Karl Leimer Vídeos
pianista, profesor de música, director de escuela
Conmemoraciones 2024 (Muerte: Karl Leimer)
- piano
- música clásica
- Reich alemán
Última actualización
2024-05-12
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Kurt Leimer Leimer Frédéric Chopin
Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin focusing on thirds, trilling them at a high speed. Also called the Double Thirds Etude, Op. 25, No.6 is considered one of the hardest of Chopin's 24 Etudes, ranking the highest level of difficulty according to the Henle difficulty rankings.
Walter Gieseking Claude Debussy Maurice Ravel Karl Leimer Schoenberg Busoni Hindemith Szymanowski Pfitzner Fritz Busch Beethoven Nicolas Dautricourt Carnegie Hall 1895 1915 1923 1926 1928 1949 1956 1963
It was with the repertoire of French masters that the German pianist Walter Gieseking became most famous. The impressionistic piano writing of Claude Debussy and Maurice Ravel required the most sensitive touch and attention to color and nuance, and Gieseking's finger acuity, imaginative pedaling, and above all, preternaturally alert ear made him an ideal interpreter of this music. Nevertheless, his own repertoire ranged widely across eras and national boundaries. Largely self-taught as a pianist, Gieseking was born in Lyon, France, on November 5, 1895; with his family (his father was a distinguished doctor and entomologist), he traveled in France and Italy until he enrolled at the Hannover Conservatory, where he came under the tutelage of Karl Leimer, making his debut in 1915. Gieseking was drafted into the German army a year after his first public performance but escaped combat by performing in his regimental band. After the war, he undertook the the life of a working musician, accompanying singers and instrumentalists, playing in chamber music ensembles, and working as an opera coach. He could hardly avoid the heady artistic atmosphere of postwar Germany, and he became an advocate of new music, playing works by Schoenberg, Busoni, Hindemith, Szymanowski, and Pfitzner, whose Piano Concerto he premiered under Fritz Busch in 1923. Subsequent debuts in London (1923), the United States (1926, Aeolian Hall, New York), and Paris (1928) were highly acclaimed, with audiences and critics responding enthusiastically to Gieseking's subtle shadings and contrapuntal clarity. The Second World War brought controversy to Gieseking: like many other artists who remained in Germany during hostilities, he was accused of collaborating with the Nazis. His 1949 Carnegie Hall engagements caused such an uproar that they had to be cancelled; but he was eventually cleared of all charges by an Allied court in Germany. His concert career resumed with the success it had formerly enjoyed. To this activity he added a heavy schedule of recording, committing to disc the complete solo piano music of Mozart and the Beethoven concertos, as well as complete sets of Debussy's and Ravel's piano works. At the time of his death in London (October 26, 1956), Gieseking was engaged on a project to record all the Beethoven piano sonatas. His recordings of Debussy and Ravel are regarded as benchmarks for every subsequent performer. Gieseking's autobiography, So wurde ich Pianist, was published posthumously in 1963; it seems never to have been translated into English. (AllMusic) Please take note that the audio AND sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry. Original audio: naxosmusiclibrary.com (Performance by: Nicolas Dautricourt, Eric Lacrouts, and Bleuenn Le Maitre) Original sheet music: (http•••)
Leimer Gieseking Blatt Linke 1931 1986
Schluss mit stumpfsinnigem Wiederholen! Mit dieser genialen Methode lernst du deine Wunschstücke schnell und sicher auswendig. Lernst du deine Stücke bisher durch langweiliges Wiederholen kurzer Abschnitte? Das nervt und ermüdet. Wie’s viel besser geht, mit Freude und nachhaltigem Erfolg, zeige ich dir an einem einfachen Lied: „Der Mond ist aufgegangen“ ▬ Noten zum Download ▬ (http•••) 00:00 Einleitung 00:10 Ohne Instrument im Zug auswendig lernen 02:09 Buchempfehlung: Leimer/Gieseking: Modernes Klavierspiel (1931) 02:50 Kleines Experiment zum mitmachen: Gedächtnistest 05:49 Konkretes Beispiel am Klavier: Der Mond ist aufgegangen 05:51 Erster Schritt: vom Blatt spielen 07:31 Analyse: Verstehen was du spielst 09:29 In Abschnitte einteilen 10:16 Auswendig lernen: erster Abschnitt 13:42 zweiter Abschnitt 14:03 Tipp: Lerne die Notennamen der Tonleiter auch rückwärts 15:48 „Blind“ spielen 16:21 Abschnitte verbinden 17:21 Dritter Abschnitt 18:40 Erste Zeile im Zusammenhang 19:20 Zweiter Schluss 20:05 Ganzes Stück auswendig 21:31 „Polieren“ – musikalische Gestaltung verfeinern 22:45 Linke Hand 23:50 Beide Hände zusammen 24:37 Nachwort Hast du Fragen zum Thema Klavier lernen? Stell jetzt deine Frage als Kommentar! Hashtag: #FragFT ▬ Dein Geschenk: Die 8 magischen Übe-Tipps ▬ ► (http•••) ▬ Online Video Kurse: „Spielend Klavier lernen“ ▬ Video-Kurse für Einsteiger und Wiedereinsteiger 336 Videos, mehr als 27 Stunden reine Spielzeit. ► (http•••) ▬ Klavierlehrer Franz Titscher ▬ Seit 1986 unterrichte ich als kreativer und motivierender Musikpädagoge in München. Meine Spezialität ist Prüfungsvorbereitung für Musikstudenten. Das bedeutet: Meine Schüler und Studenten profitieren von Arbeitstechniken aus der „Profiliga“, die in meinen gesamten Musikunterricht einfließen. So lernst auch du leichter und schneller – mit mehr Freude an der Musik. ▬ Vielen Dank für deinen Kommentar, Like und Empfehlung! ▬ #Klavierstücke_auswendig_lernen #Klavier_lernen
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- cronología: Intérpretes.
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