Mateusz Wielhorski Vídeos
compositor, violonchelista
Conmemoraciones 2024 (Nacimiento: Mateusz Wielhorski)
- violonchelo
- música clásica
- República de las Dos Naciones
Última actualización
2024-05-21
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Dmitry Sitkovetsky Bella Davidovich Konstantin Igumnov Yakov Flier Chopin Julian Sitkovetsky Bolesław Kon Naum Shtarkman Beckman Maria Grinberg Ryszard Bakst Anatoly Nikolayevich Alexandrov Alexandrov Rachmaninoff Rosa Tamarkina Wielhorski Issay Dobrowen Severe Josef Lhévinne Isidor Philipp 1949 2014
TV Kultura, 2014 Author & Host: Dmitry Sitkovetsky In this interview of the cycle, Dmitry Sitkovetsky is not just a fellow musician and partner on stage, but also a loving son, who speaks with his mother - pianist Bella Davidovich. Bella Mikhailovna reminisces about her childhood in Baku, about her great teachers - Konstantin Igumnov and Yakov Flier, and about her getting the most important prize of her life - the first prize at the Chopin Piano Competition in postwar Warsaw in 1949. One episode of the program is devoted to her husband - violinist Julian Sitkovetsky. The program contains rare archival footage of musical performances. My gratitude to Nosh (Noshirm) for editing the English translation! Many thanks to Nosh, Erwin (Pianopera), and Andre (Truecrypt) for providing the notes below and additional notes on jeu perlé technique, which can be viewed by clicking on the link in the end of this video! Notes: 09:48 Igumnov taught a number of other first-rate pianists, among them Bolesław Kon, Naum Shtarkman, Yelena Beckman-Scherbina, Boris Moiseyevitch Berlin, Maria Grinberg, Andrzej Wasowski, Ryszard Bakst, Tengiz Amirejibi, Anatoly Nikolayevich Alexandrov, Natalia Satina (Rachmaninoff’s wife), Aleksandr Iokheles, Rosa Tamarkina, Maria Gambarian, Aleksander Wielhorski, and the eminent conductor Issay Dobrowen. 09:53 According to pianist Olga Bobrova: “In the 1930s Igumnov entered the last, mature phase of his life…(as) the years went by, Igumnov became more laconic, more severe. But he did not lose what he valued most of all - his romanticism. In his music, as in his day-to-day life, Konstantin Igumnov continued to be meditative, sad, nostalgic and very lonely.” It was at this stage in his life that Davidovich first met and studied with him. 10:51 Josef Lhévinne talked about this in his book, "Basic Principles in Pianoforte Playing". Isidor Philipp also stressed the need to press the keys to the very bottom for a ‘full and even tone’. 11:21 In his book, Lhévinne writes about how having well-padded fingertips could help one to create what he called a ‘ringing, singing tone’. 12:20 It is indeed important that the pedals should be pressed with the tip of the foot only, maintaining contact as much as possible, if only to avoid placing too much weight on them, as that will cause an annoying noise. Also, one can change pedal more quickly in this way. 37:33 Pianist Olga Bobrova recalls of Igumnov’s influence in this regard: “His students were not like him, but they had one thing in common: a romantic attitude to music, which made the piano sound like (the) human voice. Their professor told them: ‘I want music to sound as (a) human language, in which poems, stories, and verses are written. The task of performers is to recite these poems and verses.’” Regarding the “old school traditions” that Sitkovetsky fears are now hardly in evidence, it has been suggested that in these times, the following factors militate against the spirit of Romanticism: realism, modernism, industrialization, standardization, rationalism, an alienation from Nature, the suppression of deep feelings, a general lack of or desire to be original, a lack of spirituality, and too great a focus on technology and materialism.
Felix Mendelssohn Antonio Meneses Mateusz Wielhorski Wielhorski Bach Gewandhaus 1843
Felix Mendelssohn Cello Sonata No. 2 in D major, Op. 58 Complete HD Full Complete all movements was composed in June 1843. The work, which was dedicated to the Russian/Polish cellist Count Mateusz Wielhorski, has four movements: Allegro assai vivace Allegretto scherzando Adagio Molto allegro e vivace A typical performance lasts 25 minutes. Of particular interest is the Adagio, because it mirrors Mendelssohn's fascination with the music of J. S. Bach. (He was then musical director of the Gewandhaus concerts at Leipzig and, as such, Bach's distant successor.) The movement consists of a chorale in Bach's typical style, played by the piano in rich arpeggios. In between the phrases of the chorale, the cello plays recitative-like passages. Artist Antonio Meneses MORE INFORMATION HERE (http•••)
Felix Mendelssohn Mateusz Wielhorski Wielhorski 1843
MUSICA: FELIX MEDELSOHN cello sonata 2 CICLO: sonata en Roma revisitada IMAGENES: arte del renacimiento y barroco italiano, fotos de Roma de José Luis y Luisa, paisajes italianos DETALLE DEL VIDEO: Felix Mendelssohn Cello Sonata No. 2 en Re mayor, Op. 58, compuesta en junio de 1843. Obra dedicada al cellista ruso el conde Mateusz Wielhorski movimientos: a. Allegro assai vivace b. Allegretto scherzando c. Adagio d. Molto allegro e vivace
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