Marko Savić Vídeos
músico serbio
- piano
- música clásica
- Serbia
- pianista
Última actualización
2024-05-11
Actualizar
Francis Poulenc Savić Ivaci Valentina Fijačko Nikolova Vedrana Šimić Dubravka Šeparović Mušović Nataša Antoniazzo Ljubomir Puškarić Budu Kako 1931 1953 1957 2006 2007
Dirigent: Michael Helmrath Redatelj: Krešimir Dolenčić Scenografkinja: Dinka Jeričević Kostimografkinja: Ana Gecan Savić Oblikovatelj svjetla i projekcije: Deni Šesnić Zborovođa: Ivan Josip Skender Asistenti dirigenta: Simon Dešpalj, Robert Homen Asistentica redatelja: Jasna Žarić Asistentica kostimografkinje: Andrea Kuštović Scenski pokret: Dobroslav Jakovljević Jezična savjetnica: Sanja Ivić Računalno oblikovanje zvuka: Stanko Juzbašić ANSAMBL PREDSTAVE Marquis de la Force Siniša Hapač, Saša Ivaci, Davor Radić Blanche Tamara Felbinger, Valentina Fijačko*, Dagmar Schellemberger, Martina Zadro Vitez de la Force Miljenko Đuran, Tvrtko Stipić Madame de Croissy Cecilija Car, Neda Martić, Zlatomira Nikolova Madame Lidoine Željka Martić, Vedrana Šimić* Majka Marie Inge Heinl-Stančić, Dubravka Šeparović-Mušović Sestra Constance od St. Denisa Gorana Biondić, Marija Kuhar, Maja Mejovšek (studijska uloga) Majka Jeanne Nataša Antoniazzo, Branka Sekulić-Ćopo Sestra Mathilde Marta Babić, Helena Lucić Ispovjednik Marko Cvetko, Dejan Vrbančić Prvi komesar Stjepan Franetović, Neven Mrzlečki Drugi komesar Igor Hapač, Alen Ruško Zatvorski čuvar Ozren Bilušić, Ljubomir Puškarić Thierry Ozren Bilušić, Ljubomir Puškarić M. Javelinot Marijan Jurišić, Robert Palić * stipendistice CEE Musiktheatera Priču o mučeništvu časnih sestara iz Compiegnea prva je ispričala jedna od njih, majka Marie, koja je preživjela teror Francuske revolucije i objavila svoja sjećanja. Proglašenje sestara sveticama koje je uslijedilo nakon toga, inspiriralo je Njemicu Gertrude von le Fort da ispriča njihovu priču. Tako je nastao roman sablasnog predosjećaja Posljednja na stratištu iz 1931. godine, koji opisuje sudbinu religije u totalitarističkim režimima. Učinjeni su brojni neuspjeli pokušaji adaptacije knjige u dramu, pa i filmski scenarij, sve dok se tog zadatka nije prihvatio Georges Bernanos, koji je u svoj roman dodao neke nove likove i gomilu detalja. No, priča je postala svjetski poznata tek nakon nastanka opere Les dialogues des Carmélites Francisa Poulenca, koju je naručio Ricordi za milansku Scalu, gdje je djelo i praizvedeno 1957. godine. Osnovna radnja vrlo je jednostavna, a Poulenc u jednom pismu napisanom 1953. godine govori o vrlo prozračnoj orkestraciji koja će dopustiti da riječi budu jasne, ističući kako su nijanse u tekstu mnogo važnije od sveukupnog sadržaja. Umjetnik koji je kao mlad bio proglašen avangardnim skladateljem, nepogrešiva uha za melodiju i smisla za ironičan humor odgovarao je modi nastaloj poslije Prvoga svjetskog rata, koja je zahtijevala naivnost i primitivnost. No, svoju karijeru Poulenc je zaključio djelima potpuno izvan modnih tokova - tonalnom glazbom, koja se ne srami osjećaja, boli, čak i sentimentalnosti. A upravo tom posljednjem razdoblju njegova stvaralaštva pripada opera Razgovori karmelićanki, posvećena njegovim uzorima Verdiju, Monteverdiju, Debussyju i Musorgskom. Nagrada Hrvatskog glumišta za najbolju opernu predstavu u cjelini, u sezoni 2006./2007. Premijera: 18. travnja 2007.
Biel Makris Jorma Panula Anikhanov Montenegro Evelyn Tubb Baird Vivica Genaux Holloway Matthews Verbruggen Steven Devine Bland Glinka Purcell Thomas Meglioranza Andreas Makris Mussorgsky Rachmaninov New Trinity Baroque Trinity Baroque London Symphony Orchestra Russian National Orchestra Sofia Philharmonic Early Music Network Early Music Festival Boston Early Music Festival 2018 2019
An excerpt from the dress rehearsal of W.A. Mozart's opera "Mitridate, re di Ponto", at the Baroque Theater in Solothurn, Switzerland. The Overture is being performed by the TOBS Orchestra (Theater Orchester Biel Solothurn), conducted by Predrag Gosta, in the Spring of 2018. Thank you for visiting this channel. If you like this video, please give it a "thumbs up", and consider subscribing. BIOGRAPHY: Predrag Gosta has been recognized as one of the most interesting and multi-faceted conductors and harpsichordists of his generation. He is the artistic director of New Trinity Baroque, a widely-acclaimed and recorded period instrument orchestra; the general manager, artistic director and chief conductor of the New Belgrade Opera, the Belgrade Baroque Academy, the Belgrade Early Music Festival and the Makris Symphony Orchestra in Serbia; and the music director and chief conductor of the Gwinnett Ballet Theatre in Atlanta, USA. He also served as the assistant conductor of the National Philharmonic in Washington DC, and was a faculty member at Oxford College of Emory University in Atlanta. Born in Belgrade, Serbia, he was originally trained as a violinist, having started at the age of six. After starting his studies at Belgrade Music Academy, he was awarded a full scholarship from the Trinity College of Music in London and the Leverhulme Trust to continue his studies at Trinity, where he received an undergraduate and a postgraduate degree. He also received three Master of Music degrees from Georgia State University in Atlanta, where he was studying under a graduate assistantship and several scholarships, including the Regents Opportunity Scholarship. His further studies in conducting were with Gustav Meier (USA), Jorma Panula (Finland), Colin Metters (UK), Ennio Nicotra (Italy), Alexander Polyanichko, Vladimir Ponkin and Andrei Anikhanov (Russia), Jonathan Brett (England), Dejan Savic (Serbia) and Emmanuel Siffert (Switzerland). From 2019, Gosta is DPhil Reader and Junior Member of the Christ Church, University of Oxford, where his research focuses on the late 18th century English opera. Equally at home with concert, opera or ballet performances, Predrag Gosta appeared at concerts and festivals in USA, United Kingdom, Russia, Sweden, Finland, Sweden, Germany, Poland, Switzerland, Mexico, Bulgaria, Serbia, Croatia and Montenegro. He collaborated with artists and conductors such as sopranos Evelyn Tubb and Juilliane Baird; mezzo-soprano Vivica Genaux; contralto Marijana Mijanovic; baroque violinists Florian Deuter, Ilia Korol, John Holloway, Antoinette Lohmann and Ingrid Matthews; recorder virtuoso Marion Verbruggen; harpsichordists Ottaviano Tenerani and Steven Devine; lutenists Anthony Rooley and Michael Fields; trumpet players Justin Bland and Friedemann Immer; and many others. He performed at the Piccolo Spoleto, Boston Early Music Festival and Amherst Early Music Festival in the USA; Sastamala Gregoriana Festival in Finland; Belgrade Early Music Festival in Serbia; Korkyra Baroque and Varazdin Baroque Evenings in Croatia; Dartington International Summer School and Festival in the UK - just to mention a few. He conducted internationally renowned ensembles such as the London Symphony Orchestra, the National Philharmonic in Washington DC, the Russian National Orchestra in Moscow, the St. Petersburg State Capella "Glinka", the Sofia Philharmonic, the Belgrade Philharmonic, and more. He appeared in opera houses in Biel and Solothurn (Switzerland), Ruse and in Burgas (Bulgaria), Lexington (KY), Lüneburg (Germany), and his native Belgrade (Serbia). Gosta is an active recording artist, and has over a dozen recordings to his credit, including a critically acclaimed CD of Purcell's opera "Dido & Aeneas" with New Trinity Baroque, and Evelyn Tubb and Thomas Meglioranza in the titles roles. He also recorded a premiere album of orchestral works by Greek-American composer Andreas Makris with the London Symphony Orchestra, and music by Mussorgsky and Rachmaninov with the same orchestra. He also has several albums with the Makris Symphony Orchestra. As a regular presenter of master classes, he teaches at the Belgrade Baroque Academy. He is a honored member of the Phi Beta Delta Honor Society for International Scholars, Golden Key Honour Society, Mu Phi Epsilon International Music Fraternity, as well as member of MENSA and the International High IQ Society. Finally, Gosta is the President of the international early music society Early Music Network and the Makris Music Society in Washington DC (promoting the music and legacy of Greek-American composer Andreas Makris, and nurturing young talented musicians); the principal editor of the online music publishing house UrtextEditions.com and the Mediterranean Press; and the executive producer of Edition Lilac. #Mozart #overture #Mitridate #opera
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- cronología: Intérpretes (Europa).
- Índices (por orden alfabético): S...