Ralph Kirkpatrick Vídeos
músico estadounidense
Conmemoraciones 2024 (Muerte: Ralph Kirkpatrick)
- clavecín
- música clásica
- Estados Unidos
- pianista, musicólogo, clavecinista
Última actualización
2024-05-14
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Charles Edward Ives Alexei Lubimov Drury Sinclair Kirkpatrick Cob Elliott Carter Beethoven 1623 1840 1874 1904 1911 1915 1919 1920 1938 1939 1947 1954 2012
Composer: Charles Edward Ives (20 October 1874 – 19 May 1954) Work Title: Piano Sonata No.2, 'Concord, Mass., 1840–60' Performers: Alexei Lubimov (piano), Laurent Verney (viola), Sophie Cherrier (flute) 0:00 - I. "Emerson" (after Ralph Waldo Emerson) 16:23 - II. "Hawthorne" (after Nathaniel Hawthorne) 29:21 - III. "The Alcotts" (after Bronson Alcott and Louisa May Alcott) 35:29 - IV. "Thoreau" (after Henry David Thoreau) The Piano Sonata No.2, Concord, Mass., 1840–60 (commonly known as the Concord Sonata) is a piano sonata by Charles Ives. It is one of the composer's best-known and most highly regarded pieces. A typical performance of the piece lasts around 45 minutes. Some material in the Concord Sonata dates back as far as 1904, but Ives did not begin substantial work on it until around 1911 and largely completed the sonata by 1915. The Concord Sonata was first published in 1919 with a second, revised, edition appearing in 1947. It is this version which is usually performed today. In 2012, a reprint of the original, uncorrected 1920 edition was published, including Essays before a Sonata and with an added introductory essay by the New England Conservatory's Stephen Drury. According to James B. Sinclair's catalogue of Ives' works, the sonata was publicly premiered by John Kirkpatrick on November 28, 1938 in Cos Cob, Connecticut. There had been earlier performances of isolated movements and excerpts. The second performance (given in many sources as the premiere), also given by Kirkpatrick, was given at the Town Hall in New York City on January 20, 1939. Among those present was Elliott Carter, who reviewed the piece in the March–April 1939 edition of the journal Modern Music. The sonata's four movements represent figures associated with transcendentalism. In the introduction to his Essays Before a Sonata (published immediately before the Concord Sonata) Ives said the work was his "impression of the spirit of transcendentalism that is associated in the minds of many with Concord, Massachusetts of over a half century ago. This is undertaken in impressionistic pictures of Emerson and Thoreau, a sketch of the Alcotts, and a scherzo supposed to reflect a lighter quality which is often found in the fantastic side of Hawthorne." The piece demonstrates Ives' experimental tendencies: much of it is written without barlines, the harmonies are advanced, and in the second movement, there is a cluster chord created by depressing the piano's keys with a 14 3⁄4-inch (37 cm) piece of wood. The piece also amply demonstrates Ives' fondness for musical quotation: the opening bars of Ludwig van Beethoven's Symphony No.5 are quoted in each movement. Sinclair's catalogue also notes less obvious quotations of Beethoven's Hammerklavier Sonata and various other works. Unusually for a piano sonata, there are optional parts for other instruments: near the end of the first movement there is an optional part for viola, and in the last movement a flute (an instrument which Thoreau played) briefly appears. Source: (http•••) Source videos: 1st movement: (http•••) 2nd movement: (http•••) 3rd movement: (http•••) 4th movement: (http•••)
Igor Stravinsky Oppenheim Ralph Kirkpatrick Alexander Schneider Tuttle 1911 1954 1956 2016
Provided to YouTube by Sony Classical Septet: I. [sonata allegro] quarter note = 88 · Igor Stravinsky · David Oppenheim · John Barrows · Loren Glickman · Ralph Kirkpatrick · Alexander Schneider · Karen Tuttle · Bernard Greenhouse Stravinsky - Chamber Works 1911-1954 Conducted by the Composer ℗ 1956 Sony Music Entertainment Released on: 2016-04-01 Auto-generated by YouTube.
Chester Edward Ide Ebenezer Prout Frederick Corder Davenport Arthur Farwell Kirkpatrick Quinto Maganini Tucker Georges Bizet 1821 1877 1894 1900 1907 1908 1909 1913 1915 1932 1933 1944 1956
It is my express wish that any and all remuneration that may be my due be instead directed towards all holders of copyright. Chester Edward Ide +••.••(...)) Symphony in A minor I. Allegro agitato ma non troppo 0:00 II. Adagio pesante 9:43 III. Scherzo: Vivace 18:21 IV. Finale: Con energico 24:22 Greenwich Symphony Orchestra David Gilbert, conductor Chester Edward Ide (June 13, 1877—March 18, 1944) was an American composer and music teacher, primarily known for his operettas, some major instrumental works, and his participatory teaching methods. Chester Edward Ide was born on June 13, 1877, in Springfield, Illinois to a prominent local family. Ide began piano lessons at the age of 7. When he was 16, he expressed the intention to become a concert pianist and, at his request, his parents sent him to London in 1894 to study music at the Royal Academy of Music. There he studied with Ebenezer Prout, Frederick Corder, and F. W. Davenport. During his school years, he published his first song, entitled “Song of Love and Death,” with words by Alfred, Lord Tennyson Ide spent 6 months in Berlin, Germany, and then returned to Illinois in 1900, to teach piano, music theory, and composition at the Springfield Conservatory of Music. During this period, he composed several early orchestra works, including two Waltzes, the Idyllic Dances for orchestra, a Second Suite for Orchestra, the piano piece “Waltz to Margaret,” and more songs. Ide was married twice. His first marriage was around 1907 to Margaret Dorothy Townley Lawrence, of the Springfield area. They had two children. They were divorced probably sometime between 1909 and 1915. His second marriage was to Vella Martin, of Galesburg, Illinois. They had two daughters: Letitia and Elfrid. In 1908 he had a work performed in New York City at the Institute of Musical Art (now the Juilliard School). The work was “Melody for Violin;” it was performed by Archule Sheasby, violin, and Edith Longstreet, piano. Ide moved there sometime between 1913 and 1915. In New York, he became involved in many musical activities. He was sponsored by Arthur Farwell, for whom he served as a local leader of the American Music Society. In the 1920s, Ide moved to Connecticut, where he worked as a music teacher at the Unquowa School in Fairfield, Connecticut, a private elementary school. In the early 1930s, during the Great Depression, Ide was laid off from his teaching position. Out of work, he embarked on an intensive period of composition, encouraged by friends John Kirkpatrick (pianist), Quinto Maganini (flautist and conductor), and Gregory Tucker (pianist). It was during this time that he composed his Symphony in A Minor, which was finished in 1932 and dedicated to Georges Bizet. “While he was writing it, his mother died,…and his sadness is reflected in the slow, dirge-like second movement”. In the 1930s and 1940s Ide's work met with growing success. Ide had moved to Greenwich Connecticut and had found work as a music teacher at The Edgewood School. It was described as a “private school of progressive trend, which closed in 1956,” and was located in Rock Ridge, Connecticut. His wife was a teacher there also. There he composed several children's operettas, many of them co-composed by his students as part of their musical training. The students also performed in them. His works received several local performances during this time, including a performance of his Suite in B Minor in 1933 by the Maganini Chamber Symphony at Greenwich's Masonic Temple. Ide's Piano Sonata in A was also premiered in 1933 by his pianist friend John Kirkpatrick, at the Greenwich Library. Ide died on Saturday, March 18, 1944. in Greenwich, Connecticut, after a brief illness. He was buried in Springfield, Illinois, in the family plot.
Alessandro Longo Domenico Scarlatti Ralph Kirkpatrick Domenico Gallo 1864 1910 1945 1953
Lorenzo Stasi - Piano 00:00 / 10:43 (theme and variations) / 22:46 (fugue) Kudos to Conservatorio "S. Giacomantonio" di Cosenza for making this possible: (http•••) Alessandro Longo (1864–1945) was a highly influential and strikingly versatile figure in early twentieth-century Italian musical life. He taught piano at the Naples Conservatory for around forty years, and played a key rôle in the rediscovery of Scarlatti’s harpsichord music with his critical edition of the complete sonatas. He himself wrote a substantial number of piano and chamber works, including the Suite, Op. 62, composed in October 1910 and published by Ricordi (Milan). Today, Longo is mainly remembered for compiling an almost comprehensive catalogue of the keyboard works of Domenico Scarlatti. For many years, Scarlatti's keyboard sonatas were conventionally identified by their Longo numbers, but these were later superseded by those found in Ralph Kirkpatrick's catalogue. Longo's Catalogue originated in his landmark full publication of the works of Scarlatti in 11 volumes and implied particular groupings of the sonatas, the chronology of which was later completely revised and differently grouped in Kirkpatrick's 1953 study of the composer. Longo also edited works by Domenico Gallo. There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.
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- cronología: Intérpretes (Norteamérica).
- Índices (por orden alfabético): K...