Julian Fontana Vídeos
músico polaco
- piano
- Polonia, Imperio ruso
- compositor, pianista, profesor de música
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2024-05-10
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Giovanni Battista Fontana Fontana 1600 2013
Provided to YouTube by NAXOS of America Sonata No. 12 a 2 · Le Concert Brisé Venetian Art 1600 ℗ 2013 Accent Released on: 2013-01-01 Ensemble: Le Concert Brisé Conductor: William Dongois Composer: Giovanni Battista Fontana Auto-generated by YouTube.
Chopin Zimerman Robert Schumann Pleyel Julian Fontana 1839 1840
Chopin Ballade No.2 Op 38 in F major/ A minor - Kystian Zimerman A new Chopin Ballade has appeared’, noted Robert Schumann in his diary in October 1840. ‘It is dedicated to me’, he continued. ‘It gives me greater joy than if I’d received an order from some ruler’. He immediately reviewed it in the Neue Zeitschrift für Musik, including in his account a mention of Chopin’s stay in Leipzig four years previously. ‘I recollect very well that when Chopin played the ballade here, it ended in F major; now it closes in A minor.’ Besides this, ‘its impassioned episodes seem to have been inserted afterwards.’[i] Here we have a problem. The account is too detailed to surmise that Schumann’s memory was faulty. There is much to suggest the existence of some earlier version of this work – a version that Chopin presented to Schumann and his inner circle during the second of their memorable encounters. Moreover, we know for certain that Chopin was working on the F major Ballade in Majorca. In January 1839, after a Pleyel piano had arrived from Paris, he informed Julian Fontana: ‘You’ll soon receive the Preludes and the Ballade’. And a couple of days later, when sending the manuscript of the Preludes: ‘In a couple of weeks, you’ll receive the Ballade, Polonaises [in A flat major and C minor] and Scherzo’. So the ultimate shape of the Ballade was conceived in Majorca. It was there, in the atmosphere of an abandoned monastery, surrounded by wondrous, wild nature, that the idea of contrasting the music of a soft and tuneful siciliana with the music of a demonic presto con fuoco – the music of those ‘impassioned episodes’, as Schumann called them – must have arisen. Read it at all on: (http•••) 0:00 Introduction 0:04 Theme I in F major/A minor/ C major. 2:05 Theme II in A minor/ G minor, something like a thunder. 2:29 Development in D minor/F minor/Ab minor. 2:53 Transition. 3:01 It starts like theme I but... 3:18 Theme I in A minor, like in the beginning. 3:36 Transition. 5:10 Theme II now in D minor/A minor. 5:30 Transition for something new... 5:52 Coda explosive and beautiful. 6:24 Something like theme II. 6:37 Something like the theme I that ends the song in a mournful way. Sheet: (http•••)
Fontana Gigli Righini Paulin Sacchi Michetti Stradella Boccadoro Marchetti 1979
Nada – Il Meglio Di Nada Etichetta: RCA – NL 33135 Serie:Linea Tre –1979 Elenco tracce A1 Les Bicyclettes De Belsize Accompanied By – "I Cantori Moderni" di Alessandroni*, R.Cini La Sua Orchestra* Written-By – B.Mason*, L.Reed*, Misselvia, Prandoni* 3:04 A2 Ma Che Freddo Fa Accompanied By – R.Cini La Sua Orchestra* Written-By – Mattone*, Migliacci* 2:55 A3 Che Male Fa La Gelosia Arranged By – T.Mimms* Written-By – Mattone*, Migliacci* 3:21 A4 Pa' Diglielo A Ma' Accompanied By – P. Pintucci E La Sua Orchestra* Written-By – Migliacci*, Fontana*, Gigli* 3:24 A5 Bugia Accompanied By – P. Pintucci E La Sua Orchestra* Written-By – Lucarelli*, Migliacci*, Righini* 2:39 A6 Il Cuore È Uno Zingaro Accompanied By – "I Cantori Moderni" di Alessandroni*, R.Cini La Sua Orchestra* Written-By – Mattone*, Migliacci* 3:54 B1 La Porti Un Bacione A Firenze Arranged By – P. Pintucci* Written-By – O. Spadaro* 3:57 B2 Re Di Denari Accompanied By – "I Cantori Moderni" di Alessandroni*, R.Cini La Sua Orchestra* Written-By – Mattone*, Migliacci* 2:35 B3 Piano Piano Dolce Dolce Accompanied By – P. Pintucci E La Sua Orchestra* Written-By – Mattone*, Migliacci* 3:06 B4 Una Chitarra E Una Armonica Accompanied By – "I Cantori Moderni" di Alessandroni*, R.Cini La Sua Orchestra* Written-By – Ansbach, Migliacci* 3:54 B5 Brividi D'Amore Accompanied By – G. Oddi E La Sua Orchestra* Written-By – Paulin*, Sacchi*, Michetti* 3:40 B6 La Fisarmonica Di Stradella Written-By – P. Conte* 2:42 Società, ecc. Printed By – Grafiche Boccadoro Riconoscimenti Producer – F. Migliacci* (tracks: A1 to B5), G. Marchetti* (tracks: B6)
Piave Giuseppe Verdi Eduardo Ayas Delgado Robles Isnardi Zingoni Longo Fontana 1994
LA TRAVIATA Libreto de Francesco María Piave Basado en la novela "La Dama de las Camelias" de Alejandro Dumas (h) Música de GIUSEPPE VERDI TEATRO ARGENTINO DE LA PLATA Temporada 1994 Sala de 49 entre 7 y 8 Reparto Violetta Valery: ADELAIDA NEGRI Alfredo Germont: EDUARDO AYAS Giorgio Germont: LUIS GAETA Flora Bervoix: ALICIA DELGADO Gastón, Vizconde de Letorieres: LUIS ROBLES Annina, criada de Violetta: MATILDE ISNARDI Barón Douphol: MARIO BASSO Marques D'Obigny: MARIO ZINGONI Dr. Grenvil: GIANNANTONIO VERLATO Giuseppe, sirviente de Violetta: CARLOS SINISCALCO Criado de Flora y Comisionario: RENATO REDIGONDA Danzas del Acto II: Aída Pontieri - Roxana Dodd Miryam Ballesteros Marcelo Torus - Claudio Longo Carlos Villamayor Gabriela Climent - Mirta Trinidad Marisa Fontana - Rodolfo Sorbi Claudio González - Marcelo Reynoso Director de Orquesta: REINALDO CENSABELLA Regisseur: MARGA NIEC Director del Coro: LUIS CLEMENTE Reposición Coreográfica: ESMERALDA AGOGLIA (sobre trazados de Margarita Wallmann) Escenografía y vestuario: CARLOS GIANNI Iluminación: MARGA NIEC y CARLOS GIANNI Maestra apuntadora: MARIA SOLEDAD DE ACARREGUI
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- cronología: Compositores (Europa). Intérpretes (Europa).
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