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Heinrich Biber James Taylor Early Music Network
For #earlymusicday2021 , our Artistic Director Caitríona O'Mahony and organist James Taylor are performing Biber's Mystery Sonatas on the Sorrowful Mysteries of the Rosary, from the Goldie Chapel in Nano Nagle Place ! Caitríona brought us through some of her ideas and thoughts around the music, the imagery that the works can suggest, and the challenges of the different tunings used by Biber. Join us for a full concert of beautiful seventeenth-century music on Early Music Day this Sunday at 4:15pm - Early Music Day: Heinrich Biber's Sorrowful Mysteries from the Goldie Chapel (http•••) If you enjoy the video please subscribe to our channel above, and subscribe to our Mailing List to keep up-to-date on great early music events from us and our friends! (http•••) Huge thanks to Arts Council Ireland for supporting the concert and the creation of this video concert diary through #irishearlymusicnetwork We're very grateful for the partnership and support of Nano Nagle Place: The equipment to create this video was courtesy of Irish Early Music Network. Additional sound recording by Joe Cusack.
Biel Makris Jorma Panula Anikhanov Montenegro Evelyn Tubb Baird Vivica Genaux Holloway Matthews Verbruggen Steven Devine Bland Glinka Purcell Thomas Meglioranza Andreas Makris Mussorgsky Rachmaninov New Trinity Baroque Trinity Baroque London Symphony Orchestra Russian National Orchestra Sofia Philharmonic Early Music Network Early Music Festival Boston Early Music Festival 2018 2019
An excerpt from the dress rehearsal of W.A. Mozart's opera "Mitridate, re di Ponto", at the Baroque Theater in Solothurn, Switzerland. The Overture is being performed by the TOBS Orchestra (Theater Orchester Biel Solothurn), conducted by Predrag Gosta, in the Spring of 2018. Thank you for visiting this channel. If you like this video, please give it a "thumbs up", and consider subscribing. BIOGRAPHY: Predrag Gosta has been recognized as one of the most interesting and multi-faceted conductors and harpsichordists of his generation. He is the artistic director of New Trinity Baroque, a widely-acclaimed and recorded period instrument orchestra; the general manager, artistic director and chief conductor of the New Belgrade Opera, the Belgrade Baroque Academy, the Belgrade Early Music Festival and the Makris Symphony Orchestra in Serbia; and the music director and chief conductor of the Gwinnett Ballet Theatre in Atlanta, USA. He also served as the assistant conductor of the National Philharmonic in Washington DC, and was a faculty member at Oxford College of Emory University in Atlanta. Born in Belgrade, Serbia, he was originally trained as a violinist, having started at the age of six. After starting his studies at Belgrade Music Academy, he was awarded a full scholarship from the Trinity College of Music in London and the Leverhulme Trust to continue his studies at Trinity, where he received an undergraduate and a postgraduate degree. He also received three Master of Music degrees from Georgia State University in Atlanta, where he was studying under a graduate assistantship and several scholarships, including the Regents Opportunity Scholarship. His further studies in conducting were with Gustav Meier (USA), Jorma Panula (Finland), Colin Metters (UK), Ennio Nicotra (Italy), Alexander Polyanichko, Vladimir Ponkin and Andrei Anikhanov (Russia), Jonathan Brett (England), Dejan Savic (Serbia) and Emmanuel Siffert (Switzerland). From 2019, Gosta is DPhil Reader and Junior Member of the Christ Church, University of Oxford, where his research focuses on the late 18th century English opera. Equally at home with concert, opera or ballet performances, Predrag Gosta appeared at concerts and festivals in USA, United Kingdom, Russia, Sweden, Finland, Sweden, Germany, Poland, Switzerland, Mexico, Bulgaria, Serbia, Croatia and Montenegro. He collaborated with artists and conductors such as sopranos Evelyn Tubb and Juilliane Baird; mezzo-soprano Vivica Genaux; contralto Marijana Mijanovic; baroque violinists Florian Deuter, Ilia Korol, John Holloway, Antoinette Lohmann and Ingrid Matthews; recorder virtuoso Marion Verbruggen; harpsichordists Ottaviano Tenerani and Steven Devine; lutenists Anthony Rooley and Michael Fields; trumpet players Justin Bland and Friedemann Immer; and many others. He performed at the Piccolo Spoleto, Boston Early Music Festival and Amherst Early Music Festival in the USA; Sastamala Gregoriana Festival in Finland; Belgrade Early Music Festival in Serbia; Korkyra Baroque and Varazdin Baroque Evenings in Croatia; Dartington International Summer School and Festival in the UK - just to mention a few. He conducted internationally renowned ensembles such as the London Symphony Orchestra, the National Philharmonic in Washington DC, the Russian National Orchestra in Moscow, the St. Petersburg State Capella "Glinka", the Sofia Philharmonic, the Belgrade Philharmonic, and more. He appeared in opera houses in Biel and Solothurn (Switzerland), Ruse and in Burgas (Bulgaria), Lexington (KY), Lüneburg (Germany), and his native Belgrade (Serbia). Gosta is an active recording artist, and has over a dozen recordings to his credit, including a critically acclaimed CD of Purcell's opera "Dido & Aeneas" with New Trinity Baroque, and Evelyn Tubb and Thomas Meglioranza in the titles roles. He also recorded a premiere album of orchestral works by Greek-American composer Andreas Makris with the London Symphony Orchestra, and music by Mussorgsky and Rachmaninov with the same orchestra. He also has several albums with the Makris Symphony Orchestra. As a regular presenter of master classes, he teaches at the Belgrade Baroque Academy. He is a honored member of the Phi Beta Delta Honor Society for International Scholars, Golden Key Honour Society, Mu Phi Epsilon International Music Fraternity, as well as member of MENSA and the International High IQ Society. Finally, Gosta is the President of the international early music society Early Music Network and the Makris Music Society in Washington DC (promoting the music and legacy of Greek-American composer Andreas Makris, and nurturing young talented musicians); the principal editor of the online music publishing house UrtextEditions.com and the Mediterranean Press; and the executive producer of Edition Lilac. #Mozart #overture #Mitridate #opera
Josquin Desprez Daniels Orlando Consort 1050 1550 1988 2000
A remarkable example of Josquin's greatness, one of his early masterpieces, motet for 4 voices, written in 1480s. (http•••) Performed by The Orlando Consort (Robert Harre-Jones, Charles Daniels, Angus Smith and Donald Greig). From the album "Josquin Desprez: Motets" by Orlando Consort (2000). (http•••) "Formed in 1988 by the Early Music Network of Great Britain, the Orlando Consort rapidly achieved a reputation as one of Europe’s most expert and consistently challenging groups performing repertoire from the years 1050 to 1550. Their work successfully combines captivating entertainment and fresh scholarly insight; the unique imagination and originality of their programming together with their superb vocal skills has marked the Consort out as the outstanding leaders of their field." (http•••)
Francesco Geminiani 1687 1739 1762
A nerdy dive into the differences between the original of Francesco Geminiani's +••.••(...)) violin sonatas Op. 1, and its re-issue in 1739. Exploring its context within other works of the period, Geminiani's place and influence on violin playing in Ireland and Britain, dedications to the Countess of Cork, and a possible Franco-Italian style of ornamentation which could be applied to other works performed in Dublin or London by Geminiani's students or others influenced by his style. This video was produced using equipment from the Irish Early Music Network, supported by the Arts Council of Ireland. If you enjoyed the concert, we’d really appreciate it if you could SUBSCRIBE to the channel and sign up for our Mailing List so that we can keep in touch! (http•••) Follow us on social media! Facebook: (http•••) Twitter: (http•••) Instagram: (http•••)
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