuations bring this almost other-worldly incarnation to a close. Description by Blair Johnston
Philharmonia Hungarica Ponti Ignaz Moscheles 2016
Provided to YouTube by Kontor New Media GmbH Piano Concerto in G Minor, Op. 58: III. Allegro agitato · Philharmonia Hungarica, Othmar Maga & Michael Ponti Romantic Piano Concertos, Vol. 1 ℗ Brilliant Classics Released on: 2016-05-01 Conductor: Othmar Maga Orchestra: Philharmonia Hungarica Soloist: Michael Ponti Composer: Ignaz Moscheles Music Publisher: Brilliant Classics Auto-generated by YouTube.
Bach James Friskin Glenn Gould Harold Samuel Dannreuther Moscheles 1886 1934 1954 1955 1967
There were other pianists besides Edwin Fisher who were playing and recording Bach before Glenn Gould burst upon the scene with his celebrated 1955 recording of Bach's Goldberg Variations Two such pianists were Harold Samuel and James Friskin. Both studied with Dannreuther who was a student of Moscheles. In 1934 Friskin, who was born in Scotland in 1886, performed the complete Well-Tempered Clavier in two recitals in New York. He was a member of the original faculty at Julliard and taught there until his death in 1967. One wonders what Friskin ,who had been playing the Goldberg for over forty years, may have thought of the young twenty three year old's performance. However, I must admit a bias as one of my teachers was a Friskin student. But I think I would have admired Friskin's Bach in any case. He doesn't exaggerate or distort the music. And like Harold Samuel,he plays Bach in a way that goes to the heart of the music. Neither Samuel or Friskin were pedantic in their approach to Bach. Nor were they overly Romantic in their playing,an accusation that some of their more famous contemporaries have been accused. Here Friskin plays the Allemande, Courante, Sarabande and Gavotte, from Bach's French Suite No. 6 in E Major, BWV 817. He does not take all of the repeats due to the time restrictions of 1954 LP recordings.
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- cronología: Compositores (Europa). Directores de orquesta (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): M...