Liao Changyong Vídeos
cantante chino
- barítono
- República Popular China
- cantante de ópera
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2024-05-13
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Changyong Frédéric Chopin Jachimecki Beethoven Tomaszewski Rhode Bach Haydn Newport Music Festival Utah Symphony 1810 1846 1849 1882 1953 2011 2016 2017 2018 2020
Changyong Shin, 2018 Bachauer Gold Medalist Frédéric Chopin's Polonaise-Fantasy in A-flat Major, op. 61 About Chopin's Polonaise-Fantasy Frédéric Chopin (1810 – 1849) composed and published the Polonaise-Fantaisie in 1846. It was what Jeffrey Kallberg has suggested represents his “last style,” a style that only includes the Polonaise-Fantaisie and the F minor mazurka (op. 68, No. 4), his last composition. The formal ambiguities of the piece (particularly the unconventional and musically misleading transitions into and out of the lyrical inner section) are the most significant defining qualities of this last style. The work was slow to gain favor with musicians, due to its harmonic complexity and intricate form. The Polish musicologist, Zdzislaw Jachimecki (1882 – 1953), wrote, “The piano speaks here in a language not previously known.” Although Chopin initially referred to the piece only as a Fantasy, it is indebted to the polonaise for its meter, much of its rhythm, and some of its melodic character. However, as in so many of Chopin’s compositions, the work invites the listener to engage the imagination as in a fantasy. Here we find Polish heroic gestures side by side with romantic melancholy, closest to a nocturne; the dignified élan of the polonaise accompanied by the melancholy reflection of the fantasy. Music that is wondrously songful, at first delicate, gentle, and idyllic; with each bar that passes, it gains in strength, like recollection animated by an influx of memory. Chopin leads the listener through shifting tracts of associations and memories, wandering through a succession of keys. And this all occurs as if in a dream, yet at the same time as if the destination were constantly known. Feliks Jabłczyński, author of an essay on Chopin’s polonaises, wrote of the work’s emotional charge, “Neither the Eroica nor the Appassionata of Beethoven has a single section of such raging passion.” – With acknowledgement to: Mieczysław Tomaszewski About Changyong Shin Changyong Shin is the first-prize winner of the 2018 Bachauer International Piano Competition, the 2017 Seoul International Music Competition, and the 2016 Hilton Head International Piano Competition. A native of South Korea, Changyong Shin emigrated to the United States in 2011 at the age of 17 to study at the Curtis Institute of Music where he earned his Bachelor of Music degree. He continued his studies at The Juilliard School where he earned a Master of Music degree in 2018 and completed the prestigious Artist Diploma degree in 2020. Mr. Shin began his Performance career during his student years, with performances in South Korea, Italy, France, the UK, and across the United States. His performance invitations have included among others, a live broadcast recital for classical WQXR-FM’s Midday Masterpieces, the Barletta Piano Festival in Italy, the Ruhr Klavier-Festival in Germany, the Newport Music Festival in Rhode Island, the Kumho Cultural Foundations’ Rising Star series, and appearances with orchestras including the Utah Symphony, the Hilton Head Symphony, Sendai Philharmonic, KBS Orchestra, Daejeon Philharmonic Orchestra, Buchehon Philharmonic Orchestra and Gwacheon Philharmonic Orchestra. Mr. Shin released his debut CD on the Steinway & Sons label with works by Bach, Haydn, Mozart, and Beethoven. WXQR proclaimed the CD one of the “Best New Recordings of 2018.
Gioachino Antonio Rossini Changyong Mueller Basset Pierre Petit Hyacinthe Klosé Barber Théâtre Italien 1786 1792 1809 1812 1854 1868
clarinet : SON Changyong(손창용). piano : Didier Delettre. (English) Ivan Müller, sometimes spelled Iwan Mueller (1786 in Reval (Estonia) – 1854 in Bückeburg), was a clarinetist, composer and inventor who at the beginning of the 19th century was responsible for a major step forward in the development of the clarinet, the air-tight pad. He became a chamber musician in Saint Petersburg before he was twenty. Müller went on to work in Dresden, Berlin and Leipzig, where he specialized in the basset-horrn, a type of low- pitched clarinet. In 1809, Müller performed to great acclaim on a clarinet made to his own specifications. Müller moved to Paris got a wealthy patron in the form of (Mr.) Marie-Pierre Petit, and started mass-producing clarinets. In 1812, Müller presented his new 13-key clarinet with air-tight pads to the Paris Conservatoire, but they weren't impressed. Nevertheless, Müller's new clarinet with fully chromatic range became popular and became the standard clarinet for much of the 19th century. It was further developed into the Öhler system, the prevalent system in Germany today. He was also, before the famous Hyacinthe Klosé, principal clarinet at the Théâtre Italien in Paris. Gioachino Antonio Rossini +••.••(...)) was an Italian composer who wrote 39 operas. (The Barber of Seville is one of his best known), chamber music, songs, piano pieces and sacred music (French) Ivan Müller : « Fantaisie sur une Cavatine de Rossini » pour clarinette et piano op. 27 (« Una voce poco fa » extrait du Barbier de Seville). Ivan Müller, (1786 in Reval (Estonia) – 1854 in Bückeburg), était un clarinettiste, compositeur et inventeur qui au début du 19 ème siècle qui fut responsable d’un progrès majeur dans le développement de la clarinette, le tampon hermétique. Avant sa vingtième année il devint musicien de chambre à Saint Petersbourg. Müller travailla ensuite à Dresde, Berlin et Leipzig, où il se spécialisa dans le cor de basset.En1809, Müller joua avec grand succèssur une clarinette de son invention. Müller alla à Paris où il obtint un excellent modèle achevé par (Mr.) Marie-Pierre Petit, et commença une production en série de clarinette. En 1812, Müller présenta son nouveau modèle à 13 clefs avec tampons hermétiques au Conservatoire de Paris, mais personne ne fut impressionné. Cependant, la nouvelle clarinette de Müller avec sa tessiture chromatique complète devint populaire et la clarinette standard pendant une grande partie du 19 ème siècle. Elle fut ensuite adaptée au système Öhler, le système dominant aujourd’hui en Allemagnethe. Il fut aussi, avant le fameux Hyacinthe Klosé, première clarinette au Théâtre Italien à Paris. Gioachino Antonio Rossini +••.••(...)) était un compositeur Italien composer qui écrivit 39 operas. (le barbier de Séville est l’un des plus connus, de la musique de chambre, des mélodies, des pièces pour piano et de la musique sacrée.
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- cronología: Cantantes líricos (Asia).
- Índices (por orden alfabético): C...