Otakar Mařák Vídeos
cantante de ópera checo
- tenor
- ópera
- República Checa
- cantante de ópera, pintor
Última actualización
2024-05-09
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Barat Dua Benda Candi Kinsbergen Kaitan Brandes 1873 1902 1859 1900 1896 1891 1890 1885 1882
(http•••) LUCU? KAITAN KABAH DGN BOROBUDUR EPS #15A PART 1 BOROBUDUR PENINGGALAN NABI DAUD RAJA YAHUDI ISRAEL DEKRIPSI BOROBUDUR: Pemerintah Hindia Belanda menugaskan F.C. Wilsen, seorang insinyur pejabat Belanda bidang teknik, ia mempelajari monumen ini dan menggambar ratusan sketsa relief. J.F.G. Brumund juga ditunjuk untuk melakukan penelitian lebih terperinci atas monumen ini, yang dirampungkannya pada 1859. Pemerintah berencana menerbitkan artikel berdasarkan penelitian Brumund yang dilengkapi sketsa-sketsa karya Wilsen, tetapi Brumund menolak untuk bekerja sama. Pemerintah Hindia Belanda kemudian menugaskan ilmuwan lain, C. Leemans, yang mengkompilasi monografi berdasarkan sumber dari Brumund dan Wilsen. Pada 1873, monograf pertama dan penelitian lebih detil atas Borobudur diterbitkan, dilanjutkan edisi terjemahannya dalam bahasa Prancis setahun kemudian. Foto pertama monumen ini diambil pada 1873 oleh ahli engrafi Belanda, Isidore van Kinsbergen. Penghargaan atas situs ini tumbuh perlahan. Untuk waktu yang cukup lama Borobudur telah menjadi sumber cenderamata dan pendapatan bagi pencuri, penjarah candi, dan kolektor "pemburu artefak". Kepala arca Buddha adalah bagian yang paling banyak dicuri. Karena mencuri seluruh arca buddha terlalu berat dan besar, arca sengaja dijungkirkan dan dijatuhkan oleh pencuri agar kepalanya terpenggal. Karena itulah kini di Borobudur banyak ditemukan arca Buddha tanpa kepala. Kepala Buddha Borobudur telah lama menjadi incaran kolektor benda antik dan museum-museum di seluruh dunia. Pada 1882, kepala inspektur artefak budaya menyarankan agar Borobudur dibongkar seluruhnya dan reliefnya dipindahkan ke museum akibat kondisi yang tidak stabil, ketidakpastian dan pencurian yang marak di monumen.[32] Akibatnya, pemerintah menunjuk Groenveldt, seorang arkeolog, untuk menggelar penyelidikan menyeluruh atas situs dan memperhitungkan kondisi aktual kompleks ini; laporannya menyatakan bahwa kekhawatiran ini berlebihan dan menyarankan agar bangunan ini dibiarkan utuh dan tidak dibongkar untuk dipindahkan. Bagian candi Borobudur dicuri sebagai benda cenderamata, arca dan ukirannya diburu kolektor benda antik. Tindakan penjarahan situs bersejarah ini bahkan salah satunya direstui Pemerintah Kolonial. Pada tahun 1896, Raja Thailand, Chulalongkorn ketika mengunjungi Jawa di Hindia Belanda (kini Indonesia) menyatakan minatnya untuk memiliki beberapa bagian dari Borobudur. Pemerintah Hindia Belanda mengizinkan dan menghadiahkan delapan gerobak penuh arca dan bagian bangunan Borobudur. Artefak yang diboyong ke Thailand antara lain; lima arca Buddha bersama dengan 30 batu dengan relief, dua patung singa, beberapa batu berbentuk kala, tangga dan gerbang, dan arca penjaga dwarapala yang pernah berdiri di Bukit Dagi — beberapa ratus meter di barat laut Borobudur. Beberapa artefak ini, yaitu arca singa dan dwarapala, kini dipamerkan di Museum Nasional Bangkok.[33] Borobudur kembali menarik perhatian pada 1885, ketika Yzerman, Ketua Masyarakat Arkeologi di Yogyakarta, menemukan kaki tersembunyi.[34] Foto-foto yang menampilkan relief pada kaki tersembunyi dibuat pada kurun 1890–1891.[35] Penemuan ini mendorong pemerintah Hindia Belanda untuk mengambil langkah menjaga kelestarian monumen ini. Pada 1900, pemerintah membentuk komisi yang terdiri atas tiga pejabat untuk meneliti monumen ini: Brandes, seorang sejarawan seni, Theodoor van Erp, seorang insinyur yang juga anggota tentara Belanda, dan Van de Kamer, insinyur ahli konstruksi bangunan dari Departemen Pekerjaan Umum. Pada 1902, komisi ini mengajukan proposal tiga langkah rencana pelestarian Borobudur kepada pemerintah. Pertama, bahaya yang mendesak harus segera diatasi dengan mengatur kembali sudut-sudut bangunan, memindahkan batu yang membahayakan batu lain di sebelahnya, memperkuat pagar langkan pertama, dan memugar beberapa relung, gerbang, stupa dan stupa utama. Kedua, memagari halaman candi, memelihara dan memperbaiki sistem drainase dengan memperbaiki lantai dan pancuran. Ketiga, semua batuan lepas dan longgar harus dipindahkan, monumen ini dibersihkan hingga pagar langkan pertama, batu yang rusak dipindahkan dan stupa utama dipugar. Total biaya yang diperlukan pada saat itu ditaksir sekitar 48.800 Gulden. Sumber: Wikipedia Indonesia
Elgar Charles Cerné Niccolò Paganini Dvořák Mařák Otakar Ševčík Arturo Toscanini Rosé Friedrich Cerha Smetana Beethoven Josef Suk Rudolfinum Smetana Hall 1900 1920 1921 1930 1935 1936 1938 1946 1948 1950 1956 1960
Příhoda plays Elgar, with piano by Charles Cerné. From Wikipedia: Váša Příhoda (22 August 1900 – 26 July 1960) was a Czech violinist, considered a Paganini specialist, and his recording of the Violin Concerto in A minor by Dvořák is still praised. Váša Příhoda was born in Vodňany in 1900. His father, Alois Příhoda, was his first teacher and remained so for ten years. Váša studied privately with Jan Mařák (a student of Otakar Ševčík), making his first public concert at age 13, playing the 4th Violin Concerto by Mozart. At age 19 a tour of Italy proved unsuccessful; poverty-stricken, he joined the orchestra of the Café Grand’Italia in Milan to earn money. There, he was heard by chance by Arturo Toscanini, who arranged a benefit concert for him. He resumed his Italian tour, this time to great success. He was said to have been given Niccolò Paganini's own violin on which to play. He toured Brazil and the United States in 1920, and the USA again in 1921... Příhoda concertized extensively all over the world and made a number of recordings when the industry was in its infancy... He played in the U.S. many times. He married violinist Alma Rosé in 1930, but they divorced in March 1935 in Czechoslovakia. His second wife was also Jewish. He appeared in two films in 1936: A Woman Between Two Worlds and The Love of the Maharaja. During World War II he taught at the Mozarteum in Salzburg. As he had continued to perform in Germany and German-occupied territories after the Nazi invasion of Czechoslovakia, he was briefly charged with collaboration after the war, and censured by the Czech government. He later taught at the Academy of Music and Dramatic Arts in Vienna, where his students included Friedrich Cerha. His students also included the cellist Jascha Silberstein. Vienna was his base of operations for many years though he taught in Prague, Munich, and Salzburg as well. After 1950, he dedicated most of his time to teaching and he also composed small chamber works, which are no longer played. In 1946 he left Czechoslovakia with his family. He moved in 1946 to Rapallo in Italy and then, in 1948, to Turkey, taking Turkish nationality. He returned to Czechoslovakia in 1956. This comeback was received most enthusiastically in Prague. He played recitals with pianist Alfred Holeček in the Rudolfinum Music Hall, and performed Dvořák's Violin Concerto in Smetana Hall of the Municipal House during the Prague Spring Festival. Příhoda composed his own cadenzas to all the concertos he played. He gave his last concerts in April 1960 and died of heart disease on 26 July 1960, aged 59. He also wrote a number of minor pieces, such as Slawische Melodie, Caprice and Sérénade, some of which he recorded. He wrote cadenzas to the Beethoven Violin Concerto in D major, which have been recorded by Josef Suk. The transfer is made from a late Polydor pressing.
Winkler Brahms Mendelssohn Paganini Toscanini Heifetz 1912 1919 1924 1950 1960
Váša Příhoda-violin, Bruno Seidler-Winkler-piano. ( Rec. 1924 ) Vasa Prihoda was a Czech violinist born on August 22,1900. His father, Alois Prihoda, was his first teacher and remained so for ten years. Afterward, Prihoda attended the Prague Conservatory, where he studied with Marak (who himself studied with Otakar Sevcik.) He graduated in 1912 and gave his first public performance playing Mozarts fourth violin concerto (D Major.) Most violinists choose Brahms, Mendelssohn, or Paganini for a debut, but not Prihoda. It has been said that Toscanini discovered him playing in a Café (Grande Italia) in Milan, Italy, on December 27, 1919. Prihoda is remembered for his prodigious technique (which included exceptionally clear articulation), his ease in playing Paganini showpieces. After the war, Prihoda was censured by the Czech government because he did not boycott any of the German-occupied territories during the war. Prihoda concertized extensively all over the world and made a number of recordings when the industry was in its infancy. Unfortunately, some of his recordings were not well-produced so the sound quality is poor. He played in the U.S. many times and was greatly admired for his style, dazzling technique, and finesse. Critics have suggested that Heifetz was jealous of him. Vienna was his base of operations for many years though he taught in Prague, Munich, and Salzburg as well. After 1950, he dedicated most of his time to teaching and he also composed small chamber works which are no longer played. Prihoda also composed his own cadenzas to all the concertos he played. He gave his last concerts in April, 1960 and died (of heart disease) on July 26, 1960. There are many recordings and amazing videos of his posted on YouTube
Paganini Brahms Mendelssohn Toscanini Heifetz 1900 1912 1919 1926 1950 1960
Váša Příhoda-violin, Charles Cerne-piano. (rec. 1926)Vasa Prihoda was a Czech violinist born on August 22,1900. His father, Alois Prihoda, was his first teacher and remained so for ten years. Afterward, Prihoda attended the Prague Conservatory, where he studied with Marak (who himself studied with Otakar Sevcik.) He graduated in 1912 and gave his first public performance playing Mozarts fourth violin concerto (D Major.) Most violinists choose Brahms, Mendelssohn, or Paganini for a debut, but not Prihoda. It has been said that Toscanini discovered him playing in a Café (Grande Italia) in Milan, Italy, on December 27, 1919. Prihoda is remembered for his prodigious technique (which included exceptionally clear articulation), his ease in playing Paganini showpieces. After the war, Prihoda was censured by the Czech government because he did not boycott any of the German-occupied territories during the war. Prihoda concertized extensively all over the world and made a number of recordings when the industry was in its infancy. Unfortunately, some of his recordings were not well-produced so the sound quality is poor. He played in the U.S. many times and was greatly admired for his style, dazzling technique, and finesse. Critics have suggested that Heifetz was jealous of him. Vienna was his base of operations for many years though he taught in Prague, Munich, and Salzburg as well. After 1950, he dedicated most of his time to teaching and he also composed small chamber works which are no longer played. Prihoda also composed his own cadenzas to all the concertos he played. He gave his last concerts in April, 1960 and died (of heart disease) on July 26, 1960. There are many recordings and amazing videos of his posted on YouTube
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- cronología: Cantantes líricos (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): M...