Edith Lejet Vídeos
compositora francesa
- música académica contemporánea
- Francia
- compositor, profesor de música
Última actualización
2024-05-09
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Olivier Chassain Harms Alexandre Lagoya Roger Boutry Ida Presti Jacques Thibaud Britten Cogan Fukuda Olsen Navez Gallois Xuereb Aubier Ruiz Thierry Pécou Heim Michel Fusté Lambezat Lejet Alain Margoni Margoni Stein Stein Erik Olsen 1957 1977 1978 1982 1988 1989 1992 1994 1995 2009 2010 2011 2012
What is the MOTIVATION of both competitors and Judges in taking part and advantage of Sound Espressivo's concept and originality? Building relationship between musicians from all other the world: a great new way of sharing between all of us! Apply by November 30 (http•••) Olivier Chassain was born in Paris in 1957. He began studying the guitar in Limousin with Roger Généraux and completed his training with Carel Harms. In 1977, he entered the Conservatory of Paris (the current Cnsmdp) where he obtained in 1982 a first prize for guitar in the class of Alexandre Lagoya; he was also awarded a prize for counterpoint (class of Bernard de Crépy) and a prize for harmony (class of Roger Boutry). Today, his triple professional activity makes him lead simultaneously: a career as a concert performer, which took on an international dimension when he won the first prize in the "Guitar Foundation of America international competition" in 1988, thus becoming the first non-American guitarist to receive the highest distinction of this competition worldwide renamed. The following year (in 1989) he made a major tour organized by the GFA, across the entire North American continent: he was invited there regularly for concerts and master-classes, as well as on other continents. a career as a composer: he is the author of numerous works, in particular for guitar, such as: “ Fantastic echoes ” i n memoriam I. Presti and A.Lagoya , “ Etoiles ”, “ Arion ”, “ De loin en loin ”, sonata for two guitars (1995), “ Doigts de fées ” (2010) for flute and guitar, sonata for solo guitar (2011)…, and educational collections such as “ Patchwork ”, “ Ad hoc ”, “ Brèves de lectern ”(2012)… a teaching career which took off in Orléans in 1978, following his first teacher, Roger Généraux (he was established after obtaining his CA at the age of 21), and which saw its accomplishment when he was appointed in 1992 at the Jacques Thibaud Conservatory in Bordeaux, then in 1994 to succeed his master Alexandre Lagoya, as guitar teacher at the Paris National Conservatory of Music and Dance (Cnsmdp), where he still teaches today. Olivier Chassain regularly leads, in addition to his conservatory lessons, instrumental improvement sessions within the framework of festivals, summer academies, as was notably the case in Dordogne from 1995 to 2010, at the Britten school in Périgueux directed by Jean-Jacques Rouveroux: this institute organized ad hoc courses throughout the year in all musical disciplines, and called on internationally renowned artists. Olivier Chassain thus had, for his summer internship, the opportunity to invite many friends, renowned guitarists, such as J. Cogan, N. Koshkin, SI. Fukuda, B. Kanengiser, D. Bogdanovic, SE Olsen, F. Zigante, L. Blanquart, H. Navez, Jim Smith. Since 2010, it has been organizing new sessions in Limousin, throughout the year. Olivier Chassain's repertoire displays a great eclecticism, from the Renaissance to the music of today. Passionate about early music, he has also devoted himself to the lute and the vihuela for many years, in order to transmit through this privileged approach the sound and the spirit of this music. He is also fond of French music from the Grand Siècle and romantic music, which he plays alone or in the company of eminent artists such as P. Gallois, Ph. Muller, P.-H. Xuereb, R. Pidoux, E. Aubier, F. Pierre, G. Millière ... Ardent defender of contemporary creation, Olivier Chassain is the dedicatee of numerous works for guitar (Stephen Dodgson, Antonio Ruiz-Pipo, Thierry Pécou, Sean Heim) and of concertos: "Escales" by Roland Creuze: created in Bordeaux with the ensemble Musique Nouvelle and Michel Fusté-Lambezat, as well as that of Edith Lejet, "Flowers in the shape of diamonds", from the concerto by Alain-Michel Riou, and more recently by Alain Margoni. Olivier Chassain has made several records, under different labels, including "Almost a song" (Metronome recordings) which was crowned with the "Choc" of the World of Music, and "Eventail" by the review Classica. An album devoted to the complete compositions of Ida Presti - the world's first recording -, in duet with the Norwegian guitarist Stein-Erik Olsen, received a rave reception from music critics (ranked in the 'top 5' of the 10 best albums classics of 2009 in Scandinavia), under the Simax label. Several other recordings are in the pipeline, including a second album with his friend SE Olsen, for the Simax label, in a repertoire of original works dedicated to the Duo Presti-Lagoya.
Fel Sziklai Horváth Schaffer Barabás László Viktória Szabó Stern Szőke Mráz József Márk Kocsis Ádám Dávid Fenn Kell Hol Drake Nem Dob 2021
Fellépés szervezés: +••.••(...) Élő koncertszervezés: +••.••(...)Vadász Roland) BSW - Mokambo Gang (km. T. Danny, Lmen Prala) (Official Music Video) 2021 BSW Iratkozz fel: (http•••) Zene: Kovács Norbert (Smithmusix) Hangszerelés: Smithmusix Szövegíró: Ferenczei Gábor, Sziklai Mátyás, Telegdy Dániel, Grósz Bence Felvétel, mix, master: Smithmusix, Kinx Studio Klip utószinkron: Péterffy Máté (Pannonia Studio) Kamera: Horváth Csaba (Cybertronic Media), Nagy Bence Rendező: Sziklai Mátyás Világosító: Schaffer Gábor Világosító asszisztens: Farkas Zoltán Lifthorder: Nagy Endre, Barabás Csongor Gyártásvezető: Sziklai Mátyás Gyártás: Miskovits Marci Drón: László Péter Smink: Felhalmi Kinga Smink 2: Bakonyi Dóra Styling: Metzker Viktória, Demeter Richard Sajtó, social: Metzker Viktória Vágás: Nagy Bence, Horváth Csaba (CM) Pirotechnika: Szabó Barnabás VFX: Nagy Endre Fényelés: Horváth Csaba (CM) Werkfotók: Czakó Balázs, Imre Norbert Werkvideó: Pál Barnabás, Márton Raymond Helyszín: Tópark Lakópark Modellek: Lakatos Annabella, Stern Mia, Bíró Cynthia Barbara, Géringer Katalin, Szeghalmi Vivien, Szőke Rebeka Autótulajdonosok, sofőrök: Farkas Péter, Zsombi, Pali, Balazs Tamas, Simó Csaba, Konta Attila, Mráz József, Boka Benjamin, Kristóf Gábor, Tomi Max Motorosok: Horváth Attila, Szalai Zoltán, Vérten Róbert, Szabó Márk, Kocsis Dániel Köszönet: DYESWAP, Solo I Membri, Heaven in Style, Tattoo Gin, Metzker Viktória, Farkas Péter, Boka Benjamin, Sticza Geri, Berki Ádám, Attila és All-Car fényező műhely munkatársai, Nagy Tímea és BURN csapat, Tópark Lakópark Külön köszönet a rengeteg barátnak, ismerősnek akik eljöttek a klipbe, segítettek, hozzátettek bármit ehhez a projekthez - nélkületek ez nem működne! Támogatók: BURN, Playersroom, DRK, Pizzaforte, All-Car, It's Time Shop, MVMT, New Era, Capland, Global Dream s.r.o., Operativ Leasing Tó-Park: (http•••) (http•••) Luxusautók: (http•••) (http•••) Tattoo Company - Criminal Gin: www.tattoo-company.hu (http•••)/ BSW: management: +••.••(...) webshop: www.beerseewalk.hu facebook: www.facebook.com/beerseewalk instagram: @beerseewalk A BSW termékeket a (http•••) oldalon találod. BSW LIVE: Bécsy Bence (gitár), Budai Dávid (zongora), Kocsis Máté (dob)/ T. DANNY: management: 06704277431 webshop: www.tdannymusic.hu facebook: (http•••) instagram: @tdanny_official/ LMEN PRALA: management: 06306309791 webshop: www.haniny.hu facebook: (http•••) instagram: @lmen_prala_the_rapper/ MOKAMBO GANG - mindenki néz, néz, néz MOKAMBO GANG - fenn a sok kéz, kéz, kéz MOKAMBO GANG - több lett a pénz, pénz, pénz Túl sok a fasz, akik mondját, hogy túl nagy a face, face, face, face Matyi: Ez van, le se szarom, már voltam ott, ahova te mész... Nem kell reppelnem, már megvan a pénz, megvan a pénz! De csak, hogy bele ne haljak, valamit be hogy valljak: Az van amit akarok: fiatal vagyok es gazdag Bebasztam az ajtót, dik mi a fasz, megjottem, dik mi a fasz?! Tíz év - rég top ez a team kiakaszt, megmondtam szívd ki a faszt Több lett a gond - de több lett a pénz Azt hiszik tudjak hogy ki vagyok, mindenki néz, mindenki néz, mindenki néz T. Danny: Ami volt, elmúlt, nem számít, rég volt, de már minden más itt Dolgozok, beszedek sok gázsit, túl magas vagyok hozzád, hozz sámlit Újra eldobnék bármit, engem ez a sok pénz csábít Hogyha azt hiszed, csak az arcom nagy, kérdezd meg a barátnődet, hogy miért sántít! Leszarom, lehet utálni tesó Én leróttam a büntetésem, úgy már minden jó Próbálják páran, de sehol nem tudják ilyen jól Csak ez a pénz, pénz, pénz , pénz - kurvák mindenhol! Gaben: Mindenki basztat, kérdik: dik, hol van az Astra? De most tényleg eladtad a faszba? - Nagy faszt! - Leadtam a vasba Megmondtam, hogy kell és lett szponzor - sok lett a gyökér, ki felkóstol Ez meló erre senki nem gondol - az a hülye aki pénzért nem posztol Faszfej! Az sír, ki a léjét csak elveri - megy a pénzzel a Gucci-ba egyből... Az életét putriba tengeti, helyi Drake, de nincs pénze a rapből Pöpec a pecóm, ez érték! Komolyan morog a TT! Kibasztam a biztit, habiszti a hisztis, a zenémre töri a tévét! Lmen Prala: Kokotta putto, kokotta putto Egyedül az úton, csórón a faluból Kokotta putto, kokotta putto Van pénzed aputól: koko-koko Mokambo Gang - a kinder kommandót szopatom le A nevetek kollabból lett, félted a bulót, de mutó, hol a bullet? Fuck! Szovjet rulett, kis buzik, ez szovjet rulett Az életem kész, kell még a pénz - Pralából apuka lett!
Giuseppe Domenico Scarlatti Alessandro Scarlatti Bruno Mantovani Lejet Isabelle Moretti Galassi Kenneth Weiss Weiss Cité Musique 1685 1757 2005 2006 2007 2011
D. Scarlatti: Sonate pour clavecin K9 Constance Luzzati, harp Giuseppe Domenico Scarlatti +••.••(...)) was an Italian composer who spent much of his life in the service of the Portuguese and Spanish royal families. He is classified as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. These keyboard sonatas are single movements, mostly in binary form, and mostly written for the harpsichord or the earliest pianofortes. (There are four for organ, and a few for small instrumental group). Some of them display harmonic audacity in their use of discords, and also unconventional modulations to remote keys. With an amazing energy, a deep understanding of music, and a permanent search to discover new repertoires, Constance Luzzati "wipes away, in one single sweep, all the stereotypes which still make solo harp sometimes look like a weird, austere animal1". Hailed by La Lettre du musicien for "her acute sense of musicality, of phrasing, of ornamentation of baroque — perfectly rendered by the harp — and a surprising virtuosity2", Constance Luzzati devotes herself mostly to early and contemporary music, out of personal inclination for these repertoires as well as artistic commitment. She believes the repertoire of her instrument could be fruitfully widened with quality new or early music pieces. She is currently working toward a PhD on the transcription for the harp of the French harpsichord repertoire. She also collaborates regularly with contemporary composers, world-premiering works for solo harp by Bruno Mantovani (2006) and Edith Lejet (2011). She has developed and performed many projects around the relationship between music and theatre. She has been intensively working with drama artists since 2006, playing and coordinating the live musical part of Brecht and Horvarth pieces, extensively touring in more than 20 cities in France, as well as in Russian (Moscow, St Petersburg) and Portuguese (Lisboa, Porto) theatre festivals. She has worked with actress Mary-Armelle Deguy on the transcription of a great 17th century short story by Madame de Lafayette as a musical dramatic work. As an insatiable discoverer, she has entered a prestigious drama school in Paris and learnt drama for two years in order to gain a new understanding of this art. Now she is preparing new projects as a harpist, with small ensembles of actors. She has won numerous prizes in international competitions: first prize in the 2007 Hungarian International Harp Competition, first prize in the 2006 Wales International Harp Competition, awarded for the best interpretation of contemporary music at the International Competition Cité des Arts in Paris in 2005, and awarded at the International Arpista Ludovico Competition in Madrid, also in 2005. She was a finalist in the 2011 Concert Artists Guild Competition in New York City. Additional recognition includes the Fondation pour la Vocation award, the Sacem award, the Adami award, and Cultures France award. Recital highlights and concerto soloists include famous Parisians concert halls (Cité de la musique, Maison de la radio, Petit Palais, Grand Palais), and some of the most important French festivals and halls (Folles journées de Nantes, Flâneries de Reims, Festival de Besançon, Duo Dijon, Maison de la musique). She has also appeared in Italy, Spain, Wales, England, Hungary, the Netherlands, and Japan — where she was invited to international festivals as a musical innovator, and as a creative advocate for her instrument. Constance Luzzati has earned Master's degrees in harp, in musicology, and in musical analysis, at the famous Conservatoire National Supérieur de Musique de Paris. She received the Avant-Scènes Prize in 2006, the highest award given to a CNSM postgraduate student. Her principal harp trainers were Isabelle Moretti and Germaine Lorenzini. She has also studied baroque harp at the Scuola Civica in Milan, with Mara Galassi. Additionally, she has been receiving great artistic guidance for early music from the harpsichord player Kenneth Weiss since 2006, as a postgraduate and PhD professor. Information and photos were taken from the Internet. www.constanceluzzati.com
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): L...