Franz Xaver Kleinheinz Vídeos
compositor austríaco
Conmemoraciones 2025 (Nacimiento: Franz Xaver Kleinheinz)
- compositor, pianista
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2024-06-02
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Beethoven Ferdinand Ries Kleinheinz Yoo 1803
L.V. BEETHOVEN Serenade in D Major Op. 41 for Flute and Piano (1803) [From the Serenade Op. 25 for Flute, Violin and Viola, red. by Ferdinand Ries or Franz Kleinheinz, rev. by L. van Beethoven] I. Allegro (00:00) IV. Andante con variazioni (02:20) VII. Adagio (07:07) - Allegro vivace e disinvolto (08:19) Jamie Yoo, Flute Meeyoun Park, Piano Live Performance
Beethoven Carl Czerny Kreutzer Cyprien Katsaris Diabelli Kleinheinz 1803
Beethoven composed his 9th violin sonata (op. 47) in 1803. He had it dedicated to Rudolphe Kreutzer who unfortunately considered the piece "outrageously unintelligible." The transcription used in the video was attributed to Czerny but the transcription Katsaris used is by an unknown arranger. The notes included with this album state: "The arrangers of movements I & III are unknown, although it could possibly be Czerny, Diabelli, or Kleinheinz. Carl Czerny transcribed the second movement." There may be some differences between the transcription used in the video and what Katsaris performs. I also changed it to gray scale because the sheet music was a color scan where the pages had become a brownish color. Wikipedia has this information on this movement: "The calm is broken by a crashing A major chord in the piano, ushering in the virtuosic and exuberant third movement, a 6/8 tarantella in sonata form. After moving through a series of slightly contrasting episodes, the theme returns for the last time, and the work ends jubilantly in a rush of A major." Also, "the final movement of the work was originally written for another, earlier, sonata for violin and piano by Beethoven, the Sonata No. 6, Op. 30, No. 1, in A major." Sources: Sheet music: (http•••)o/files/imglnks/usimg/a/a3/IMSLP613524-PMLP3880-beethoven_op47_arr_czerny_pf_solo.pdf Violin Sonata 9: (http•••) Beethoven: (http•••) Cyprien Katsaris: (http•••)
Amon Kleinheinz 1826 1850 2013 2015 2016
This video includes the museum audio-tour description of "Walter Chandler Æ 21months" by Walter Chandler, 1850. Self-Taught Genius: Treasures from the American Folk Art Museum can be seen at the Amon Carter Museum of American Art, October 10, 2015 through January 3, 2016. Self-Taught Genius: Treasures from the American Folk Art Museum is organized by the American Folk Art Museum, New York. The exhibition and national tour are made possible by generous funding from the Henry Luce Foundation, as part of its 75th anniversary initiative. Local presentation is sponsored by the Kleinheinz Family Foundation for the Arts and Education. - See more at: cartermuseum.org/exhibitions/selftaughtgenius#sthash.hPyX2Hql.dpuf Walter Chandler, Æ 21 months Walter Chandler (1826–?) Elizabethtown, New Jersey 1850 Watercolor and gouache on paper, 2 3/4 x 3 1/4" Collection American Folk Art Museum, New York, Gift of Ralph Esmerian, 2013.1.16
Beethoven Sir James Galway Kleinheinz Hoffmeister Kühnel 1797 1801 1802 1803
Ludwig van Beethoven: Serenade for flute, violin and viola in D major, Op. 25 (with Score) Composed: 1801 Performance: Sir James Galway, The London Virtuosi 00:00 1. Entrata, Allegro (D major) 03:45 2. Tempo ordinario d'un Menuetto (D major) 09:01 3. Allegro molto (D minor) 11:18 4. Andante con Variazioni (G major) 17:36 5. Allegro scherzando e vivace (D major - D minor) 19:37 6. Adagio – Allegro vivace e disinvolto (D major) Although 1801 is generally the year given for the composition of the Serenade, Op. 25, there exist preliminary sketches that are earlier, and some scholars believe the work dates from 1797, around the time Beethoven completed his Serenade, Op. 8. The Serenade, Op. 25, was certainly finished by late 1801 when Beethoven offered it to fledgling publisher G. Cappi, who printed the work in early 1802. In 1803 Franz X. Kleinheinz arranged the Serenade, Op. 25, for flute/violin and piano, which Beethoven checked and approved. This was printed in December 1803 by Hoffmeister & Kühnel in Leipzig as Op. 41. By Mozart's time, the term "serenade" was not necessarily associated with a piece played in the evening and directed toward a lover. Serenades were still, however, pieces written for particular occasions and often performed outdoors. In Vienna it became common to compose such works for very small ensembles. Beethoven's Serenade in D major, Op. 25 for flute, violin, and viola, follows the pattern of Mozart's great serenades in that it opens and closes with fast movements that enclose at least one slow movement mixed with minuets. The forces, however, are reduced, consisting of only a flute, violin, and viola, and the structure of the work is also much smaller in scale.
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